First test walk with the Panasonic GH5S. No big news.

Video projects all next week. Monday through Friday. But this week is all about reading the owner's manual, trying out V-Log and just, you know, making sure I've got my bearings with a new camera (that feels and handles a lot like a camera I already own...). 

I acquired a GH5S with about 100 actuations on the shutter and maybe two hours of video run time on it. The body is nearly exactly like the GH5 (classic) and the only two markings that identify it as an "S" model are a red record button near the shutter button and a red ring around the drive selector dial on the left hand side of the camera (as you are holding it in user position).  One more marking; there is a small red "S" under the normal gray lettering that says, "GH5". 

As you probably know, both bodies take the same battery type, the same memory card types and all of the operating controls are the same. The two big differences are that the classic version is 20 megapixels and has in body image stabilization while the "S" is 10 megapixels and the only image stabilization is moderating your coffee intake. But the 10 megapixels are bigger megapixels and the S features a dual ISO scheme that will either give you better dynamic range at lower ISOs or better noise handling capabilities at high ISOs. Most of the effect is optimized for video files. 

I set the camera to raw (14 bit) and went for my usual pleasant walk through the bustling urbanscape of Austin around noon. It was a hot and sultry day and I was out walking while everyone was strolling around to their favorite lunch places. The sidewalks were busy. A huge contrast to last week when it seemed everyone had abandoned town in fear of mid-August weather and ennui. Now the kids are back, it's almost time for school. Their parents are back at work. The millennials are back from surfing or video game tournaments. The roads are filled back up to capacity and it's only going to get crazier on Tuesday next week when vacation is over for everyone. 

I walked and shot and tried out a few things on the camera files. I played with the shadow/highlight feature and it was pretty cool. I shot in the 3:2 ratio because the multi-aspect ratio sensor doesn't inflict a pixel penalty at any of the popular rectangular options. You always get the 10 megapixels for which you paid. 

I can comment that the color is very nice, the camera, in raw mode, handles high contrast sunlight very well and when using a V90 rated SD card the buffer clears faster than I could have imagined. Even with 14 bit raw files. Focus seems right on the money and the Panasonic/Leica 8-18mm looks sharp and natty at every focal length and aperture I used. 

Now I am back at home base and I'm getting ready to go into the sun-dappled front yard and try out the V-Log setting. I may get the hang of this camera by Monday morning. At least I'll try. 

A "thank you" to Michael Kohnhorst for the recommendation of a Guerrilla Eyecup for the camera. It looks like a good addition for people who like to shoot video while using the EVF.  I've ordered one to try out. More information to follow as I dive in. All good tips welcome.

The entire week will be in the 100's. Thinking about staying 
hydrated. Real Ale Brewing Company, Devil's Backbone?
I know, I know. Drink plenty of water too.


ODL Designs said...

Looks good, I might be renting the camera in the next week, so I am exciting to see your results.

amolitor said...

Put a big chunk of tape on it so you don't get the bodies mixed up, yes?