I came across a black and white portrait, shot long ago, that I had almost forgotten. I like it.

Joe McClain. Austin Lyric Opera.

I'm racking my brain to remember exactly why we were photographing Joe. He was one of the founders of the Austin Lyric Opera way back in 1986 and I remember this being shot around 1992 or 1993 for one of the city magazines. The image ran big and well printed at the time and later the ALO used it on their printed collateral without my permission. I didn't make a big deal out of it. I knew that the organization had been started and was operating on a limited budget and that Joe was working overtime to get the organization moving forward.

While the web mythologizes nearly everything having to do with photographic assignments this one was typical of the times. There was no art director on the location. Nor was there a make-up person or a second assistant or even a first assistant. I called Joe and asked when we could shoot and if he could suggest a location at the Opera. They has a big storage area full of stage props that we both agreed would be visually interesting. It was. 

I met Joe there at the appointed time, we chatted for a few minutes and then I saw the chair and asked him to sit. I reacted to the interesting pedestal hovering over his head the the matching diagonal of the   furniture on the right of the frame by standing up and aiming the camera down include everything I wanted. We tried a few different expressions and a few different gestures but this one was just the right combination of stuff for me.

I didn't light the scene because it looked just right to me for a black and white image. I just metered Joe's face, handheld the camera and fired off as many frames as I needed to get an image in the finder that I liked. 

This was shot on Tri-X black and white film and no doubt processed in D76 diluted 1:1. Since it was an assignment for a magazine I printed it on resin coated paper to save myself a long wash time and an even longer drying time. 

Funny in retrospect to think that so much of the work we were doing for editorial clients was so unstructured. The only two questions I asked when I accepted the job (by phone -- no e-mail back then) were: "Can I shoot this in black and white?" And, "Do you want a horizontal or a vertical?"

The art director trusted me to deliver something that would work so when I showed up with just the one print no eyebrows were raised. 

We worked. We delivered. We billed. All of the drama seems to have arrived recently, and I'm not sure it helps the process very much...

Another Austin Summer is Upon Us and Once Again I'm Getting Ready to be a Tourist in My Own Town.

Noellia on the banks of Barton Springs.

We've had our torrential rains, our flash floods and our soggy studios. The weather forecast says the next ten days are going to be sunny and bright. We'll get the mold out of the allergy forecasts and the waterways will settle down and get clear. I'm ready to step into Summer and make Austin my personal tourist attraction. I've got my tourist cameras ready. On one shoulder is my dandy still camera, the Olympus EM-5.2 in chrome. Usually sporting some sort of cool, prime lens. Right now it's the 25mm Leica Summilux. Tomorrow it might be something from Sigma. On my other shoulder is my tourist video camera. It's also an EM-5.2 but it's got a 12-35mm Panasonic zoom on it and that lens is sporting one of three neutral density filters that help my video settings cope with full sun. It's also got a little shotgun microphone hanging off the hot shoe. 

Remember Super-8 film from the 1960's and 1970's? Even Lady Bird Johnson was into the "tourist film" aesthetic and took her 8 mm and then super-8 mm camera with her on every trip. That's what I want to do. I want to take the "professional" out of the process and just react to the stuff that comes along. Stuff that's Summer-y. Stuff that's cool. 

I might just start editing a little two minute film once a week and post it here to counteract all the exciting new, cutting edge, super tech stuff we get inundated with. It could work.....

And what would my Summer be without the Western Hills Athletic Club pool?

Get ready to see it from every angle!

I hate working in the Summer. Everything seems to slow down and clients drag their feet when it comes to giving approvals and making selections for images that need to be retouched or videos that need to be edited. I like it best when the pace picks up again in the Fall and we can get into being busy instead of being sporadically poked by projects. 

I shot yesterday with my EM5.2. It was on a job. It reminded me why I like to shoot with the Nikon D810. But today I shot with the Nikon D810 and it reminded me why I like to shoot with the little Olympus. Go figure....