One of the things I love about Austin, Texas is the Blanton Museum. It's a great space and it's filled with lots of fun and engaging art. Sure, there's some conceptual stuff that I don't really get, and some pretentious stuff from the 1960's that wears thin quickly, but for the most part everything is pretty cool, right down to the furniture. I can be a cheap bastard so I tend to go on Thursdays when admission is free. And I always bring a camera along....but you knew that.
It seems as though my relationship with the Fuji X-Pro2 is getting more serious. I seem to bring one of the two that I own with me just about everywhere. And, bowing to peer pressure, as well as the persuasive set up of those cameras, with their optical finders, I find that one always sports the 23mm f1.4 while the other one is always adorned with the 35mm f1.4. The combination seems so Leica-like in that respect. They are devilishly good tools for convincing oneself that good work is being done when, in reality, you've just snuck out to look at art as an excuse to put off work that's no fun.
The cause of my procrastination is my huffiness about video editing. I just am not a big fan. I think if I did it more often I'd build up some sort of resilience but so far I just find most video editing to be tedious and boring. An apt occupation for people with different values. Or a punishment in some countries for shoplifting....
When I walked around the museum today my mind wandered and I found it loitering around ideas concerning what it is I do for a living and how much longer I want to pursue it. I've been an assignment oriented photographer for over 30 years and the sad thing is that creative concepting and budgeting seem to be going backwards; devolving. I keep getting comps to bid on that call for images that I would never want to put in a portfolio. Much less frame and put up on a wall. I'm in a bit of despair about the implosion (paucity) of cerebral quality I keep seeing from advertising agencies. At what point did the creative personal capitulate entirely to the business side of the business?
I recently watched a V-Log by James Popsys who is currently my very favorite photographer/v-logger. It's a video that explains why he exited the assignment arena to pursue self-assignment and direct sales and it's a video that spoke very clearly to me. Here's the link: Link.
Of course, this kind of thinking always occurs to me after I've volunteered for, or accepted, some project which sounds like so much fun when we're in discussions and turns out to be so much drudgery when we get down to the actual shooting and/or post processing....
I'm quite confused today so I'll default to my typical dodge: Wasn't the gear great? And yes, the X-Pro2 is a fun, fun camera. Even if the images are no better than any other camera with the same basic sensor configuration the more complex and selectable viewfinder at least gives me the feeling that I'm doing something serious and constructive. Even if I'm not.
I came back to the studio and got back to work on the videos. Typical client point of view: We need to include: ABCDEFGHIJKLMNOPQRSTUVWXYZ in the video, and it needs to be no longer than :60 seconds. If you figure in the introduction and the art and logos at the end you have about 40 seconds left for content. How many thoughts can you convincingly cover in forty seconds? I'd say you're lucky to get two out. But 26? Pure fantasy.
Tomorrow I'll re-commit to doing nothing but still photography. The way God intended it...