7.16.2015

Panasonic announces a new camera that might make m4:3 users upgrade. It looks great on paper, with one exception.....


What's not to like about the latest announcement from Panasonic? It popped up on my radar this morning because the announcement is all over the web. Here's the main stuff we like: The body style is super groovy. Very retro and aimed at photographers who are nostalgic for the cool, self contained, rangefinder style cameras of the 1960's and 1970's. The EVF is one of the new, high density internal screens that provides something like 2.6 million pixels to provide a detailed finder image. The camera  features Panasonic's respected 4K capabilities and it should be a very decent video camera. The thing that most people will be excited by is that it's the first micro four thirds camera to feature a sensor that provides more than 16 million pixels. Thom Hogan reminds us that the scale up from 16 to 20 million pixels only gives us 13% more resolution. Pretty sure that's not going to make a huge difference but then again, you may be one of those shooters who needs every last pixel for some giant prints.

The camera is a bit bigger and bit heavier than its predecessor, the GX-7, but I think that's a good thing on both counts; more space to lay out buttons and give our fingers a bit of relief space and the extra weight will probably mean steadier shooting.

The camera has built-in image stabilization but it goes one step further (when using Panasonic lenses that are so endowed) by using the I.S. in the lenses at the same time. Apparently the combined stabilization from both body and lens makes for a steadier image than either method used individually. I can only imagine that combining the two is a direct result of the inclusion of a much faster processor that can do the math required to optimize both sets of moving parts in tandem. Seem Moore's Law keeps improving cameras in a way that is different than just stuffing more pixels on a die.

So, better finder, better I.S., 4K video, more resolution (and presumably the same or lower noise!) and better handling all add up to a mature and potentially delightful new imaging product. What about my caveat in the headline?

It's not really that big of a deal but when I read through the specs I see that, while the camera has a port for the use of external microphones there is no port for headphones with which to monitor said external microphones. That instantly relegates the GX-8 to Fun secondary art camera for me. But the omission isn't a big deal if you never really intend to do much video or if you are happy shooting double sound with an external recorder instead of using audio that comes directly into the camera.

I think the camera is quite handsome and I'd like to have one in the silver finish. It looks very much like the Company's L1 (See DPR for illustration and review), digital 4:3 camera from about eight years ago. I handled that camera and liked its ergonomics as well.

If one were transitioning from a massive DSLR this might make a good choice for a first, higher end, foray into micro four thirds, but the equation is much different if you already own current Olympus products. Switching to the GX-8 as the primary camera would be scary since Olympus must surely have something new up their sleeves such as a revision/upgrade of the OMD EM-1. Remember that the launch of that camera happened during the October Photo Expo show nearly two years ago. Seems like it's just about time for something new to come out.

I'm hesitant to buy a GX-8 until I see if Olympus leapfrogs them again with something special. Choices, choices.

I wonder who will be pre-ordering this one? 

7.15.2015

Celebrating Wing Span. On stage.




Play: Sophisticated Ladies.
Location: Zach Theatre, Austin, Texas
Date: July 14, 2015
Photographer: Kirk Tuck
Cameras: Nikon D610, D810
Metering: Yes.



The Piano Series from Sophisticated Ladies at Zach Theatre. In the red dress? Afra Hines, incredible dancer!







I had much fun photographing the final dress rehearsal of Zach Theatre's rendition of "Sophisticated Ladies." As usual, the sheer quality of the actors, the stage sets, the lighting and the music were as good as the best anywhere. For a photographer who loves to photograph people there is a little that beats an evening spent in a comfortable seat, watching incredibly talented people move through space with grace and precision. Add to that great songs written by Duke Ellington and performed by a live orchestra. And finally, I get to experience it all with two really cool cameras and two of my new favorite lenses. 

I blocked off the seats on either side of me and the seats in front of me so the noise of the shutters wouldn't disturb people. I generally had the Nikon D810 in my hands, coupled with the older 80-200mm ff2.8 ED push pull lens. When a dance scene with a large ensemble spread across the stage I reached for the D610 sitting on top of the Domke camera bag in the seat next to me. That camera had the 24-120mm f4 lens on the