6.23.2023

Finally able to steel myself against the heat and venture out to test the Voigtlander 50mm APO. Cooler today. I just got back from shooting. It was 98° with a heat index of 106°. The camera didn't seem to care....

 

club on south congress ave. 

It's a new record for me. I got the Voigtlander lens last Wednesday and I'm just now getting out to walk around and shoot with it. The heat slows everything down but I can blame part of the delay on two photo assignments for a medical products company. Sadly, the job required real macro lenses and not the niche capabilities of a "normal" 50mm. On the days where the heat index exceeded 110° I decided to be practical, take everyones' advice and not attempt to overpower the sun with sheer will power. I think I would have come out on the losing end of that deal.

I attached the M mount 50mm to the Leica SL2 body with a Hoage M to L adapter that has some macro capabilities. I have two of these adapters and both of them are right on the money where infinity focus is concerned, and both do a good job reducing the minimum focusing distance that's typical for M mount lenses. Those lenses tend to be limited so they don't exceed the capabilities of the rangefinder focusing system in the M series Leicas. 

I'm showing images here but have also put up an album of the same images on Flickr. Go there if you prefer looking at images there: https://www.flickr.com/photos/56796227@N02/albums/72177720309293343

It was a hot day. I'm showing temperatures above as overall temperatures of Austin as reported by my  phone. My car says it was five to ten degrees hotter in the S. Congress Ave. location because of its proximity to the four lane wide street and the endless, paved parking. America's contribution to the concept of "heat sink." 

I used the SL2 and its huge DNG so I could really look into the finished files once I got back to the studio. I was not disappointed by either the camera or the lens. 

The lens has no electronic connection to the camera nor is it an autofocus lens. You have to operate it the old fashion way. The SL2 does work with the lens in the "A" mode for people desirous of some automation. My quick take on the lens is that it has a good bit of vignetting when used at f2.0 and f2.8 but it's largely gone by f4.0. If you enable the profile for the lens in Lightroom it goes a long way to correcting both the vignetting and the slight barrel distortion inherent in the lens. 

It's a very sharp lens and resolves well enough to satisfy the 47.5 megapixel sensor. I have cropped into a few files below that are full frame in one image and then cropped to 100% in an adjacent image. They are worth looking at if you are interested in how much detail one can coax out of a such a physically small lens. 

I'll try to caption where needed below. It was too hot to spend too much time out on the sidewalks but that didn't seem to stop a lot of tourists and natives from walking around, eating outside at various venues while getting soaked by fans that expel their own mists and, of course, the hordes looking for coffee....

I was hot so I stopped at Jo's Coffee to get an iced coffee and a whole wheat, blueberry scone. Both delicious. The coffee very refreshing. The one time of the year I drink iced coffee. But let's not make a habit of it....

a mural detail. punch in to see the texture. 

old school austin business sign. charming. 

shot wide open. focus is on the row of boxes next to the cars. second box in. yellow and teal. 

a 100% crop of the blue cat is just below....

100%. cute kitty. 


a rich Texas tradition. rounding up customers with the promise of air conditioning. 
cold air conditioning. 



this is the wide shot. full frame. the cropped (100%) detail is just below...

100%.

i used the adapter ring's magical close up powers to get this shot. 
look at the glorious detail in the 100% crop, just below...

100%

thought i'd take a stab at shooting the Guero's logo at f2.0 and letting
the background fall where it may. 

the best temporary signage of the day. by far. love it.

wide open aperture. focus on the white sign in the middle distance. 

flowers at the hat shop. maufrais. See below for the 100% crop....

100%

hats. at maufrais. see the 100% crop just below.

punch in so you can see the incredibly fine detail in the portions of the material that are 
within the depth of field. 100%. it's a sharp lens!




ample use of the close up adapter magic.

again. a full frame version which is followed by a 100% crop into the glasses at the top
right of the frame. The blue and yellow pair.

100%.





the wide shot. followed by....

the 100% crop. Yowza. 



i often have breakfast tacos at torchy's. the bacon egg and cheese tacos are great
but the coffee is uniformly and consistently bad. Grab your stuff to go and get your
coffee down at Jo's.

intrepid and over-heated photographer in a full frame. window reflection.

