Friday, January 24, 2025

When the weather is fine it's so refreshing to take a small camera and a 35mm lens and get one's 10K+ steps in. Something about this 10+ year old camera that makes files sing...


I have been progressively warming up to the Leica M240 cameras and a nice, little collection of M mount lenses. While I used M6 cameras extensively back in the 1990s I spent the intervening years working mostly with SLR cameras across formats. It takes a bit of time and a lot of shoe leather to get back into shape and comfortable with both rangefinder focusing and also looking through an optical viewfinder that doesn't give you feedback (other than the small, coincident rangefinder patch) about what is in and out of focus. Or by what degree. The finder always shows everything sharp from front to back regardless of whether you are using a fast, short telephoto lens with the aperture wide open or a 28mm lens stopped down to f16. You have to imagine the effect focal length and aperture will have on the final image as it pertains to depth of field. 

I think many of us expect that cameras have changed, in terms of technical performance capabilities, quite a lot over the past ten to fifteen years and that a camera introduced in 2012 would be at a constant disadvantage when compared to the latest BSI sensor equipped cameras; and I know this is a prejudice that I carry around as well. But progress is rarely linear. And most of the places where the last decade's performance metrics have changed are to be found in the extremes of the performance envelopes. Not in the center where the lot of us day time shooters operate, mostly.

We always expect that the latest cameras will overwhelm older units in clearly observable ways and we'll find the older cameras wanting which will motivate us to....upgrade. 

I can see clearly that the sensor in the Leica SL2-S, and similar recent cameras, is a much better performer at ISOs above 800 than the plain Jane CMOS sensor in the M240 cameras. But so much of my photography seems to happen these days during the daylight hours and not in low light levels where the performance differences become obvious. 

For quite a while my inherent laziness led me to use the older M240 mostly in a Jpeg mode. Partly it was because I was experimenting with black and white right out of the camera. But mostly because I felt like I could get close enough to getting consistently well exposed and correctly white balanced images without the hassle of raw processing and the burden of bigger files. As in many things I found I was wrong to consider the overall image quality of the camera by working solely with its Jpeg files. During the last few weeks I decided to bite the bullet, buy a couple more 12 Terabyte hard drives, and start shooting all of the M cameras in DNG. The universal raw format. I wanted to take advantage of the upgrade from 8 bit, compressed Jpeg files to the 14 bit, uncompressed DNG files to see how much of a difference I could detect in the final results. I also wanted to be able to shoot with cameras with the lens profiles turned off in camera so I could apply the much more precise, non-Leica system profiles for lenses from Zeiss and Voigtlander when post processing in Lightroom Classic. 

I'm glad I've been photographing this way because I can see an obvious difference in the final quality between the two file types. It becomes especially evident with images that need shadows lifted in post or highlights preserved. It's also obvious in files that require color grading and hue corrections. The DNG files are clearly superior. Finally, shooting in raw allows me to use the very powerful A.I. Noise Reduction in Lightroom's latest rev which helps the 2012 sensor in those cameras to better compete with the sensors in newer cameras. I worked carefully on photos taken on three different afternoons on S. Congress Ave. in the past week and there's not much about the resulting images left for me to want to improve. Due diligence makes the camera a much better and closer competitor to newer models. And makes me appreciate them more.

I used the cameras exclusively with a weird 35mm lens this week. Instead of the Zeiss 35mm Biogon (f2.0) I've been using a Voigtlander 35mm f1.4 Nokton MC type 2 lens. With the 35mm focal length I've been more interested in using the wider angle of view to give context to my shots. With that in mind I've been making good use of f5.6 and f8. I am extremely happy with the level of detail that lens provides at those apertures. The sharpness and fine detail is pretty amazing but at the same time the contrast doesn't become overwhelming. The overall look is one of high sharpness but with mellow contrast. A nice combination for most outside images. 

I hope to have a chance in the near future to use the cameras and some of the faster lenses I have for them in more traditional dark settings. Theater, convention events, evenings out. I'm anxious to see how more attentive processing, more bit depth, and better incorporation of A.I. noise reduction change my appreciation for the M240 cameras. Here are samples: 













A motorcycle with a "Rue du Faubourg" plate on it. 
Parked in front of the Austin Hermés store. 

A referent to the store's original location in Paris.

I wonder what an Hermés camera strap for a Leica costs....



Thursday, January 23, 2025

Things I'm actually thinking about when I'm taking a photograph. Based on me paying attention to my thoughts at the time of exposure, this morning.

