Wednesday, April 03, 2024

Way OT: The path of totality for the eclipse has shifted a bit. We are now a few miles deeper toward the center of the path.

 Anybody need to Air BNB my back yard? I can let space go for $5,000 per tent, per night. A bargain if you just have to see the eclipse for about four minutes. I think I have space for maybe a dozen tents....

We'll have sparklers too.

Cash. We only take cash...


currently busy trying to copyright the eclipse from our unique point of view...

How Green is my Austin. Let my 35mm lens show you...



    

Canadian friend of the VSL blog (and of Kirk) named, Eric,  responded with surprise to a recent post of mine that showed a lot of fresh Spring greenery in Austin. Seems that during the same week in which everything in Austin seemed to be in full bloom, his area of central Canada got something like twelve inches (30.38 centimeters) of fresh snow and the temperatures there were once again just a bit above absolute zero. 

For all our bitching and moaning about random and debilitating ice storms followed by months and months of roasting, humid Summer, we do have spells of weather in Austin that are more or less perfect. Good examples are the weather we've had for weeks and weeks now. Low temperatures in the upper 40s and highs rarely cresting 80 degrees. Ample rain. Followed by days and days of soft, nurturing rain. 

I remember taking two years of French language at the University of Texas at Austin. Back in the day all  university students were required to learn (or at least try) a foreign language in order to graduate. As I also remember there was one group in the system that had an "out". Those were the business majors. Bless their souls... 

In my first semester, while mostly studying electric engineering, I took a French class that was taught by a young woman who was a French native and who had just arrived in Texas, from Paris, for the first time and was here only a handful of days before the start of the semester. When a number of us trouped into class she seemed a bit nervous. The class went well but afterwards she asked me to stay as she had a pressing question. "Why?" she asked "Do so many of you wear holsters to class? Are guns allowed on campus?"  

At first I didn't know what to make of her question. Her concerns. But then she pointed at a case I was wearing on my belt (yes! hyper-nerd alert!!!). I suddenly realized that she'd mistaken the case for my big, shiny new, Texas Instruments TI-51 calculator as a holster for some sort of weapon. She was very, very relieved to know that I and the various other engineering majors in her class were not actually "carrying." 

Her next question was more of a statement. She remarked, "I had no idea that Austin, Texas was so green. So many big trees. So many flowers. Everything blooming everywhere. When I was growing up all the books about Texas showed deserts and cactus and tumbleweeds. None of the images showed anything lush!" 

Sometimes I forget that Texas did a good job pretending to be very inhospitable. That's not true of all our geography, only the politics. 

For all the readers who have never been to Austin I thought, when I headed out to take a walk yesterday, that I would assign myself to make a few shots that had green trees and plants in them. Even in the middle of the urban downtown. A note though, we no longer ride horses through the middle of the city. It disturbs the car-bound people too much...

But first... Here's the area around the house and studio and how green it is for most of the year. The trees drop their leaves in the very late part of Fall and start to bloom again in mid-March. Our area of Austin is covered with elms and live oaks. And several very cute Japanese maples.

The view from the doorway of my office.

Trees in the front yard.

Looking at the front of the house (studio on the left)
Looking down the street.

Front of the house. from the street.
What I see when I walk up to the front door...

So, to my Canadian friends, and all others who might be unfamiliar with Austin, I have to share with you that we have our own collection of wonderful trees, well (un)tended gardens, thick grass and all the other luxuries of landscape which defy the stereotypical depiction of hardscrabble land in central Texas. We also have lakes. And sometimes they are full of water. Not always! But sometimes. 

Anyway, here's what I saw when I went looking for green in downtown....



My old favorite, the Seaholm Power Plant. Now an office, shopping and residence center in downtown. 


Across the street from the main library...




On second street. A nice fixture in downtown.
Shade all the way to Congress Ave. 
And, as you can see, the mannequins are getting ready for the Summer season.

Little hints of green all across the bottom of the frame. 

the continuation of Second St. on the east side of Congress Ave.




Even untended fields are bright green.
Evidence of ivy climbing up the exterior walls of ancient buildings.
The back alley that runs between Sixth St. and Fifth St. 

In some sort of nod to Spring I pulled my most perfect Leica M240 out of its place in the studio. It's the first one I bought. It's absolutely mint. Such a pleasure just to look at. I used it on this particular day with the 35mm Carl Zeiss Biogon ZM lens. And I suddenly realized why I like shooting with the rangefinders more than any DSLR or mirrorless camera. It's because of the way the lenses are set up. 

Whether you buy a Leica M lens or a Voigtlander or a Carl Zeiss lens; any designed for use on an M series rangefinder camera, you'll get an actual distance scale, a depth of field scale as well. Right there on the lens. When you look down at the lens all is revealed. This makes zone focusing so, so, so much better than trying to do so with a focus-by-wire lens of any brand. With the focus by wire lenses you just don't get to set it and forget it when it comes to setting a focusing distance. And depth of field? Guess work at best. 

I used my camera just like the most primitive of old film cameras. I set the aperture to f11, focused a bit past 15 feet, I set the camera to auto-ISO and set the slowest shutter speed to 1/250th of a second. Higher than that? No problem. Lower than that? Not needed. If I saw something I liked I could just bring the camera up to my eye, compose and shoot. No other intervention needed. No fears about AF locking on to the right detail. No opaque-ness to slow down the reaction to visual stimulants. Just see and shoot. A very speedy and fluid way of working. 

