A few ways to increase your connection to your photography.

I wrote a piece yesterday about the ill effects of the web.  But what I was really writing about is the way that the faux feeling of being part of an on-line "community" gathered around photography is counterproductive to the practice of satisfying photography.  Watching and trying to emulate a few superstars who continually trot out their greatest hits; jobs done for huge clients with monster budgets, is probably the quickest way to impair your own sense of photographic self esteem.

The homogenizing influence of millions upon millions of hobbyists embracing the same "guidelines" and rules and styles means that so much creativity gets distilled out of the world of imaging.  And when the riptide of a style strikes it's hard to get away from the undertow and swim back to shore.  To do what you like in your work, separate from the buzz.

But I have a few suggestions beyond just the knee jerk reaction of telling you to turn off the web.  These are suggestions akin to telling squeamish meat eaters to butcher their own meat.  But they work.

First,  I would tell you to slow down.  You don't need to try every new style, new effect and new technique that comes sliding down the grease covered chute of popular photography.  It's always better to work diligently inside a style and subject matter that really resonates with you.  If you slow down and concentrate on the kinds of images that bring you real joy you'll find a tighter bond with your own work.

Stop looking at all the sharing sites.  Humans get all hive motivated at the drop of a hat.  When one style becomes popular the hive celebrates that style.  It's just like our fascination with celebrities.  After you've been exposed to a new fad a couple dozen times you start to believe that you NEED to do that style to stay relevant.  Nothing could be further from the truth.  And the styles shift all the time.  To keep up you'd need to constantly try new stuff.  It would be like changing clothes ten times a day.  You'll never get anything else done and you won't find YOUR style.  Most of the stuff on the sharing sites looks okay small.  But would you want 99% of it in your own home?  Big? On the walls?  When you turn off the outside influences and sit quietly with your own thoughts about art and photography you begin to understand the way you like to see and share art.  That's valuable.  Everything else is unconscious imitation.

Do a project.  Consistency of vision and subject are worthwhile goals for all artists.  Set yourself to the task of creating a body of consistent work.  Choose a subject that you love and explore it in depth.  Ignore everything else.  I spent a year once just doing black and white portraits with a square format camera.  I learned so much and by the end of the year I had created a portfolio I really liked.

When you choose to do a project have a a goal.  I find having a show of my work is both frightening and exhilarating.  My current goal is to do 20 really wonderful portraits of athletes who are between 50 and 70 years old.  Part of the goal is to do a show of the work.  I need to find a venue.  I'd like to do it at one of the local medical centers.  I'm working on a style that will unify the show.  I've given myself a year to select the people, make the portraits, do a small video interview to go with the show, make all the prints and frame and mat them.  Wouldn't it be great to have those on the wall of a center devoted to preventative medicine?  Wouldn't it be great if it changed some lives?  But no matter where it ends up I will have met interesting people who've taken charge of their own lives and excelled.  What fun role models.  And the art will be my souvenir of my time spent with them.  The prints will be part of the sharing.

I did a show a few years back about coffee.  I photographed people with their favorite coffee cups or pastries, or both.  The show hung in my favorite bakery for years.  Part of the show was recently in one of my favorite coffee houses.  It was a fun way to bring together some friends and celebrate my love of coffee and photography.

Start thinking beyond the screen.  A lot of the images I show on this blog are scans from prints I've done.  We get lazy when we aim small and aim for the screen.  The reduced size covers many compromises in technique and presentation.  When you slow down and do your art try to go through the whole process of bringing an image to life before you rush out the door to fill up more memory cards and hard drives.

Really explore the images in front of you.  Edit them down.  Make them perfect and then print them large.  Not necessarily 20 by 30 but at least on a sheet of 11x14 inch paper.  Print them till you love them.  And learn from the process of presentation.  Learn what you like to see, big.  The art becomes both portable and present when you pull it off the screen and onto paper.  Be sure to go through the whole process so you understand in your gut what you've really created.  It will slow you down and bring your attention away from the process of getting banal "Great Capture!!!!!" comments and focus it on doing work that makes you smile.  You are the first audience.  You are not doing stand up comedy here, the purpose of your work is not to entertain a rowdy crowd.  If I gauge my readers correctly your goals include creating something of value that will stand the test of time.