 


Before I regale you with what I actually think while out clicking the shutter I have to say just how thrilled I was/am that the swimming pool was back open today after being closed the previous three days because of the nasty weather. Actually, the weather wasn't that nasty. It was just cold. And we did have ice and snow for a couple to days so there is that. Anyway, I made it to the pool a bit early. We have a scheduled masters workout at noon most days but I rolled into the parking lot at 11:30. No big deal. I pulled on my Speedo Endurance Jammers, grabbed a pair of Speedo Vanquisher II googles and headed to the pool deck. It was about 50° and we did have a bit of wind but none of that really matters because the water temperature today, as in most other days, was 81°. Too hot for competition racing but just right for a regular practice. I got in a mile before coach Annie and the rest of the swimmers showed up. The sun was shining, we soaked up ample amounts of vitamin D and everything was right with the world just then.

It is amazing how cranky we swimmers get when we have a forced break in our routines. As a disciplined group who will gladly show up and swim even when there are icicles hanging off the starting blocks we deeply resent anything that breaks training. For no other reason than that we value routine and always following through on intentions. No New Year's resolution posers here. There is also the social component. It's nice to get a daily dose of friendship and camaraderie from a dozen or so swim friends, many whom I have known for, well, decades. Pretty much an unmatched social safety net...

There have been a lot of blogs written lately that make the argument that photographers are mostly out shooting to flesh out or add to similar images which all spring from a single, dominating "idea". An idea that each artist must possess if they are to be taken seriously. I, of course, emphatically disagree. While it might be comforting to pretend that everything falls into order with acres of rational thought and planning behind it,  my experience after knowing an outrageous number of writers, artists and photographers over the last five decades screams otherwise. I have to give credit to Dogman (blog enthusiast) who found this tidbit about Elliott Erwitt. It goes like this: "When Elliott Erwitt was asked what he was thinking when he took a certain photograph, his answer was, "Thinking? Photography's not about thinking. Photography is about seeing." And that's exactly the way I understand photography as well. 

But as a thought experiment I thought I would take a shiny, black Leica M240, a 35mm lens, and a couple of hours and just walk around on the main street across from the University of Texas campus, take photographs of "whatever caught my eye" and try, in the moment to take note of what I was thinking right then. Seriously. As I was taking a photo (but not before!) I would try to catch the fleeting thoughts going through my noggin. I even brought along a small paper notebook and a pen to jot things down for accuracy. Here we go: 

