I shot this originally as a black and white image. It was boring as hell. It's still a bit boring if you don't particularly like urban architecture but at least you can rest your eyes on stuff that's blue. That's the most popular color for paintings across all cultures. We, as humans. like to look at blue.
7.28.2023
Today is starting out well. For the first time in weeks we have no heat alerts or heat warnings. It'll be hot today but not much hotter than it normally is this time of year. I celebrated by going out for a "traditional" walk. And I took along a Leica CL. Stripped of all accessories.
I shot this originally as a black and white image. It was boring as hell. It's still a bit boring if you don't particularly like urban architecture but at least you can rest your eyes on stuff that's blue. That's the most popular color for paintings across all cultures. We, as humans. like to look at blue.
I was photographing in black and white this morning but my brain told me that it was okay to make some photographs in color. I was okay with that.
7.27.2023
Two Assignments Completed with the new (to me) Fujifilm GFX50S-2. I have coffee with a blog reader. And a new lens gets delivered. Lordy.
When we last left our profligate protagonist he has just dropped yet more money into a camera he didn't need. But wanted. It was the Fuji 50Sii. Along with his early observations was an aside about not needing any new lenses. How quickly it all changes. But let me tell you the story...
I had two assignments yesterday. Both were for portraits of doctors. More specifically, radiologists. I decided that I'd give the new camera a try and so I set up the studio with a few flashes, a big soft box and all the accoutrement. I put the camera on a tripod and used the 35-70mm lens at 70mm. I cropped square which gives me a frame with 38 megapixels of resolution. Math tells us that you can just stand back a bit and crop and you'll have the equivalent of the focal length you were dreaming of. Just resist the temptation to get in close and fill the frame. We don't want to enlarge any noses needlessly...
The shoots both happened. One at 11 and one at 5:45. I pulled the raw files, did judicious processing in batches and sent along web galleries to my marketing department client. He was still in the office at 7:30 pm and acknowledged delivery.
I heard back from him late this morning. Both doctors loved their picks. I spent some time on each person's selection doing some enhancements and correcting things like rough skin and flyaway hairs (a little mentioned danger during a humid heat wave!). I sent them along just before I broke for lunch and got a message a little bit later from the art director. He was thrilled with the files, the delivery and the whole process.
The camera is great. I'll get a lot of use out of it. But where did this lens come from? Well, I never shoot jobs on a new (to me) camera without doing a test first and I did that on Monday evening using myself as a stand in. I liked the resulting files in spite of the mediocre model but I almost immediately realized that I'd want a longer lens if I was going to press this camera into service for portraits. Square? Yes. But a longer lens anyway. I looked at all the Fuji options on B&H and then I started reading about this particular TTArtisan 90mm f1.25 lens which comes in a Fuji G mount (and other mirrorless mounts as well). It's bizarre and eccentric but it really appealed to me. A super fast 90mm lens for MF? Never had one of those before.
I noticed that B&H had one in their used inventory for a whopping $400. About the price of a nice dinner out in Austin. (kidding. well...exaggerating. Slightly). I ordered it. I was too slow to have it here in time for the assignments but it came this afternoon and I started shooting test shots right away. I think the lens is lovely. I've got a few calls out to make portraits of friends so I can really sink my teeth into some "real world" tests but I have a feeling it's one of those lenses you either love or hate.
If you are looking for "compact and lightweight" as features you'll hate it. If you are looking for a slightly compressed, bokeh-rich, short telephoto that can put damn near anything in the background out of focus then this might just be the lens for you. It's nice for me. And no....I don't miss the autofocus. It's a tripod lens for me.
A lot of reviewers (trusted reviewer Richard Wong and others) have plenty of nice things to say about the optical performance but being influencers they feel duty bound to mention that, at f1.25, in the farthest corners of the test images, it is NOT razor sharp. But even the most jaded of them admit that it sharpens up by f4.0 and the majority of the frame looks great by f2.0 or f2.8. It's a portrait lens, not a science project...
The lens had me at 72mm equivalent. Ponder the math for a square format and it's more like an 85mm.
Right in the sweet spot for me. And with the big sensor there's still plenty of crop-potential.
I had coffee with a friend/VSL reader and fellow Leica loving photographer today. Sanjay Nasta. We met for coffee somewhere between his place and mine and spent nearly two hours catching up over coffee. The conversation was great, topical and close to home. The air conditioning was superb. And there we were with my Leica CL on the table and Sanjay's gorgeous Leica Q2M as well. For an hour or so all was right with the world. Well, the world inside Epoch Coffee.
It's so enjoyable to be face to face with the people who read, comment and share VSL with me. It's been a great month for getting out and socializing. If you are coming to Austin and you are interesting, drop me a line and we'll meet for coffee. Might be fun for both of us.
Swimming: Because my coach is smitten by the World Swimming Championships being covered by NBC from Japan she had the outrageous idea of making us swim all the events from the recent finals as part of our practice today. Including the relays. The 400 yard individual medley, with its 100 yards of butterfly, was too big an ask in an 85 degree pool (today's temperature) so we faked our way through it in our lane as best we could. Then she segued to relays...
On my leg of the 400 yard free relay I got soundly thrashed by a woman in the next lane over named Kristen. Sure, she's a decade and a half younger than me and was the women's top finisher one year at the International Ironman Competitions but it always hurts to get beat by a couple of body lengths. I'll try to do better tomorrow....
I'm sorry if I've let you down.
Clarifying my position on old film cameras versus modern digital cameras...
7.26.2023
Changing gears for a day. After the studio shoots I'm cycling back to a smaller, handier camera for a spell. Blame Robert Frank.
7.25.2023
Out of practice. Like running a race you haven't been training for....
7.23.2023
Cross format compatibility. Will a Voigtlander Nokton 58mm f1.4 SLIIs Nikon mount lens cover the full frame of the medium format Fuji 50Sii? Let's walk around during the heat of the day and find out...