I'll be blunt, if I weren't writing huge checks for my kid's college education every six months I'd have bought a lot more gear this year. Somewhere in my brain my parent spending control hormones are beating out my gear avarice hormones; but just barely.
I made a conscious effort to tighten up my gear spending this year and, looking back, I think I've been at least moderately successful. The entire inventory of working cameras (as distinct from old film cameras I have owned for years or decades...) consists of just six cameras. Of those six there are two sets of duplicates, since I operate on the theory that every professional photographer needs redundant back up gear of everything he intends to shoot with. No real exceptions.
I have two of the Panasonic fZ 1000 cameras but I like to use them for rough and tumble, drag around the street and the rock quarry kind of cameras. They may get dropped. They may get sacrificed in some way. They may just stop working on their on accord halfway through a job that I've structured around their unique feature sets and portability. So I have two. At $750 each they aren't going to break the bank.
I also have two of the Olympus EM-5.2 cameras. One is silver and the other is black. I have them for largely the same reason I have the two Panasonic cameras. Redundancy. But in the case of the Olympus cameras I also need two so I can work at events with a wide zoom on one body and a longer zoom on the other body, for shooting quickly and not worrying about stopping to change out lenses. The duplicate bodies sure came in handy on a couple of video jobs where I used a second camera operator to get additional footage. Set identically, the footage from the two cameras matches up perfectly! While I pulled money out of my pocket to get the Panasonic cameras I was able to trade three of the older EM5's for the two EM5.2 cameras. I had to kick in a little cash, but not much.
Seemed financially conservative to me given all the pluses of the second version EM5. Two new lenses were purchased for the Olympus cameras this year. One was the Panasonic 42.5 f1.7 and the other was the (ultra cheap) 40-150mm f4.0-5.6. The latter was $99 bucks, on sale, and for the 42.5 I was able to get a decent trade-in on my Olympus 45mm f1.8. A bit of money out of pocket to upgrade to a marginally better lens with more than marginally better physical design. Not much money spent in the m4:3 realm...
The place where I upgraded significantly was in my Nikon acquisitions. I traded in two D610s and a bunch of Panasonic gear to get the D750 and the D810. Both have proven to be good choices for the higher end advertising projects I do that return to my business the lion's share of revenue. I've also been on a shopping spree for lenses, but only the older, auto indexing, manual focusing lenses from the pre-AF days. Mostly at a fraction the price of their newer, glitzier AF counterparts.
Since the middle of the year I've been quite satisfied with the performance I'm getting out of all three systems and I have no current interest in trading, selling or changing the primary guts of the equipment inventory.
I have several things on my "want" list but nothing pressing on the "need" list. If you don't do this as your 100% make-a-living gig your needs will be different. If I answered to zero clients I wouldn't crave more than a D810 with a 50mm and a 135mm. Life is so different when clients have so many diverse visions of what commercial photography is all about....
There are upsides and downsides to buying less gear. Obviously, you save money. But not as much as you might think. If you buy a lot of gear you can deduct a huge portion of it in the year you buy it, with the accelerated cost recovery deal, via the tax man. You get to know your gear really well if you have less of it to sort out. But the less you have to sort out the less a blogger has to blog about. I fear for the day when the only stuff I have to talk about is the business of photography and the process of actually making images. Who would want to read that!?!
I did buy several sets of lights this year. I bought a couple of Profoto Monolights and a couple of Photogenic Monolights but in each case the carrying cases (Kata and Tenba) that came along with the lights were worth the purchase prices alone. I might even get around to selling off the lights and keeping the cases in 2016. I also bought some really cool LED lights. They are dirt cheap models from RPS (or Dotline). They use the new SMD LEDs that are more powerful and concentrated than the panels with a thousand smaller bulbs "crowdsourced" together on them. The new LEDs are wonderful. I have three now and press them into almost every portrait assignment. If any more lights get bought in 2016 it will be more of these. Maybe.
Those two little things I have on my list??? One is the Leica SL and the other is a Leica 90mm Apo-Summicron to cobble on to the front of the SL. But one look at the cost tells me that they'll be "on the list" but not in hand for at least another two and a half years.....
Not a very sexy gear year and not much to write home about. But on the flip side I've gotten the boy through a year and a half of out-of-state college and we're not yet eating Ramen or taking out student loans from the sharks at Goldman Sachs, so I guess I should count my blessings.