Finally, forget the online critiques.  Find people in your own town, city, region whose work you admire and approach them about forming a sharing circle.  Just like a writer's group.  Or group therapy.  You want to establish a tough group of like-minded artists who are there to help each other grow the work.  You should expect real critiques, not adulation.  And you should respect the group you create by only showing your best work and showing it well presented.

My over riding goal is to make great portraits.  Portraits I like first.  Then portraits my peers respect.  Then portraits my sitters like.  The micro-second, transient adoration of the web is far down on the feedback loop.  Anonymous people have no skin in the game and expect nothing.  They have no vested interest in pulling you up.  No matter what the web philosophizers say.

Having a project will move you to take chances.  If you shoot portraits you'll need to meet new people. Engage them and collaborate with them.  You'll need to up your printing techniques.  You'll need to discipline yourself to do the work instead of "researching" on the web.  And you'll need to learn how to finish.

Having a goal for your work gives it extra meaning.

Sharing the work with live people standing in front of you builds real confidence in the work.  Having real critiques is painful but helps engender real growth.  Helping real, human, non-virtual friends succeed with their own art is part of a rewarding virtuous circle.  Embrace it.

Dammit.  Another blog where I forgot to flog a product.  Next time...

Mass Mind Control and the homogenizing nature of the web.

A thousand shrill voices screaming the same pseudo-fact doesn't make it so.

I've been pondering what I think is an interesting question lately:  "What comes after the web?"

Imagine a time in the not too distant future when everyone is on the web all the time.  All the messages become diluted to the point that the content will come to resemble distilled water.  I read in Ad Age Online yesterday that big companies like the Gap and Nordstroms and many, many more national retailers rushed to establish pages on Facebook in the last year and a half only to pull the plug on their pages in short order.

The big retailers found that the audiences were enthralled with the narcissism of talking about themselves but there was very little attention bandwidth to actually listen to messages from anyone else. The clicking of the "like" button was little more than a grudging quid pro quo designed to cement a listening (reading) audience with the promise of, "you read my crap about little Johnny and his soccer game and I'll pretend to read and be interested in your stuff as well."

Might work in the dynamic of personal relationships where there's no hard currency at stake but it's hardly the foundation of success for a mass marketer.  And the numbers bore this out.  Hence the wholesale exodus of retailers from facebook.  (The big guys, with a constant eye on the metrics, went first, it will take a little longer for the smaller businesses to "get it" and move along...).

In my estimation the web is now functioning in bifurcated manner.  On one hand it is a portal for companies with products and services to sell.  They see the web as a target for online press releases (and isn't that exactly what the launch of a new camera or car is?).  They see their websites as a virtual rack upon which they've arrayed their product sheets, their spec sheets.  And they do it because it's as cheap as free.  But car dealers and car makers learned something important when they tried to herd us all to the web for more information.  They learned that when people come into their showrooms to shop for cars they are intent on leaving with a printed, color brochure of the product of interest.  They're not asking for an iPad download or a link to a 360 VR walk through.  They want/demand a paper and ink souvenir of their visit and the brochure will have an efficient effect on their ultimate buying decision.

On the other hand the web is performing a function as free entertainment for people who are addicted to meaningless information.

I have an analogy for the landscape of the web in which mature product segments exist. (And sites about photography exist, in the final accounting, in order to sell product.  The endless discussions and reviews are part of the marketing that drives the endless sale cycle.)  The analogy is of a very, very large room with very acoustically  bright walls, a hard ceiling and a concrete floor.  The room started out nearly empty in the old days.  A few people congregated to talk about gear and art.  But soon the room filled up and continues to fill up.  The volume of the discourse is so loud (everyone talks at once) and so intense that no one can really hear anymore.  It's become noise.  The signal's been lost.  It only takes a few conversational bullies to drown out an area of the room.