"Jeez. I hope my car doesn't get towed. I never have gotten a ticket when I've parked on West Ave. but there's always a first time. Maybe I should have paid the meter. On the other hand I don't really care if I do get a ticket. They are only $20 and I can pay it online...." 
"This building has been here forever. I remember when I lived right round the corner back in 1976. It was falling apart back then. We all thought it would get demolished. I guess the Austin boom made a lot of these older buildings more valuable. Can't believe it's now a hotel with a starred restaurant. Maybe B and I should go to dinner there sometime soon." 
"Really? That's a P. Terry's? (hamburger restaurant chain) I love those shade structures. They look so 1950's atomic age. A throwback. And the neon on them rocks. Glad to see some style in a fast food restaurant. Should I cross the street to get them bigger in the frame? Naw. Too much trouble. I'll just crop them. No one will know the difference..."
"I want to get the whole building in so I can correct the verticals in post. Otherwise that guy who hates keystoned images will bitch about it in the comments and I'll have to pretend that I don't even notice stuff like converging lines. But shit! I'm right on the curb. If I back up anymore I'll be right in the traffic lane. Love the "Gimme Danger" logo on the front of the building. Works for me.
"Well, that's a really shitty composition but I only brought a 35mm and if I cross over the four lanes behind me the wall will be too small in the frame. But I really want to get a tight shot of the "Gimme Danger" logo so I'll remember that I liked it when I saw it and then I see it again. Maybe I can do something with it in post... Weird, I've noticed that this Zeiss 35mm Bright line finder isn't very accurate. I always get more on the edges in the final files. I guess that's better than the other way around. I guess that's why we also chimp."
"Okay. So this is a really weird composition but I want to show the old church building in front of that new dorm tower. They really should tax churches. I can't save the shot entirely with the transform controls in Lightroom but I guess it's worth a shot. Happy I set up the review on this camera to engage when I keep the shutter pressed after I take the shot. It's helping me take fewer frames since I know what I just got."
"This place has been empty since the pandemic. And it's right across from UT. I'm pretty amazed some developer hasn't done something with the space yet. I remember the shop that was in here from a long time ago. They sold "lingerie" and my goofy engineering roommate bought his girlfriend some. She hated it and I think that was why she dumped him. It would have never worked out anyway. An east Texas republican engineering student and a hippie, Peace Corps, non-leg shaving feminist. Who could have guessed a break up was in the cards? The real mystery was always how they got together in the first place. I hope I comped this correctly. The sun is glinting off my glasses and making the finder tough to see. Oh well, it's not a great shot to begin with.... where are all the students today? I thought classes changed at 9 a.m. Not very crowded out here and it's such a nice day..."
"Love this sign. I love donuts. Okay, so here's my dilemma. Do I go ahead and shoot this while college students are walking past underneath? Will that make me look like a creepy, old photographer? How long do I have to wait until the scene is clear? Would it work any better if some really attractive girl was in the frame? I know it would but it's not worth it to find someone. It's the sign that I really like. 
Donuts. Now I'm thinking about coffee but I don't really, really want another cup of coffee. Maybe I can find a place to get a cup of hot tea. That might be better. Love the saying though. I can send this to my friend who always, always overthinks shit."
"Yeah. I actually like this closer shot better. It's all about the saying and not all about the rest of the street. Donuts are sounding better and better. Love the feel of this camera. And I love the fact that it has enough nicks and brassing that I don't need to baby it. I wonder where there's a good donut shop around here...
Does walking around with a camera make any sense at all? Is anything about photography still really relevant? Am I just out here spinning my wheels because I'm bored? 
What time is it? I don't want to miss swim practice."
"I always love this Dylan mural. Reminds me of the people at UT who chained themselves to 
trees to try to keep them from getting cut down, way back when. Everything felt so strong and so real back in the 1970s. When did we get so jaded and cynical? I like the converging walls. Did this club used to be Raul's? Oh rats! I need to change my f-stop. Maybe f8?  At least I'm in focus...
All these college kids and not a single one of them has a camera. Really? That's so strange."
"I can't believe Dirty's is still open. I should call Greg and see if he wants to have lunch here next week. It sure would be a change from Maudie's or the Salt Trader. I haven't been in here since the 1980s. Doesn't look like much has changed. I wish the blue barrel wasn't there on the right lower corner of the frame. I guess, if I like the photo enough, I could make it disappear in PhotoShop. Which reminds me of the big brew haha about Steve McCurry PhotoShopping trash out of a photo. People should just fucking get over it. Digital manipulation is here to stay. Old schoolers bitch too much about stupid stuff. 
No blue barrel? Not a problem if it's not a documentation of a crime scene..."
"I love the sign about the hippies. Should I go tighter? Naw... I like seeing the wall at an angle. It would look pretty dead if I shot it head on and flat. Plus there are so many clues. I really have to be a bit wider if I'm going to get the line of type at the top that says, "Celebrating 99 Years." Can't believe it. That would make Dirty's the oldest surviving restaurant in Austin. Kept alive by frat rats and hippies."
"Sue me but I think there is something romantic about Coca-Cola signs. Tragic, but romantic." And I guess my cameras are addicted to clean, blue Texas skies. Just need to make sure the white siding doesn't burn out...."
"What the heck? I've never seen this mural before. What's it doing at the back of an Urban Outfitters store? Makes no sense at all. I love the colors but I really love the deep black of the stairs and the foreground. And always the Virgin Mary. Better by far than a brick wall. I need to move right to keep the sunlit background out of the scene. Too much difference between the light on the mural and the light in the far background. Oh shit! Is it already 11? I'd better wrap this up and get over to swim practice. 
Thank God I don't have a real job I have to go to. That would be most inconvenient. 
One thought. Happy to have only one lens and one camera. I have so little patience for carrying too much stuff around with me. Now it's crowded with students. I forget that they flow like rivers at 
intersections and crosswalks. Photography is based on big ideas? Not likely.

Experiment ended for swim practice. 

Want to read what I thought about during swim practice? Me neither.




















Wednesday, January 22, 2025

OT: Fashionable Headwear. A new hat from our new Canadian Overlords.


 I got a package in my mailbox today. It was from Canada!!! Inside was a hat and a kind note from a long time blog reader, friend, and sometime visitor to Austin. The note suggested that the hat would help me acclimate better when the USA becomes a province of the "Great North." 

