I was walking on 2nd St. in downtown Austin when I walked past a couple
sitting at the outside bar at Jo's Coffee House. I did a double-take when
I saw his t-shirt and turned myself around. The first photography book
I wrote was entitled: "Minimalist Lighting: Professional Techniques
for Location Lighting" (Amherst Media). I have been working
on Downsizing my inventory ever since.
I have to say that success in the rigorous job of paring away unnecessary gear; and keeping shiny new (unnecessary) gear at bay, has been mixed. There is always the promise that one piece or another will solve all of my technical and creative roadblocks and propel me toward a life of artistic satisfaction. It ain't necessarily so.
Last week I took the last of my big, 29 pound (empty), Pelican hard cases to Goodwill Industries in the hope that they'll find someone who needs valuable protection for their gear and also has the strength and endurance to wield that protection. I've given up. My newer cases are much lighter and offer much the same level of protection.
This week I was able to pass along four big, Fotodiox professional fluorescent light fixtures. At one point they seemed to have so much promise to me. They satisfied my need for continuous light that didn't also emulate the heat profile of a blast furnace but they've been superseded in my kit by much smaller, lighter and more color accurate LED lights.
Last month I met a young, student photographer, struggling to use a 4x5" inch view camera on a spindly and much abused, lightweight tripod. I walked back to the car and grabbed a medium sized Benro tripod and handed it over with no strings attached. Anyone attempting urban street photography with a 4x5 in 100(f) heat at least deserves a stable platform, and it helped me reduce down the tripod inventory to a still embarrassing five models. On a cheerier note I'm down to only two monopods!
Today's clumsy waddle towards minimalism in the studio is about picture frames. I have dozens in several sizes, from local shows I've done over the years. I am in the process of pulling the prints out and cleaning them up for another trip to Goodwill Industries where I hope a struggling artist will discover said frames and mount their first big show in repurposed rectangular boundaries.
I understand what drives us to try new stuff and experiment but I'm now coming to grips with the fact that it's equally important to let go of things and reduce the clutter that takes up space; on our shelves and in our minds. And if we can pass the pieces along to be re-purposed then all the better.
Loved the man's t-shirt. I need one like that to wear during the sporadic studio purges.