A palette cleanser from "Matilda." I must say that I love Paul Sanchez's silver suit almost as much as I love to say, "Silver Suit."

A production shot from the Zach Theatre Play, Matilda.

These are unusual times and the U.S. administration has worked hard to muddy the waters and disrupt any objective truth about the pandemic virus. We are in the position that the late, great Richard Avedon described as the dilemma for portrait photographers ---

--- we can only see and photograph the surface. We can't know what's under the skin and we can't know it anymore than we can truly know what's in the mind of the portrait sitter. Right now our understanding of the pandemic is incomplete. We know that people are dying. That's not up for debate. We know that there differences of opinion about who is culpable for the spread. But we have no knowledge of how quickly or surely a vaccine will arrive, or how it will be parceled out. No idea if a curative will really reduce deaths and how that cure will be rationed, if there's not enough to go around. 

I can't change what has happened. But I can compartmentalize the burden of knowledge about this and keep it from overwhelming all the other things in my life. 

This blog administrator tries to be open to divergent points of view but with something this raw, and now divisive, I'm stepping in to ask that we try to keep as much unsubstantiated political opinion off the blog. If you can show with video that a politician has lied directly to us all then that's fair game. 

Rumor, conjecture and unproven assumptions, political points of view, only serve to make everyone more unsure and uncomfortable. I'm not banning all political opinions on VSL but let us all do our best to stay positive. To discuss photographic issues. Talk about how we're adapting and how we're coping with a bad situation. 

Don't make me get on a plane with my boys from the photo above and take a metaphorical bat to you.

No winners or losers. Just people. Let's help each other stay positive...

Comments closed on this post.

B. At the Galaxy Cafe. Re-worked in Luminar for a different aesthetic.

I think we both look forward to a time when we can go back to our favorite restaurants. I'm probably much more anxious to do so because I'm one of those "horrible" extroverts who has a pressing need to be around people. Lots of people. B, on the other hand, is a pure introvert and is enjoying every moment of sheltering in place. She's got a project to work on at all times. Painting the porch, refinishing a book shelf, experimenting with special inks and watercolors, doing yoga.

I think her favorite part of the day is when I stop buzzing around the house and announce: "I'm going out to the studio to play with some photographs." 

But I do think of my favorite introvert as the "lifeguard" in my pool of existence. She's good about enforcing habits that keep me safe. But enforced in always the kindest way.

B. At the Galaxy Cafe after a trip to the Blanton Museum. From the archives but recently re-worked.

 Yes, Some times when I say stupid stuff I still get "the look." 

A variation on yesterday's black and white post. Re-imagined in Luminar.

From a session at the Jacob Javits Center in NYC for Samsung. Shot with a Galaxy NX camera and the 85mm f1.4 Samsung lens. They got a lot right...

Anyway, I played around some more with Luminar 4.x and it's actually a great program for quickly retouching and enhancing portraits. You'll have more fine control in PhotoShop (for instance you can control eye size for each eye in P.S. instead of having a combined setting in Luminar) but Luminar is great for fast skin smoothing, detail enhancing and color correction. The filters also work well and you can dial back the effects with sliders.

I'm having fun with it. And it's not too expensive. I'd buy it again.

Not supported or sponsored by Luminar....or any other photo company or retailer. So there.