I unashamedly used A.I. in PhotoShop to create an appropriate background for my portrait, wearing said hat. It is the warmest hat I have ever worn. Oh so fashionable. I'm sure I'll start seeing these on mannequins everywhere.

Giant ear flaps!!!! Amazing. My sincere thanks to Eric for the kind and now very appropriate gift. I bet we've even got a few more days of cold weather in which to wear it. But I guess Canadians wear hats like this year round....eh? 


Connecting to the joy of photographing everything.


It's 2025. The world appears to be quickly devolving into chaos. Fascists rule the roost. The weather turned nasty. Wildfires are producing millions of tons of toxic pollutants that will go straight into city water supplies at the first rain. So dire. I could succumb to depression and despair but I only get one life to live (that I know of...) and it would be a pity to waste it all in an endless cycle of worry and frustration. And, besides, there's still photography. And still photography. 

It's a waste of time to sit around and ponder what another photographer might have been thinking when he or she was out taking photographs. I guess the main point will always be that we're discussing their work, their motivation, their value specifically because they spent the vast majority of their time out photographing. Even though Lee Friedlander's work doesn't move the needle for me he photographed what he chose to photograph at the time. Same with Garry Winogrand. Same with Alec Soth. Same with Richard Avedon. Let the photos tell the stories.

All that really matters is that you want to photograph and that you find joy in photographing. Trying to dissect what compelled someone else to photograph in a certain way, by reading time worn, short essays by their contemporaries is like trying endlessly to figure out how water really tasted to someone else. How different the process is for everyone! 

The real magic we can learn from our predecessors in the photography field is that they spent (and spend) their time fully engaged in the actual practice and not hampered by subsidiary activities that impede their forward momentum as working artists. 

TLDid't want to read? Poseurs talk, Artists work. 

So good to have seen videos of Robert Frank in his late years still constantly photographing... Same with Josef Koudelka.

If you aren't enjoying your relationship with photography these days it could be because there are so many unrewarding detours. Camera reviews on YouTube, essays on techniques of the past, tastes of past generations, and the ever present manifesto generation of people who would like to make photography solely an academic exercise, subject to endless contextual recasting. 

 What really matters is the feel of the camera in your hand, the sudden coming together of a great shot right in front of your eyes, and the happy happenstance that you were out there, right in that moment, ready to snap the shutter. 


Winter got you down? Too cold to go out and shoot? Too gloomy to provide the light you want? Take action and go somewhere else. You only go around once. It's on you to change the channel if you don't like the program currently being offered.




 

Monday, January 20, 2025

Here we go again. The Central Texas "Cold Snap Panic." Franticly winterizing all my cameras and lenses in case I want to take a walk with a camera in the next few days. Now researching camera warmers??? Naw.

you can read about how to swim or you can get in the water and 
learn how to swim. The second method is certainly more 
effective. Swimmers seen above at swim practice in a 
virtuous spiral of learning through doing.

We had quite the wake up call yesterday morning. We swimmers had been hearing for days that the temperatures were going to drop, snow was coming, weather would soon turn treacherous, "stock up on essentials!!!" and "drip those pipes!" But it all became real at eight o'clock yesterday morning. Oh sure, I was comfy in my down jacket, fingers wrapped around a heated steering wheel, car gliding over clear, ice free roads over all 1.5 miles from my driveway to the pool. We all tend to cut the timing for the start of practice as close as possible so there's always a mob scene in the locker room as everyone gets ready to swim. And the locker room is always a nice and toasty 78°. I didn't think much of the cold until we opened the door and scampered out, clutching our swim accessories, and headed toward the pool. The air temperature was a balmy 27° but there were 15-20 mph wind gusts blowing all manner of things around... including icy cold air. A cloud of steam billowed above the pool. And then we saw a most unusual sight. Several of the swimmers from the practice before ours were...getting out of the nice, warm, 81° pool to walk over to the deep end of the pool and dive off the diving board. Over and over again. Backlit. Steam pouring off their bodies. Heads wrapped in shrouds of white steam. Joyously cannon-balling off the diving board and daring others to join them. 

The second workout swimmers are much more restrained. We just wanted the earlier crew to exit the pool so we could plunge into the nice, warm water before we lost all courage and retreated back to the locker room and then forfeited our workout and instead went searching for good coffee. Swim caps on and goggles adjusted, we forged ahead. After standing exposed to an 18° windchill the first jump into 81° water is pleasant. Warm water on the cold skin. And once you start moving with intention the only parts affected by the cold are arms extended out of the water while swimming backstroke. 