100 % crop of photographer risking the heat to battle cabin fever.
bad choice of shirt. too dark for the harsh sunlight...

backwards. Here's the 100% crop. The full frame is just below.




love the way the camera "sees" red. 

One of my Austin photographer friends just came over to the "dark side." His Leica SL2 arrived via Fedex today. He's a Carl Zeiss lens addict, adding to his inventory and coming from a Nikon D850. Five or six Zeiss Milvus lenses are a quick and easy adaptation to the Leica. He's pretty excited about it. Loves the look. Someone to share info with...

Power is still on. Too hot to cook. Off to our favorite little bistro.... hope you are staying cool. 

6.21.2023

The goal of a photography hobby is to make great photographs. The goal of a photography business is to make a profit. It's nice if the goals intersect.

Beth Broderick and Anton Mel rehearse for "33 Variations." 

We've gone far afield from the usual emphasis on this blog which has mostly been about how we work commercially and what works for our goal of making all this fun photographic gear actually pay off...

Recently I've flirted with the idea of just throwing in the towel and retiring from the business but after a couple weeks of "leisure" I decided that was a very bad idea. At least for me. Interestingly, I didn't choose this career (photography) because I thought I would get rich or famous but because it was (and still is) so much fun. Maybe that's a bad reason to enter a business but from my vantage point it was a pretty good way to structure a life. I get to meet new people all the time, solve technical problems (which seems to be good from brain health) and I get to transfer what I learn from solving other people's technical images requirements to my own hobby; which is also the taking of photographs. 

My business goals in the past were similar to those of most for profit companies. I always wanted to keep my schedule full and keep expanding my client base. My target every month was to generate income sufficient to cover my business and my family's "burn rate" while also being able to bank profit from the business into investments outside the industry. The idea of investing outside the industry was pounded into my head by a good friend who was also a brilliant CFO. She pointed out that diversification across different markets made sense as far as financial security goes. She also pounded into my head that compound interest could be either my best friend or my worst enemy --- where financial security is involved. 

To that end I followed (and still follow) the advice of Warren Buffett. He is great at picking companies to invest in but I have neither the time nor the skill to try and compete with his knowledge and skill. But at some point he suggested that if he were to do financial planning for his wife so she would be secure after his death he would instruct her financial advisors to put 90% of her money into an index fund tied to the S&P 500. He also more or less rejected the supposed wisdom of putting a percentage into bonds as a safety move. Buffett suggested that a portfolio for a person with enough wealth to weather ups and downs in the market would do better, over time, being 90% invested in equities. Stocks. And reiterated that the index funds tied to the S&P 500 routinely outperform the vast majority of "stock pickers" and "experts" over time. Math seems to have its own momentum.

Over the years I've met many different kinds of professional photographers. Each seemed to have his or her own ideas about investing. Too many of them kept investing solely in their own businesses but if one is a single person business then, at some point, that model breaks down. You'll have a hard time selling the business to someone else if you are the business. You're pretty much the sole asset. The gear represents, now, just pocket change.

I have friends who invested in real estate. Some in real estate outside their business (houses, condos, investments in commercial properties) and some with a focus on their businesses (buying a building for a studio space). At times I thought the idea of owning the property and building for your own studio would be a good idea until it was pointed out to me that during all the weeks or months during which the photo market is akin to a "dry well" you aren't making any money from that investment while it's sucking money out of your business checking account for repairs, mortgage payments, taxes and utilities. If you buy a building with the idea of renting it out to another business you'll generally have a much more secure and repeatable positive cash flow from it. 

It probably would surprise very few people to know that B. and I are relatively conservative investors but we've been at it long enough for compound interest to give us a nice boost. We made some smart bets over the years and it's been a very rare period in which the business income didn't cover our monthly burn rate. I can recall three or four separate months over the span of 38 years. 

I spent the last several years being a bit lackadaisical about business in general and marketing specifically. Too much time toying around with ideas of retirement or gaming different investments. But recently I've made up my mind to keep my hand in --- but with an eye to just matching our current burn rate instead of reflexively aiming for additional, investible profit as a necessary goal. To that end I've done a few things that always seem to work.

