3.15.2025

It's always nice to have lenses that are sharp when used wide open. There are times when you want the backgrounds to blur away...

 

One of the things I always liked when using a 180mm f4.0 Zeiss lens on a square format, film Hasselblad was the ability to photograph with it wide open and still get high sharpness in the areas that were supposed to be in focus. With medium format even f5.6 at that focal length seemed to give me very narrow depth of focus. When I choose lenses for my 35mm sized digital cameras I find that the better corrected the lens is at its widest aperture the nicer my portraits look; at least to me. 

I've gone down the path of trying very inexpensive, fast lenses only to be disappointed most of the time the time. One of my favorite portrait lenses right now is the Voigtlander 50mm f2.0 APO-Lanthar. It's an exquisitely sharp lens at its widest aperture. I know, it's only a 50mm so it doesn't really fall into the traditional focal length range for portraiture. That's why I sometimes use it on an SL2 camera which is 47 megapixels at full frame and still 22 megapixels when using the APS-C crop. When I use it in that fashion it's great for classic studio portraits. 

The lens costs about $1,000 new but it's better than my Carl Zeiss ZF.2 50mm f1.4 or the Voigtlander 58mm f1.4 when either of those lenses is used at f2.0. And when used wide open at f1.4 neither of those older lenses is sharp enough across enough of the frame to get the sharp/soft look I want in a portrait.

Could be that a 50mm APO when used on an APS-C camera or on a camera with a crop that equals 75mm is a glorious sweet spot for making convincing portraits of people. 

I do, however, miss the longer lenses on a big, big, fat medium format film frame. We gave up too much when we all moved over to digital. It just wasn't ready yet...

But in today's imaging environment fast, sharp, well corrected APO lenses get us back to the quality levels we appreciated. Finally.

3.13.2025

video got some attention at the SXSW show. Black Magic had a presence...


 6K sounds good. Their booth was mostly about live-streaming productions...

No presence for any of the still camera makers. No photography showcases. It's like photography has fallen off the radar for many.

More for us! 

Flat-atecture. Seems to be a style film guys really like. Lots of gray space. Not a lot of snap.







 

3.12.2025

I went to the SXSW Expo today. I got a free keychain.


As we float through the turmoil of the modern world looking for interesting things to photograph, and looking at all of the things we thought would provide fun images for the foreseeable future, we see that many are now vanishing. SXSW in Austin started as a music showcase for up and coming bands. Edgy bands. Bands looking to get their first contract. The first show, in 1987 drew a total audience of 750; more or less, and the sponsors were local magazines, night clubs and a handful of shops. 

The conference took off. By the end of the 1990s it was the place to be for a week in March every year. Twitter launched there. A ton of other tech launched there. Big name, long tenured rock bands made appearances. And then, in another evolution, the originators of the music festival turned it into something even bigger. It became a full on conference with speakers from the left side of the political spectrum, zany billionaire entrepreneurs, and a raft of tech bros too numerous to list. They also added a film festival to the roster --- and then an education component that starts a week before the "real" conference. 

The conference hit its stride and its highest attendance numbers around 2007-2016. The downtown area of Austin was packed with sleek, young, wannabe rock stars, wannabe tech bros, wannabe movie directors and even aspiring writers. Everyone had an invention idea in one pocket and a movie script in the other pocket. Corporate showcases were rampant, ubiquitous, unavoidable. Traffic almost unbearable. Concession prices for bad coffee were off the charts. And in every hand --- the newest iPhone. In every backpack--- the newest laptop. And black. Everyone wore black. 

The swag was off the charts good back then. Free food and alcohol everywhere. Free hats and t-shirts. Free phone chargers. Samples of the latest energy drinks flowed like Niagara. And the whole bubbly, frothy event was always well documented by flocks of photographers and videographers. 

One year I worked for Sony Music and shot all the main stage music acts for three long days (and nights) in a row. Another year I worked for Samsung in one of their giant venues (free phone charging and all the free coffee anyone wanted to drink). We did a year for a P.R. agency that sent a New York pastry chef who made "Cronuts" for the first 1200 people to wait in line at the Stephen F. Austin Hotel. Dominique Ansel... I think. 

But most years I just headed down to absorb the Zeitgeist. To feel the carnival spirit of several hundred thousand young people (and more than a few old timers) who had recently escaped the leashes of parents and college to coalesce around the idea of "the next cool thing" and maybe discover great new music. In some sense people rightly saw the event as a potential career builder. And they were probably right --- back in the day. All the biggies from Dell to Samsung to Microsoft had big footprints...

Sadly, this is the last year the event will be held in the "ancient" (22 year old massive) Austin Convention Center. The city is demolishing it in order to build one twice as large --- you know: "build it and they will come." But we'll be flying without an enormous venue for at least three years...