And... I think the little Zeiss 35mm f2.0 ZM lens is absolutely great. With the Leica M240 camera I just set the lens profile to that of the Leica 35mm Summicron. The pre-aspheric model. Seems to handle all the stuff like vignetting and potential color shifts quite well. Of course, now you can also access the actual Zeiss lens profile in Adobe Lightroom...as long as you've shot in Raw.

When I got back to the car to head home I checked my phone and discovered that the afternoon temperature topped out at 78°. Nice. 

Happy hour at my friend, Will's house. We sat in his garden with one more usual friend. By the end of the evening, after the sun set, it was already down in the 60s. Just the way I always thought Spring should be. YMMV.

 

Monday, April 01, 2024

On the prowl for Leica capable flashes. On camera flashes. Bounceable flashes.


I learned flash in the "old school" way. Guide numbers. Off camera with a coiled sync cord. Dismal batteries. But it worked. It mostly worked really well. When shooting film you aren't able to bounce around the ISO scale. You load a roll and you get a setting. Done. But over time I've gotten as lazy as everyone else. If you are shooting a lot of stuff fast and you are at a reception or in a ballroom it's nice to be able to point a digital camera at a cute couple and just press the shutter --- being mostly confident that the flash will go off and, while flashing will communicate with the camera which will then tell the flash when it's had enough. At least that's the way it's supposed to work. 

But then I screwed everything up and started buying Leica cameras. The one brand that no one seems to want to make dedicated TTL flashes for. Sure, there are the two re-badged Nissin flashes and I guess they are okay but geez, they cost a lot of money for something they stuck a logo on and increased the price by a factor of two... 

In the old days Leica had Metz make a flash for their mainline cameras and it was called an SF-58. Not only did it work in manual and full on TTL (including HSS) but it also came complete with an "old school" automatic setting. That means it has a sensor "eye" on the front of the flash and it's connected to a thyristor which measures the flash bouncing off a subject and quenches the flash when it's done enough. There's no connection to the camera other than the sync. An automatic setting is rare in a flash these days but it's a wonderful thing because you can use an automatic flash on any camera and still get a pretty proficient flash automation. Not TTL but not bad at all. And if you are shooting color negative film you'd probably never know you were over or under by much. (Film has latitude..).

The SF-58 is a traditional looking flash with a "cobra" head. Meaning you can swivel it up and bounce it off the ceiling or from one side or the other of the camera instead of just straight ahead. It has a bunch of modes. It can be used in a manual exposure slave mode, in full TTL, in TTL with HSS, in full manual with ratios down to 1/250th of a second and, of course, automatic. The flash takes takes four double A batteries and it's a model that seems to hold up well over time. I found one used at Camera West and snapped it up. Then I started looking for a second one. You know... for back up. 

I have two different multiple day events to cover on assignment in April and some more in May. I guess I'm over compensating for having been "out of the water" vis-a-vis event work since I fired several of my less desirable event clients last year. Now I'm rushing around trying to find the optimal solution for pairing eccentric Leicas with workable flashes. And I'm hoping that either the SF-58 is what I'm looking for or that I finally land on something even better. 

I'm not too panicked since I could use a Panasonic S camera with one of several dedicated flashes I have for that marque. And, if necessary there is always the Fuji 50Sii as a back up. I've got one of the Godox V flashes dedicated to that system... But in truth I want to find the holy grail of Leica flashes. 

One that will work across the SL, CL, M and Q2 series of cameras interchangeably. It was so much easier in the old days when the only real choice (pre-digital) was the Vivitar 283 or the slightly later 285. And then all those Nikon SB flashes. The SB-24, SB-26, SB-28 and finally the SB-800. All great and all fully rigged to shoot automatic on other brands of cameras. 

Right now I have several options. The SF-58 is the front runner. A Metz 58AF-2 is a nice automatic back-up. Any number of Godox on camera flashes still do fully manual flash --- and that's still a workable solution. 

Just wish that Leica would spend a little time and effort to up their game with flash. I know it seems antithetical to the M series cameras but would come in very handy to make Leica more competitive in the mirrorless DSLR replacement space. Right? 

Hey! Got any SF-58 flashes hanging around that you need to get rid of? I know a photographer in Austin who'd love a couple more....

 

Sunday, March 31, 2024

Spring time. Love is in the air.

 


Love on South Congress Ave. Just to the North of Jo's Coffee.
Loving the raised foot. 

Saturday, March 30, 2024

Finally loving the 28mm focal length. It took a rangefinder camera to convince me.



Something about looking through the little window and trying to see the frame lines makes it all a lot more fun.
*******
Can you believe I've been writing blog posts for over 15 years now? That's just crazy!!!

I wish I had all those hours back... Think of all the network TV shows I could have watched instead...From "Gunsmoke"  to "the Big Bang Theory". And all the sports broadcasts I could have watched while drinking American beer. Even shows for sports that are stupid and hopelessly, well, stupid. Like baseball and football and other stuff manufactured to keep people happy and docile....

Ah well. I've missed so much


 

Odd Combinations. Doing some portraits with an "Odd Couple." The huge but amazing Zeiss Milvus 50mm f1.4 and the tiny, featherweight, cropped frame Leica CL.


 Toss in a lens adapter for extra size and weight. What you end up with is a nice portrait length (75mm) equivalent on a small body with an image that's mostly sharp at the maximum aperture. That, and stares from people who think the combo looks a little insane. This lens adds back all the heft you lose going with the APS-C body.

Try it. It's fun.

Travel can broaden the mind. Most of the time it just gives you sore feet...

Tree. Garden. Montreal. Old Town.