The Visual Science Lab
Saturday, June 02, 2012

A post from 2009. Thought of it today as I reached for my 50mm 1.4 and my NIkon F...

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Fifty Millimeters. The Glorious Optics of Yesterday.   Ben Tuck.  Post Swim.  Nikon 50mm 1.2 ais. My first camera was a Canon QL1...
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A Dancer and her feet. 35mm film. Oldest School.

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I don't ever remember worrying about grain or noise when I shot film.  It was what it was.  I'd load the camera with Tri-X and...
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Michelle in the black dress.

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I remember our session like it was yesterday.  Michelle walked into my studio in this fantastic dress and I was enchanted.  She always h...
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Visible Means of Support.

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Sometimes the cameras and lenses don't matter nearly as much as getting them into the right place to make photographs and keeping th...
9 comments:
Friday, June 01, 2012

Breadsticks. How else would you make art for a bakery?

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Rosie. Photographed with a Rolleiflex 8008i. 150mm Zeiss Sonnar. I sometimes go to a Bakery called Sweetish Hill Bakery.   It was fo...
1 comment:
Thursday, May 31, 2012

Taking career advice from the graffiti on a bridge.

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Do you ever find yourself pulled in too many directions at once? I've got so many balls in the air I feel like I'm jugglin...
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A quick test of the a57 in use at 3200 ISO/ 3200K

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I love shooting in the theater when the light is sweet and the plays are interesting.  I bought a Sony a57 just for shooting in low ligh...
5 comments:
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Kirk
Anything. Everything. All at Once. Some later.
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