I guess it will all work out. The attendance for the last couple of years has been dismal. The vendor showcase (the Expo) is a tiny fraction of the size it was in the last decade, and now, instead of wild new tech products the mix of vendors is similar to a typical tired, bad convention. Beauty products, travel agencies, dolls for kids, vague software applications that aim to "bring all your management tools together in one place!!!" No. I have no idea why I need or would want that. Is life so complicated that you need a whole program to figure out where to have dinner tomorrow or when to pay your Netflix bill?

In the expo today companies were hawking electric bikes, ear cleaners, Korean advertising agencies, captioning services and stand up desks. One small booth even had a machine that would allow you to press your own vinyl records. They didn't seem to understand the original appeal of records as relatively uncompressed data. They were busy telling potential buyers that it would be easy to pull music off CDs and press an original 33.3 vinyl record. Compression at every end of the process.... And who has CDs anymore?

The show this year has far fewer attendees. Not so easy to sell all show passes once the buy-in price tops $2,000. And your economy is fast-tracking towards recession.  You have to have a pretty cool job at a really young age to ante up for that, along with the over-priced Austin hotel rooms, and the outrageous local restaurant prices. Oh....and the $20 cocktails. 

It's kinda sad for me to see bright eyed, optimistic people who chased the latest thing replaced by the same folks you see manning the black draped booths at car shows or boat shows or, God Forbid, RV shows. Passing out free samples of skin cream and packets of stickers for your kids. The old guard of the show didn't have kids --- they were having too much fun. They didn't push face cream they were busy marketing dreams.

So, I've been downtown for three days this week trying to find the fun that used to saturate the previous SXSW events. It's elusive. If I hit the music clubs at night it might be more lively but the photo opportunities more vague. 

The first day I went down with a Leica SL2 and the Sigma 85mm lens. It was a good combo. Good shots in a previous post. But nothing off the chart exciting. The next time I went down it was with a Leica M240 camera and a Zeiss 50mm lens. That was good too. Today I knew I was going to spend the bulk of my time there in doors at the expo. I brought an older SL along with an AF 50mm lens from Panasonic. It worked pretty well and even the photographs I did at ISO 1600 look fine and dandy. A paean to 2015 technology...

I'll give the show one more go. An evening adventure on Sixth Street. I hope the fun, Hip Hop artists and various indy bands make it out into the streets as they have in years past. They had the energy and they made for good photographs. But it feels like the last year here.

If they do hold the event in Austin, Texas next year they'll have to break up the conferences, workshops, expos, etc. into a bunch of smaller venues. Something that comes with its own set of problems. Like getting from one place to another, parking, and smaller crowd sizes also means cheaper speaker options, etc. 

But like everything there is a parabola to the trajectory of most events, businesses and undertakings. You start small, then  you hit your stride, then you leverage your success, glide for a while, lose the energy and start to fade. I've seen it in my fellow artists and in big, commercial clients. Everything ebbs and flows. 

Maybe it's the best thing a conference could do; go out on a high note. Their timing was off...


the venerable music poster show...

Sixth Street gets shut off from car traffic every evening for the run of show.
Gypsy banks set up impromptu performances in the street. All fun but not lit well for 
great photos....

I think this shows a man giving up a DNA sample in order to enter the temple of National Defense contractors. At least that's how it seemed...

This is not the original Vulcan Gas Company. The namesake was over about a mile away on North Lamar Blvd. It's where I used to go to hear Janis Joplin, King Crimson and other fun acts play.
Always a struggle to come up with that $3 cover charge but at least the Lone Star beers was only fifty cents. Ah, the good old days.





tuesday's camera and operator.








Yes. Out of tens of thousands of attendees several had real cameras.


Congress Ave. is closed for the week from the Capitol to 6th St. 



Not much else to report. Swimming every day. Walking a couple miles in each direction to the SXSW event. Playing with different cameras and lenses every day. Watching the stock market shrink my savings on a daily basis. Hoping everything works out. 

It's going to get really, really interesting if the republicans cancel Medicare and Social Security. We'll still be okay here but a huge chunk of Americans will feel tremendous pain. Could happen. Hope it never does...

As Julie Andrews sang in "Mary Poppins": 

A spoon full of sugar helps the medicine go down. The medicine go down....





 

3.10.2025

Roman Conversation. Square from film. Getting close with a medium format camera. This week we're mining from older posts. Lots of stuff there...


Watching the markets drop like a rock. Wondering if this is what my
fellow Americans thought they were signing up for....

Cue another giant wealth transfer.




 

3.09.2025

At speed in yellow. Austin's downtown. And...scruffy photographer wanders about aimlessly looking for fun stuff to photograph.

 



The camera of choice today is a crusty old rangefinder. 

An early remnant of the digital age. Well, about eleven years old 
in human age. Which makes it about 100 years old in camera age.