The sinister, dark side of a cold morning, and the part you don't really consider when you first face the wind and the cold is just how much worse it will feel when you get out of the pool at the end of the hour. You are then toasty warm and soaking wet. The windchill had barely abated and the differential between skin temperature and the forces of nature are... bracing. Whoever the first man out of the pool is they are subject to the running joke from those of us lingering in the warm-ish water: "Hey, Steve. Turn on the showers and warm them up for us!!!" Shouted with all the earnest-ness we can summon. A bit later we're all in our cars, heaters cranking, heading for the closest coffee shop, bakery or restaurant we can find on a Sunday morning. Swim tip: Don't leave your swim gear in the trunk of your car for too long. I ruined a set of tail lights in a BMW by being lazy and leaving wet towels in the trunk for too long.... That evaporating water and chlorine can end up in expensive places. 

After the swim and breakfast, and more coffee, I started paying attention to the weather. I couldn't help it because, sensing an opportunity to dramatize, all "news" coverage was about the impending "Arctic Blast", and it was everywhere. On the radio. On TV. On the web. In sky-writing in the skies above the city. Lows in the 20s (mostly overnight) and highs "barely" cresting the upper 30s (day time). And now a new feature: We might get one to three inches of snow overnight tonight. Pray for your exposed water pipes!!!

I have a close friend who grew up in Pennsylvania. He's immune to Snow Day Panic. I had coffee with him late last week and I was excited to tell him about all the crap I bought to keep my pipes safe from the icy onslaught. With his usual calm demeanor he suggested that I just take it easy and not rush to take it all too seriously. But I so wanted to share all my cold weather device discoveries. Things like automatic drippers for the outdoor faucets. They are totally mechanical and screw on to your outdoor faucets. When the water temperature drops below 37° (f) a valve opens to allow for a continuous drip. The amount of drip varies with the temperature. The lower the temps, the faster the drips. 

I bought one last week and monitored its operation frequently. Convinced that it worked well I went back to the hardware store to buy more but, of course, they were completely sold out. I ordered two more online and now it's a race against time. Will I get them today, this evening, or will the delivery fail and I'll be forced to retreat from the cold weather abatement progress I've made and revert to covering the faucets all over again? And worrying through the night?  I have hope. In the end that's all we can have.

I have also belatedly discovered "heat tape." Also called self heating pipe cable. It's amazing stuff. You wrap a stiff cord around an exposed or endangered pipe with a temperature sensor affixed to the coldest spot on the pipe. The other end is an electrical cable with a conventional plug which you plug into a wall socket. The sensor senses when the pipe temp. drops to 37° or below and electricity warms the portion of the cable you've cafefully wound around you pipe. When the sensor senses that the pipe has hit 50° it shuts off and waits for the next temperature drop. I rushed to buy the product in several different lengths only later realizing that I had no conveniently exposed pipes on which to use the product. Mea Culpa on that one. 

But in researching "heat tape" I did find heat proof, insulated tape which I was supposed to use to cover the installed heat tape. It's pretty cool stuff and I'm sure I'll find a use for it. We stocked in mega gallons of water, enough MREs to last two people for months (and depending on the taste, maybe years....) and we also wrapped every piece of exterior vegetation we could access and wrap. Memories of the ice storm of 2022 are still freshly branded onto our brains. 

Now that all the preparations are complete. Or as complete as I can make them. I am settling back down and considering the big questions that being a photographer generates. It's not enough just to have fun and be happy making photographs. Nope. Now we must, as in a form of group therapy, dig down into the very fabric of our psyches to discover not just why we photograph but also what our approach is to making said photographs. We must now discover what is our "big idea" and then dive into dissecting our personality types to unearth how we make images. Are we a careful planner or an erratic, seat of the pants artiste? We know, of course, which one we should be but.... sometimes the careful and plodding road to photographic fun is quite a bit less fun than immersing ourselves into the pure fun and joy of seeing, shooting and sharing. Be on guard if you are called upon to dissect jokes, impulses and moments of instant satori. Just as in most pursuits all you will end up with is a metaphorical dead frog in pieces and no real art work. When what you really wanted was to share an image that the universe dropped into your lap like a quick gift. 

Coming from an engineering background I go along with basic groupthink as it regards repeatable results, accurate measuring, repetition while changing only one variable at a time, and much more. This is a good basis for lots of things like making paper, anodizing metal, doping wafers, grinding and polishing pistons, processing food, etc. In art, when depending on the making long run portfolios of prints for success this same mindset is valuable to assure consistency from one print to the next. But... the thing that makes art valuable to collectors, curators and the rest is... a lack of overall consistency. Little variances and imperfections. "Features" that humanize the process. 