I've been writing occasional posts on LinkedIn, where I have several thousand connections. It's a great resource since nearly everyone on that social media platform who interacts with me has been vetted (invited by me ) and are either former and current clients or friends and acquaintances in the larger industry of advertising, marketing and public relations. No --- I'm sorry. I don't add competing photographers to my "family" of connections. 

It seems like every time I post something on LinkedIn it ends up resulting in at least one project. That's a great return. 

I'm also addicted to using the  U.S. Mail as a marketing tool. I send out post cards just as I did in the 1980s and 1990s. I also write actual, personal letters, printed on nice stationery, and send them to clients. Usually they are sent as a "Thank You" note but sometimes I'm passing along an interesting idea. 

This sort of marketing seems to play to my strengths. Since it is highly targeted I don't waste a lot of time qualifying prospective clients. This keeps me from having to spend a lot of time on the phone or in email turning people down. I also try to "pre-qualify" people with pricing. If there isn't at least a fee of $2,000 for a one day project I am generally not interested in taking a job on. This also keeps people from asking for "half day" shoots or half day pricing. I've never had a job that only takes half a day. Good work just doesn't happen like that. There's always the trip there and back, the post production, the billing and the logistics of administration.

The only benefit of aging that I can see is that you can allow yourself to be pickier if you've made a close friend of compound interest, and had the discipline to lead a frugal past. I imagine that if you haven't figured out how to achieve a modicum of financial independence by your 60s you're pretty much shit out of luck. For those folks I say, "Thank goodness for Social Security." 

If you do the math, a couple who own their home outright, have no debt and live a quiet, middle class lifestyle, kids well raised and out of the house,  might have a burn rate of about $5K to $6K per month. I'm sure it's much, much higher if you live in NYC, London, or San Francisco. My target now is to hit a billing rate of about $6K each month. If you bill a minimum fee of $2K per shooting day (plus usage rights, of course) you'll probably end up working to hit that burn rate with three shooting days and three post production days a month. By a certain point in your career you'll hope that your investments work around the clock so you don't have to. And if you've invested somewhat intelligently you can pretty much count on it in the long term...

That leaves you something like 24 or 25 days a month to devote to your hobby. And if your hobby matches your avocation you'll have the lucky intersection that allows you to leverage your learning back and forth, from business to pleasure and back again. You learn to be more and more creative by practicing the fun part of your passion and you get better and better at making everything work well from what you learn, technically, doing complex jobs for clients. What a wonderful mix.

The exit strategy is to politely decline more work once I hit the point where there isn't enough work coming in to cover the burn rate. And it seems, at least for me now, that it's totally up to me. But once I hit that point I'll ditch work altogether and find something equally fun to occupy my time. 

I've watched people who have become wealthy closely. I swim with a bunch of them. To a person the ones with real (not inherited) wealth have so many things in common. They are good at delaying gratification. They scrimp on things that they don't care about. They saved for the long term. They did their due diligence before investing. They consistently lived far below their means. They ignore status symbols. They depend on professional advice. They look for quality and buy for the long term. They don't get sucked into investment fads such as Crypto. They know how to negotiate. I try to learn from them. It's fun and profitable. 

Over the years the only place I can think of where I am less disciplined is in the acquisition of gear. I love a good 50mm lens or a really cool camera body... But even there, if you were to look behind the scenes you would see that nearly every piece of gear gets used extensively and in the production of profitable work as well as fun work. This month I bought yet another 50mm lens. It's the Voigtlander APO-Lanthar and it costs $1,000. The second day I had the lens I photographed five environmental portraits with it and billed twice the cost of the lens to the client. I'll use the lens again and again. In my mind each subsequent  use pays for the lens over and over again. From the perspective of my inner hobbyist it was a silly and unnecessary (though fun) expense. But if I conjoin hobby with business the calculation can be much different. And more emotionally satisfying.

In retrospect one of the smartest investment strategies that we implemented was to minimize the amount we put into tax deferred investment accounts (traditional IRAs, SEPs, etc.) and to maximize our use of Roth IRAs and after tax brokerage accounts. When we were in our highest earning years everyone was tossing as much money as they could into tax deferred retirement accounts on the premise that they'd be in a much lower tax bracket when it was time to pull money out. What a lot of my friends are finding out (if they invested well) is that they are either in exactly the same tax bracket as they were in their high earning years or an even higher one because they invested well, got used to living well and now have to pay regular income taxes on the withdrawals from their deferred accounts. 

