The Visual Science Lab
Sunday, September 10, 2017

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The Age of the Image. By Stephen Apkon I was rummaging through the shelves of books about cinematography at our local, independent...
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Saturday, September 09, 2017

A Perennial Conference Photographed with a Different Model and Brand of Camera Every Year for Nine Years.

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Every year (except one) in the last nine years I have been hired to photographically document a very unique corporate conference tha...
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Wednesday, September 06, 2017

Last week I talked about photographing two actors on white for the upcoming production of "Singing in the Rain." Here's the first use. A printed post card...

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I love to show finished projects. I worked with Rona Ebert who is the in-house design director at Zach Theatre on this assignment. We me...
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Tuesday, September 05, 2017

I just had to go out and do a quick test of a lens I'll probably use less than most of my other lenses. It's the Panasonic/Leica 8-18mm.

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As most loyal readers probably know I think of wide angle and ultra wide angle lenses as an afterthought. But when shooting commerci...
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Conjoining a GH5 camera body with a Contax/Yashica Zeiss 50mm f1.7 lens and then throwing caution to the wind and shooting mostly at f2.0 and f2.8.

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It's fun to mix and match. I've been playing around with the Panasonic GH5 cameras for a week or so and have found the Olympus ...
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Monday, September 04, 2017

Lighting Mr. Hooper.

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It's always all about the big, spot main light. For this portrait of a very accomplished theatrical talent I used a large softbox ove...
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Sunday, September 03, 2017

The GH5. What does it really look like at ISO 3200. One quick example shot in murky conditions.

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Leslie as the evil queen in a Zach Theatre production of  "The Lion, the Witch and the Wardrobe" for kids. My friend, ...
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Kirk
Anything. Everything. All at Once. Some later.
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