When I did my first test of my new Nex 6 I was very pleased with the color, contrast and resolution of the 16 megapixel sensor. I think Sony does a lot of things just right and the balance of the colors and tonality, even in jpegs files seems very well balanced to me.
The one gaping blank spot in my lens inventory for the Nex cameras is in the realm of long telephotos and I'm not anxious to run out and spend more money if I can make due on my seasonal and lightly used focal lengths by using simple adapters and scavenging from the drawer of Alpha DSLT mount lenses. While it would seem churlish to buy a small body like the Nex 6 and then bolt on a hernia enducing 70-200mm 2.8 there's another lens in the drawer that makes a lot more sense. It's the 55-200 f4-5.6 Sony DT. It's made to match the smaller sensor and it's very light weight and (compared to the fast glass) well sized for a carry around lens choice.
I used the LA-EA1 lens adapter to attach the lens to the Nex 6 because I wanted to maintain as much automation as possible. The downfall of the Nex-to-LA-EA1 match up is the excruciatingly slow autofocusing (and often non-focusing) of lenses that were designed for a much different AF design philosophy: Phase detection as opposed to Contrast detection. I don't consider it a problem as I default, without a second thought, to using manual focus with all non-system lenses on the Nex cameras. Having focus peaking makes it so easy.
I will say that any unsharpness in these images stems from my inability to successfully handhold the lens at the long end. Most of these images are shot at near wide open or wide open and I consider the performance to be really good. Some credit I give to the camera and an equal measure I give to the lens. The new, cheap lenses from Sony are surprisingly good.
It was a quick walk so, by extension, a quick test. To my eye the combination from the two Sony systems seems to work very well, with good exposure, color and sharpness. Nice to keep it all in the family. It gives me some extra flexibility while downsizing the argument that there aren't enough choice optics available for the Nex system.
Request: Anyone out there read my book about LED Lighting? I'd love some more reviews on Amazon if you have the time and energy to write something.
Here's where to book lives: http://www.amazon.com/LED-Lighting-Professional-Techniques-Photographers/dp/1608954471/ref=la_B002ECIS24_1_1?ie=UTF8&qid=1354567751&sr=1-1