The Visual Science Lab
Friday, April 19, 2019

My non-verbal, non-literate, review of the Fuji 60mm f2.4 macro lens as a daylight, outdoor, good light shooting tool. No conclusion beyond what you can see when you blow these up.

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 ©2019 Kirk Tuck. Austin, Texas Downtown.   ©2019 Kirk Tuck. Austin, Texas Downtown.   ©2019 Kirk Tuck. Austin, Texas Downtown. ...
4 comments:

Sleep walking beside Fifth Street. A humorous essay on the wearisome duality of modern existence in a populous city where no one is outside.

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In a more serious artery, this was my experiment in using Fuji's flat, "Eterna" color profile. It's one they suggest fo...
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Napping Near the Kitchen. An Enthrotopic Dissection of Post-Industrial, Post-Techno-dustrial, Cultural Dysphoria Mapped to Benton-esque Layerscaped Flattening Poems.

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Peanut Butter and Jelly in a Post Apocalyptic Funk. Sink-Situated. Rendered onto archival nano-acute pixels. This one was difficul...
15 comments:

Wake up. Swim. Photograph.

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©2012 Kirk Tuck. "Noellia." I'm still trying to get back in shape after that rotten cold and cough I lived through the ...
5 comments:
Thursday, April 18, 2019

Hanging out on the ranch.

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Experience tells us that some days are best spent on a quiet ranch, away from the random chaos of life and commerce. A few thousand acr...
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Best lighting value of the week and then most fun light of the week. Kirk's pick.

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I had two projects this week and I enjoyed them both very much. On each project I used the same two lights. One is very sensible and ver...
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Photo Celebrity Origin Stories. Or, why can't we admire people who do stuff right?

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Jimmy Moore as "Black Stash" in Zach Theatre's, "Peter and the Star Catcher."  I find it comforting and natur...
3 comments:
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Kirk
Anything. Everything. All at Once. Some later.
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