12.13.2019

Mixing old and new. The combination of the Lumix S1R and the old, Contax Y/C Zeiss 50mm f1.7 lens.


The holidays are upon us! We were at our friends' house for dinner recently and I walked into the dining room to look at the table before we all got seated. There were simple flower arrangements on the table and I found both the simplicity of presentation and the diffuse window light provided by a cloudy late afternoon very beautiful. 

I walked back into the foyer and retrieved my camera from the coat rack so I could make a number of photographs. The camera I chose to travel with was an odd choice for a casual evening with old friends; I brought along a Lumix S1R (the 47.5 megapixel model) and had paired it with one of the lenses I have owned the longest, the Zeiss 50mm f1.7 (manual focus) that was originally made for Y/C's Contax line. 

I've kept the lens around because it's adaptable to all the mirrorless cameras I've ever owned and it is small, light and well mannered. While many recent AF lenses ("nifty fifties") in the wide end of the aperture range are not as sharp as many of us would like when used wide open, or near wide open, the old, manual focus Zeiss model sharpens up beautifully by f2.0 which makes the effect of the foreground and background going out of focus more apparent and interesting. The plane that is actually fully sharp stands out more convincingly.

The old Contax lens is a nice companion for the hyper-resolution Lumix S1R because its lightweight and smaller profile provide a more harmonious balance to the overall package than any of the current Panasonic S1 lenses. Often, when I'm heading out for something social I'll choose between this lens  and the Sigma 45mm f2.8. Both are elegantly simple and yet feel solid and competent. 

One of the promises of mirrorless cameras, with their shorter lens mount to sensor dimensions, which we tend to overlook is the ability to use carefully selected lenses from yesteryear. I have a set I've curated in my head which includes the Contax 50mm and also the Contax 85mm f1.4 as well as the Leica 80mm f1.4 Summilux (R) and the Zeiss 21mm that was on the market recently in the Nikon or Canon mount. There are several Olympus OM lenses that would fit the bill as well. While there are, or will be, modern take no prisoners version of these lenses there are times when different rendering or different characteristics can be interesting and more in line with one's visual intentions. 

And if "ultimate imaging" isn't the goal of a social evening with friends then an older, calmer, smaller, lighter lens is probably a better choice than something like the Panasonic 50mm f1.4 S Pro (which feels like the size and weight of a 70-200mm zoom lens). Just trying to interject some rational common sense into my choices....

Curious which camera and lens you bring to dinner....

6 comments:

MikeR said...

Lumix LX100 ... so that I can pay more attention to the people.

Joe said...

An Olympus Pen-F M4/3 camera and a 20mm Panasonic lens

Anonymous said...

XT-1 and 23/2. Or nothing at all.
Ken

Anthony Bridges said...

It's one of two cameras - the X100s or the Olympus OMD2 with the Panasonic 20mm. Most of the times it is the Olympus. With the added benefit of the accessory flash it's a good combination.

I'm one of those guys who carries a camera around most of the time as well. Either one of the camera setups mentioned is a conversation piece. I'm stopped several times a month with people asking me "What kind of camera is that?" They are classic designs that have aged really well.

TMJ said...

The Leica M 90mm apochromatic, ashperical, lens is simply sensational at all apertures.

One the best lens I have ever owned, (and wasted on either a film or digital M).

Although the S1 and S1R have thicker glass in front of the sensot than the Leica SLs, for standard and telephoto lenses, it makes no difference.

Petr Kohout said...

Olympus mju:-V METAL. The sensor is the Kodak Portra 400.