The freeform experimentation and the realization that any time a work of art depends on the consistency of human hands, and a human handling each piece, they will all be different. Maybe not glaringly different, but different enough to be discernible by not just experts but for lay people as well. There comes a point, metaphorically, when washing one's hands dozens or hundres of times a day lurches over from mindful sanitation to damaging compulsion.  Wabi-Sabi was imagined and philosophized for good reason. It's part of a balance between lack of tight control and overarching perfectionism. The Japanese artists have that right. 

Endless testing, experimenting, cataloging and analyzing goes a long way toward preventing the actual opportunity to go "hands on" with one's artistic tools and to go out into the world to make art. That's something I think every photo nerd and Photography Expert needs to acknowledge and deal with. One can sit all day running tests, parsing the results, trying to find ever more precise ways of measuring results but the more involved in "understanding" the theoretical or philosophical minutiae one surrenders the less time they have to spend in the real world. The corporeal world of action and reaction. 

I spent seven years as a student at a good university, and then three more years on faculty, and in the process discovered that almost all theory is meaningless until you go outside and put the theory into practice. And that action informs theory. What I found in students and even in faculty is that many people find talking about or writing about the process more comfortable, more assured, than taking the risk that in undertaking the actual act of creation they might, in spite of all their "knowledge", fail to make art that satisfies them. Or more importantly to many,  fail to make art that moves their careers forward. Garners accolades. Builds resumés. There is also the fear of starting something. Anything. 
How many turn off keys for your home's water supply do you need to research online before you are moved to finally take action and go out to the curb with whatever tool you have to cut off the water from the main before a burst pipe makes your basement into an indoor swimming pool? At some point over researching becomes ruinous in the real world. 

This is something I never need to worry about because most houses in Central Texas don't have basements at all. They are built on pier and beam or on concrete foundations. I also rarely have trouble heading out to have fun with a camera because I not incarcerated by theory which compels me to fall into an endless loop of evaluating and re-evaluating everything before I can move away from my desk.

Do you have a friend who is in love with therapy? Maybe they sought out a therapist to work out their anxiety or depression. Or their fear of vertical print washers. And even though those problems were treated and have since receded they found a certain chummy comfort in replaying bits and pieces of their past in some "journey of discovery" that keeps them in therapy? While Freudian-based therapists are happy to have patients who depend on them long term (gotta finance that sail boat...) I am more in the Jungian camp so there will be no blaming mother today. Solvable problems are solvable and once figured out we move on. Research about something as mundane as cameras is like an addiction to therapy. We spend a lot of time on it and it costs us money at very turn, and like an addiction to therapy, it rarely cures us. The real cure is action. Moving forward. Committing instead to the thrill of having positive experiences putting our creative spirits into motion. Creating the art instead of studying all the different way in which we can look at the potential to do art. Or label art. Or quantify the Art process. 

Wanna teach a kid to swim? All the text books in the world are meaningless compared to getting the kid into the water and getting them to feel how swimming feels. Wanna teach a blogger how to enjoy photography? Turn off his/her computer and take him/her outside with a comfortable camera and an even more comfortable pair of shoes. If you can break him/her of their compulsion to research you might just be able to launch them into the important part of photography. The doing.

So, it's going to snow overnight. We have no snow plows but the city is putting chemicals on the overpasses and bridges. Chemicals which are supposed to tamp down the icing and make the roads at least passable. But to make it all work they have to turn off their computers, leave their offices and go out in their trucks. That's the secret of just about anything that matters. You have to show up.















Author dressed for the cold.

Child dressed for the cold. Iceland.




umbrella remembered: Vancouver.

Cold rain turning into ice is the worst.

Be prepared. But go outside and photograph.

 

Saturday, January 18, 2025

?

 

?

January 17th. On South Congress Ave. The world in black and white.... meh.




Nostalgia can blind us to what powerful color tools we have in the present. 
While these images are black and white do they really have any additional power
that was missing from the color images I posted yesterday?
Or do we let the trappings of a bygone era mandate our presentations in
the moment because it's too much trouble to figure out how to 
make color exciting? 

Or...If Ansel Adams and Edward Weston had the best of the new
digital cameras would they have shown us an even better way to 
photograph by adding color to their unique visions?

I think they would be all over the color stuff....

YMMV.