Portrait of an Actor.

 Mr. Brady Coleman.

We were searching around Netflix for a movie a few nights ago and we decided to watch a movie called, "Bernie." It's a dark comedy of a movie based on a real story that happened here in Texas. A mortician killed a wealthy woman who had bequeathed all of her money to him. The principal  actor is Jack Black (the assistant funeral director), Matthew McConaughey plays the district attorney and Brady Coleman (above) played the defense attorney. The director was Austinite, Richard Linklater.

Most of the movie was filmed in Bastrop, Texas but parts were also filmed in my son's high school. As soon as I saw Brady Coleman on the screen I remembered this photograph. It was done for a medical practice in central Texas.

The Wide Shot.

I was hired for the campaign for my portrait style. Particularly a style of shooting that I love in which the background is constructed in layers, further and further from the subject. I think that too many people try to shoot portraits in too small a space. I like to have forty or fifty feet of room depth in which to shoot. That way I can make constructions, like the drape on the left side of the frame, that occupy various distances from the subject so that different parts of the background go more out of focus.

The setup is straightforward. I used a four foot by six foot soft box over to the left of the frame, about 35 degrees off the center axis and slightly above Brady. I try to feather the main light by pointing it toward my subject's right shoulder or at an imaginary point a foot or two further to the right (assuming I am lighting from the left....) so that the light is even.

Once I've got the main light set I set up my camera and start to estimate just how far back I can put the final background and approximately where I can put intermediate elements. Each element is lit separately.  The drape (a muslin background) is lit with a small soft box powered by a Profoto monolight. The far background is a cloth drop lit by a Profoto monolight with a grid spot. 

The main light is powered by a Profoto Acute 1200 power pack and one head.

I shot at f5.6 with a 70-200mm lens on a Kodak DSC-SLR/n camera. I used the zoom to fine tune the composition and to control depth of field. At the time the Kodak full frame DSLR (no "AA" filter) was my camera of choice because it had a nicer range of tonalities than its competitors and at the same time a higher perception of sharpness and detail.

I processed this file to show the lighting effects but it's not the same file I provided to the client. I've boosted the contrast a bit because I like really deep, rich blacks and shadows. I did not retouch his face.

 Bernie is a fun film and done in an almost documentary style. It's even more fun to watch movies and see people you've done work with in real life.

blog note: Hey! Reader. Consider leaving a comment. I like the feedback. Thanks, Kirk


David I said...

That is a nice portrait. I prefer the square frame format vs the wide frame.

Could you duplicate your lighting setup on this with LEDs, which I know you are now using?

Bernie was a really good movie. Many of the townspeople in the movie are real east Texas locals and were wonderful.

Kirk Tuck said...

David, it is the same image. One version is cropped. It was shot horizontal with the cropping in mind. I too prefer squares but included the second image in order to show some of the technical aspects. And to show how the set looked around the edges. I can pretty much duplicate any static shot, created with flash, with LEDs. The color of the newest panels is more neutral and the power of the LEDs increases with each generation.

I liked Bernie because it was a visually honest and straightforward movie that didn't depend on car chases, special effects and over the top cinematic processing, etc. Just good acting, good direction and a good script.

Richard said...

Really nice pictures !
De belles image sur ce blog et de bons conseils.

Simon Hucko said...

Thanks for sharing your setup, Kirk. This is something I do when shooting candids but never think to do in a more formal way.

That Kodak really manages some nice skin tones, I'm always amazed by the quality of the images that you post from it.