Belinda and I methodically made our way through the 91 compound clipping paths. Now our client will be able to use the file with a white background and their product on a white (shiny) mannequin. They can select the next layer up and have an image of the white mannequin+their product on a transparent background, with an embedded clipping path, or they can go to the next layer up and have an image of their product sitting on a transparent background with no mannequin ---- but with a very nice, attendant clipping path.
It takes more time when the mannequin needs a few little scuff marks retouched, etc.
I made good use of the curvature pen tool and also the "select and refine" option.
I finished the project in enough time to have a late lunch, to pack and to head downtown for a gala at the JW Marriott Hotel for the Boys and Girls Clubs of Austin.
The glamorous life of a photographer....
Tonight I'm packing a dedicated (TTL) Godox flash for Panasonic/Olympus, a GH5 with the 12-100mm lens and a bunch of batteries. Too set in my ways not to bring along a back-up rig so I've also packed a G85, the small and lightweight 12-60mm lens and an extra manual flash. And again, batteries for all.
At least business is brisk.