Analog watch. Justin Mott hat. Everything you need for
an afternoon frolic at SXSW. 

When I want to learn more about the properties of a lens, or a specific focal length lens, my first thought is that in the case of lenses a picture is worth thousands of words.

Moving around is fun. Moving around with a camera is more fun.


Yesterday was the first full day of SXSW. Sure, last week we had SXSW-Edu, but that's an add-on to the main conference meant to sell school administrators more and more useless software and gadgets. Not even a wind-up for the actual music, film, and technology conference. 

What SXSW means to me is more opportunities to take cameras out and photograph lots and lots of people and scenes. Mostly for my own pleasure. And, as a sometimes bonus, I use the ample photo opportunities presented as an excuse to get re-acquainted with a focal length I've slighted, or a particular type of lens the potential of which I haven't yet realized. I like to find out if it's sharp enough, small enough to handle for hours at a time, and if the photographs it helps me make look good. 

So, being able still to walk for hours and hours with a small camera bag over one shoulder and a fat camera and its lens over the other I headed downtown with the plump package of imaging potential to bang away at a mostly street oriented event. Why "street oriented?" Because so much of the attendees' time is spent standing on sidewalks waiting in line, sometimes for hours, for a chance to see "the latest thing" for five or ten minutes. And if people are just standing around then they are wonderful subjects for photographing. 

Yesterday's camera was a Leica SL2 and the lens in question was the Sigma 85mm f1.4 Art lens. It was a nice combination and yesterday I tried out lots of stuff I never/rarely use in my usual practice. Like: continuous AF, body and eye detection for street photography, and sometimes even shooting with the aperture at its widest settings. All fraught with the potential for failure --- but as it's not a job, just a busman's holiday --- they are generally happy failures. 

One takeaway for me after watching so many of my peers lose mobility and enthusiasm is this... if you can walk around without pain or fatigue and happily photograph a fun world around you ----- don't put off the opportunity to do so every day. All the time. The smile on your face will come naturally. Sitting alone in an office, no matter how nice, is deadly boring and entropic.  Move, move, move. And it's okay if taking photographs is just an excuse for being present.  

There is no longer any promise of being able to exist in the modern world without a cell phone. Is there?

Lucy Lumen was correct when, in a recent video on her sometimes interesting YouTube channel, she decried the problem with modern street photography. Her take? People just don't dress up any more. Everyone looks the same when it comes to clothes, fashion, etc. 
Until you find someone with a pink hat. 

Blading is the practice of turning one's body to have the smallest profile.
Best used for working one's way through crowds but also useful in presenting
to an opponent the smallest target possible. Some blade some don't. 
The one's who don't are the oblivious amongst us....

If more people wore stuff like this out in the street it might be
a glorious thing for street photography.... 

This line wrapped around the corner and continued for an entire city block. 
I asked one of the staff at the venue about the presentation. His response?
"Meh." 


I have no idea what this poster is really for but I sure love the saturated colors and the 
chance to have a static subject for which I could use a wide open aperture to 
blur out the entire background. Don't know if that's "bokeh" and I don't really
care much. You know, I invented the word, "arigato." 
In my usage it refers to the condition and subtlety of the click stop on a rangefinder lens....

About a week ago the Rivian people deposited tons and tons of dirt in a downtown 
parking lot on Congress Ave. They formed it into little hills and valleys. 
Now you can get in line and ride around in one of their trucks to see how
it handles "off-roading." Off Roading is that thing that mostly only 
Subarus do well. But the Rivian is certainly better at playing well
in dirt than is a Tesla CyberTruck.... (AKA: P.O.S.).


these folks thought almost sideways trucks were worth capturing on phones. 
No real cameras anywhere in attendance yesterday...unlike in previous years. 


This organization would like to see more women on corporate boards/leadership positions and fewer white men named "Dick" in those positions. Seems fair to me. 






The mannequin squad lined up to watch the SXSW attendees march down the streets with their heads bent, almost as in prayer, while staring obsessively at their phone screens. Sad....as it was a nice day out yesterday and there was a lot to see in real time. Perhaps this is why birthrates are falling all across the Western World. 

This mannequin used partial nudity as a protest against people dressing like crap....



The man in the center of the frame works at a downtown restaurant. 
He was genuinely happy. I asked him if I could photograph him. 
He thought it might be fun. I hope tips are wonderful this week.

Random street crossing...










and the studious among them...


Man with five or six small dogs on a tricycle.
They were a big hit at all the crosswalks. 


dogs are cool. 

Power vaping.












I will be downtown today teaching a workshop about how to walk places. Close by places. On safe sidewalks.

Observation after seeing the images large on a good monitor:

The Leica SL2 medium size, Jpeg images look pretty darn good.

The 85mm lens is a lot of fun for street photography. More to come.

On the whole, people have gotten much heavier over the years.

Austin's downtown is pretty darn safe this week.