25mm Panasonic Leica.
I thought it might be fun to post some samples of the three lenses I was carrying around yesterday in San Antonio. I'm practicing with the lenses and camera because I have several jobs coming up at the end of the week that will require me to shoot lots of images in all kinds of lighting and I'm planning on taking the two GH3's, some cool modern lenses and a few old chunks of glass and I'd like to proficient operating the cameras and quickly getting in to the groove with the different lenses. There always seems to be a re-adjustment period required for my brain when I switch between sensor sizes and especially between formats.
The image just above and the one just below were taken with the Panasonic/Leica 25mm 1.4 lens. It's crispy and modern looking and it looks good from wide open all the way down to f8. I'll use this one for all the social photography I plan on doing this Saturday. This is one of the lenses I originally bought when I was shooting with all the earlier Olympus gear. It works well on the Panasonic but my one wish is that it had image stabilization....(or that the GH3 had IS built in). I know the Olympus cameras have great IS built into the camera but we'll see how abstaining from coffee and stress work out before I go out and buy yet another solution.
Part of a "Day of the Dead" altar at the St. Fernando Cathedral in San Antonio, Texas.
The six images just below were taken with a very inexpensive zoom lens from Panasonic. It's the 45-150mm lens. It's relatively tiny, has image stabilization and seems to perform well enough...especially for the price. It's a bit slow for interior work but for anything exterior it should work well. All of the photographs in this blog were done handheld which should be a caution sign for anyone hell bent on using the images as the final litmus test of quality. We can always do better with a tripod...
The final six images (below) were all done with the ancient Olympus Pen FT half frame 50-90mm f3.5 zoom lens from the early 1970's. It's not as contrasty as the modern lenses but with a little boost in contrast and just a tiny, tiny smidgeon of sharpening I think it holds up well. The secret with older, single coated lenses is to try never to shoot them into a light source unless flare is the special effect you are looking for. The lens is all metal construction, incredibly well made and in perfect operating condition decades after being first pressed into service. I find its incredibly smooth zoom and focus rings to be as good as anything on the market in the last few decades.
Have I learned anything wildly new shooting the GH3, it lenses and the old legacy lenses?
Yes and no.
The new glass is sharp and good pretty much across the board.
The older fast lenses from the Olympus Half Frame Pen FT series are
remarkably good. As good (one stop down) as just about anything being cranked out
by the camera makers today.
The 60mm f1.5 is awesome at f2
The 70mm f2 is really sharp and nice at f2.8
and the 40mm f1.4 maybe the sharpest lens I've used for this camera system.
They are a bit more trouble to use than the AF stuff but the reward is
in a look that's a pleasing combination of
sharp and mellow.
That's about it.