They've also discovered that they live in simmering anger about RMDs (required minimum distributions) which require them to take money out of the tax deferred accounts even if they don't need it and to pay taxes on it. A more vexing realization is that the combination of Social Security benefits plus the RMD can, and frequently does, push them into a higher tax bracket --- which also affects their Medicare costs. 

Tax deferred accounts make sense if you decide to stop working altogether at 65 or thereabouts but you don't want to start taking Social Security until you hit 70. Pulling money out of the tax deferred accounts when you aren't generating any income and not accepting Social Security might pull down your cash flow but you also can maintain a much lower tax bracket that way.  The logic is then to only touch the money in your Roth IRAs at the very last ---- all the interest and appreciation in those accounts can be taken out untaxed and isn't subject to RMDs. At that point it becomes pure, tax free income. 

The conventional brokerage accounts are the middle ground. You only pay capital gains tax and only on the appreciation. And, for the foreseeable future it looks to me like capital gains taxes will stay pretty darn low. 

Also, remember that as you near retirement you've probably paid off your house. So there's no mortgage interest deduction anymore. The kids have aged out and moved out so you don't have dependents to write off. If you wind down the business you'll kiss goodbye to depreciation and other tax advantages.

The question I've always heard for decades is: 

Can you make a living as a photographer? I can't speak to someone who is just now entering the market and having to figure out where the profit will be going forward but I do know more than a handful of local photographers who are retiring, or just quitting because the profession has changed so much. To a person they have net worths that surprised me. Can you retire on five or six million USD? It would be fun to find out.

Nearly all well run businesses in big markets can generate significant income. Your eventual success at financial security will depend  not only on how much money you make but on how much you managed to keep.

TLDR: Put away money every month. Don't buy stuff you can't afford. Invest outside your business. Enjoy what you do but always remember to get well paid for it. Marry someone whose financial goals align (closely) with yours. Buy a fun piece of gear from time to time but make it pay for itself. Shiny, fancy cars are a black hole for money. Vacation homes are a galaxy of black holes. Going out to eat at every meal is financial suicide. Invest in happiness, health, family and rock solid index funds. You'll be okay. But I'm not making any guarantees. The world is a chaotic place...

And that's my blog post about business for the month.

disclaimer: I am not a licensed anything. Not a financial advisor. Take my written advice with a grain of salt (or a whole shaker full...). This is just what worked for my business and my family. No promises. No warranty implied or stated. If you are confused then find an advisor who is a fiduciary and ask them for advice. My advice today? Stay cool. 
 

6.20.2023

Trying to stay cool, calm and collected. The weather is hellish.

 

Man, hampered by weather/heat is reduced to using self as a 
test model. Especially now that I've been discouraged by an "expert" 
from attempting to make street photos... 

Those who can neither teach nor 
photograph often turn to writing...

Sometimes I think I'm being punished by the universe. I buy a new lens, put it on the front of a really neat camera and get all fired up to go out and explore the potential. The the universe throws a curve ball and all of a sudden we're on a week long hold. It's almost impossible to get out after 10 a.m. or so to do any sort of exterior photography without suffering here. It's the heat. The current "feels like" (heat index) temperature in central Austin right now is 113°.  It's just brutal.

I got to swim practice this morning at 8 a.m. It was already 82° and getting hotter by the minute. We depend on aerators overnight to provide some water cooling to make the pool temperatures bearable but if the humidity is high and the overnight temps don't drop below 80° evaporative cooling becomes less and less efficient. 

I ran all my errands early today just to make sure I didn't need to be out in the heat of the day but the schedule revamp and the paralyzing effects of the heat and humidity are disconcerting and frustrating. 

We've started to get heat alerts from the Texas Grid Agency, ERCOT telling us that we're heading for record high electrical use. The result of every home and business in the state cranking up their air conditioners and fighting against an abnormal heat wave. We're asked to raise up our thermostats by a couple of degrees. I already have mine at 80°.  ERCOT is asking that we don't run big appliances, machines, etc from four in the afternoon until after eight in the evening in order to keep the grid from crashing. 