But here's the logical disconnect:  There are hundreds and hundreds of products in every category.  In cameras the catalog ranges from little plastic cameras that still take film and off no controls to massive, medium format cameras which cost more that nice cars.  And every camera purchased generates a little electron of loyalty that orbits around the nucleus of that product's atom.  If the atom is stable and attractive it continues to generate new atoms and eventually the products become a molecular construct.

And to combat post cognitive dissonance every atom finds a rationale for undying loyalty.  To the point where they are able to believe that the unique assemblage of features, benefits, swtiches and sensors is the perfect formula for photography as they know it.  Once the logic chain is locked anything else becomes, to their minds, indefensible.  The inertia is breathtaking.  How else to explain the Nikon Pro's loyalty during the dreaded D2x years when they could look across the atomic chart and see all the Canon atoms revolving around a full frame nucleus?  How else to explain the rabid defense of the new Olympus OM-D which has been annoited "god-like" among small format cameras even though its launch is more than two months away?  Allegiances form around myth.  Myth drives wedges into discussions.  Religions form.  And pretty soon the value of discourse dwindles away.

I've come to believe that the web is a wire rack, filled with pretty product brochures.  We wanted the paper ones but the manufactures like the idea that they don't have to print and ship the pretty, paper products, or pay for them.  I've come to believe that the web is like cable TV from the 1990's.  Thousands upon thousands (millions upon millions) of "channels" but nothing worth watching.  I've come to believe that reality changes as the sheer quantity of people confront a reality they don't want to believe and select an alternate reality that may not be as "mathematically" rigorous but which is more comfortable.  And finally,  the web is the paradigm of public access TV writ large.  Lots of people in sweat pants with lots of crazy opinions.

The question is not, "What to look at on the web?" The real question is, "Should we be wasting our time on the web at all?"

What does the next model look like?  Look to the things that haven't changed.  Galleries still exist because people want to see what art really looks like, not just a simulacrum of the art.  Photowalks exist because people long for real groups to belong to.  Books still exist because the joy of reading them hasn't been extinguished by "opinion content" on the web.  People still go to the movies, I think, largely because movie critique, Pauline Kael, was correct;  there's something scary and fun about sitting in a large room, in the dark with a bunch of strangers,  sharing an experience.  Stores still exist because people want to touch products and weigh their actual appeal.  They want to experience, first hand, what the electron affinity is for them.  People still kiss other real people because there's nothing at all like that experience on the web.  And people still go out to eat because it's performance art in which they can actively participate.  An art that wouldn't exist without a non-virtual audience.

This blog is sometimes a substitute for coming to grips with what you really should be doing.  It's fun to read what I say about products or inspiration or even love.  But like everything else on the web it's just one string of constructed reality wedged into a ball of string that's parsecs wide.  People come here to nod in agreement, smug in the feeling that we're part of a special atom.  Others come here prepared to hoist the flag of their own allegiance and to try and capture ours.

But the signal to noise is growing to the point where the web will become nothing more than the SEAR'S catalog of your generation.  And the cool people will move on to what's next.  And what's next is all the stuff that's tried and true.  All the stuff that we've been doing for decades, both before and during the ascendency of the web.  Follow the things that do not change.  That's where reality exists.

Content trumps everything.  Technique trumps technology.  Technology makes things easier and sometimes quicker but not necessarily better.  Resources are limited.  You give up hard won experience every time you abandon one tool for a newer one.  And in the end the only thing that matters is how the work of art works.

Not every professional photographer needs a waterproof camera.  Not every photographer needs LED lights just because someone wrote a book about them.  Not every photographer needs a new camera.  And I'd say that the vast majority of photographers would be better off walking away from the constant, and ulitimately destructive, feedback loop of the web and re-engaging with non-virtual life.

I'm going out into real life today and listening and watching and smiling and looking.  It's different than looking at Tumblr or 500px.  It's real.

Come to grips with what life would be like without the web.  Start today.