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Now, on with the show.....
Cassandra and Vanya practice voodoo...
©2014 Kirk Tuck
It was a moist and muggy afternoon and I was packing up to go shoot a dress rehearsal for my live theater client, Zach Theatre, here in Austin. This was my first time to shoot a dress rehearsal on the Topfer stage with the two, new (to me) Panasonic X lenses: the 12-35mm and the 35-100mm. Both have 2.8 maximum apertures and are weather resistant (which never comes up in theatrical documentation....). I had just spent two full days earlier in the week putting the new GH4 through its video paces and I felt like I had a good handle on its capabilities re: ISO limitations and focusing.
I packed the two lenses, the GH4 and a GH3, along with two extra batteries (unnecessary) and two extra memory cards (totally unnecessary). I also brought along a second GH3 body with a lens adapter. The second GH3 body hosted an ancient Nikon 50mm 1.4 lens and it was set up to shoot monochrome. I brought it along just for fun. I thought about including a monopod but my experience with the in lens I.S. on both lenses convinced me that it would be a non-essential burden. I left it in the studio.
"Sonya" makng a point.
©2014 Kirk Tuck
The two primary cameras and lenses fit in my smaller, Domke bag and I dragged the third camera along over my left shoulder. Security blanket? Mindless distraction? Who knows?
It was my intention all along to use the longer zoom on the GH4. Most of the images I would be taking didn't require capturing the full width of the stage and I knew from experience that I would be able to handle 90% of the work with a 70-200mm equivalent. I was anxious to put the GH4 to a real world (for me) test and this was a quick way to put 1200 frames on the camera and lens in short order under fun circumstances. I've often said that the only way to really get comfortable with, and to understand a camera, is to spend a lot of concentrated time with it. I figured two full video shooting days and a three hour dress rehearsal would be a good start.