I've been checking the weather forecasts and it looks like the worst part of the heat breaks after Thursday afternoon. But that won't look pleasant to my friends in less hostile climes. When we say the "heat will break" what we're really saying, in this situation, is that the highs on most days following Thursday will be just below 100° instead of solidly over that mark. And it's possible that the humidity will drop as well...

In order to do my part I've turned off the A/C and computer in the studio and basically shut everything that requires power off. I know that there's phantom drain so I've unplugged chargers, external hard drive and anything with a glowing "pilot" light on it. I've retreated into the house where we seem to have done a good job prepping for the heat apocalypse. We had new, triple paned, UV and IR coated windows installed late last year --- at every window in the house. We had every door, vent and plug weather stripped or weather sealed and we did maintenance on all the ceiling fans. My delivery of air conditioning filters (box of six) arrived yesterday and today (early) I cleaned out the condensation line.

Fans in conjunction with air conditioning are always helpful and in addition to the ceiling fans I also have some smaller, portable fans I drag around with me for local area comfort engineering. 

Finally, I don't venture out without a good hat and a great pair of sunglasses. 

If you live somewhere chilly go out right now and hug your weather!

As I sit at my desk, trapped by the heat, I find that casual shopping on the web becomes an addictive pastime. Since I'm not particularly disciplined "researching" through all the cameras on line is borderline dangerous. After all, those A/C filters aren't cheap these days...

I'm doing a good job of resisting right now but I can feel the lure of the M series Leica cameras and it's becoming stronger by the day. I won't spend the nearly ten thousand dollars required to acquire a new M11 and I'm not even sold on the M10 variants but I do have my eyes on a Leica M-P (type 204) which was the first series to offer live view, a 24 megapixel CMOS sensor and a nice, demure appearance. Nice used ones are tipping the scales at around $3400-$3600 (USD) but before I make any ill-advised purchases I'm also looking around to make sure I can source a couple of new batteries for that unit. Since the Leica M-P (240) was introduced in 2014 I'm not really sure that a nine year old battery is something I should be thrilled to trust... Knowing I can get my hands on a couple new back-up batteries might push me over the hump. 

Why the sudden fascination with the M series? It's those darn Zeiss and Voigtlander lenses I've been buying. I like using them on my SL cameras (with adapters) but I'd love to reduce the package size by using the lenses in their native configuration on a nice rangefinder. But I already know how this will play out...

I'll buy the first camera for a bargain price only to be reminded that at one point in my career I really enjoyed making photographs with Leica rangefinders and I'll get sucked back into the system. I'll of course add a second body because....you gotta have a back up. Then I'll start considering 75mm and 90mm lenses and I'll be wedged down the rabbit hole, selling stocks to cover my addiction. Maybe I should just talk myself out of all this while I have the chance. The chance that would have been easier to imagine if I had been able to take the new 50 APO out for a spin a couple times this week...

(Oh boy! We just hit 104° with a heat index of 114° --- so nasty out there....). 

If there is anyone amongst the VSL readership who is working with a current or recent digital M series rangefinders I'd love to hear your own experiences with said cameras. Why you like them. Or important reminders to me about why you don't like them and why I should not revisit that earlier addiction.

My last experience with the M Leicas was with three of the M6 film cameras. I know all about them.... But recent knowledge is lacking. I have used an M8 and an M9, both sent by Leica back when I was writing all manner of cameras reviews for Studio Photography Magazine. But that was over a decade ago. 

Write something fun and send it as a comment. I'm sure it will divide and rile up the readership. Just what we need during a spate of hot days. 



6.18.2023

Well Shoot. Who Gets to Decide What Street Photography Is? This post will be here for a while....

 


Images made with small, medium and large cameras.
Images made with manual focusing, manual exposure medium format cameras.
Images made with big DSLRs. And small rangefinders. Even half frame cameras.
Images shown here were made in Austin, Berlin, Rome, Paris, Lisbon, San Antonio and Siena.
We've got about 200,000 more just waiting to be scanned. 

Not everything I do is commercial.

Images made in the streets, in restaurants, in cafes. 

If it's not "street photography" then we're all delusional.



berlin wall.

Berlin Opera House.




rome train station.



the vatican.





place de la Concorde.

verona.



paris. 1978. Canonet QL17.



siena.







boston.















































































Here's some links to my favorite posts which are at least tangentially related to street photography: