12.21.2010

Book buying guide. "Which one should I get?...."

It's the holiday shopping season and everyone's running around looking for last minute gifts and stocking stuffers.  A fair number of people have e-mailed me with a remarkably similar question.  "If I could buy only one of your books which one should it be?"  Hmmmm.  Like asking someone which one of their children should be left behind....  But what I think they are really asking is,  "Can you give me a little synopsis about each book so I can decide?  Personally?  I think it's sad to break up a family.  I'd get all four.  And that's the most self serving answer I could drum up.....


First up.  The first book.  There are now two books that have the words, "Minimalist Lighting" in the title but the subhead tells the difference.  One is about location lighting and the other is about studio lighting.  They are not versions of the same book.  The book above is the location lighting book.  The emphasis is on using small, battery powered "smart flashes" like the Nikon SB-800 and the Canon 580EX2.  But using them as a professional would have used studio lights in the "old days."  The back of the book has descriptions of five or six different actual jobs with diagrams and shooting info.  The book is intended to take someone from a shy and unsure user of "flash on camera" and give them the brain tools to take the flash off the camera, stick it on a stand, attach a radio trigger, add a couple more flashes and get everything to work the way it's supposed to.  All the samples are on location.  Many (most) of the examples are from actual paying assignments.  This is a great starting point for people who want good lighting on location.  And a good primer for using Nikon's CLS, all different kinds of slaves and diffusers.


The Second book is also called "Minimalist Lighting" but the subhead explains that it's aimed at studio lighting.  This book is mostly about lighting in the studio and I do several exercises like taking an orange and a cheap work light and show the way direction and diffusion affect the way images look.  We take one of my favorite models, Heidi, and show permutations of portrait lighting using everything from giant umbrellas, small reflectors and even bounced sunlight.  I cover florescent, flash, daylight and tungsten light and by the time you're done you have a good idea of how to outfit a home studio or a small working studio and how to do basic studio photography.  I like this book.  I wish there had been one out when I started oh those many years ago.  Instead I reinvented many wheels.....


I stuck these pipes in just for fun.  It was a classic annual report shot from 2002.  Somewhere between Gulfport and Biloxi.  


I rarely think of myself as an architectural photographer but one of my first professional assignments was a ten day, large format gig for a historical architecture magazine shooting plantations across Louisiana. The magazine liked the work so much we spent the next ten years driving around Texas, Lousiana, Mississippi and New Mexico shooting architecture with a 4x5 view camera and a box full of Schneider lenses.  This pool was for a feature on water features for a little lifestyle magazine called, Tribeza.
Back to the books in a moment........


You've probably divined by now that I'm a bit of a heretic when it comes to photographic lighting.  David Hobby may have popularized the small strobe craze but, believe me, a bunch of us corporate shooters were all over that in the 1990's when corporations were flying us all over the world and depending on us to hit the ground running in places where the A/C only worked for five hours a day or not at all.  We got used to improvising. That's young Ben holding a homemade florescent bank 
for book #2.


If you are trying to do photography as a business or you have a friend or relative who is this is the book they need.  It explains all the voodoo pricing and why it happened the way it did.  It explains model releases, contracts, marketing and specializing.  It's well illustrated and reads fluently.  Pick up John Harrington's book on business practices to round out your selection of good, solid photo business books. I'd buy either of our (mine or John's ) if I didn't own them.  Mine is a reminder to do the right thing for your business.  John's is how to do the nuts and bolts that go along with doing the right thing.
  

Okay.  You have no interest in becoming an underpaid, overworked professional photographer.  You already read all you needed to know about flashes and any more would be overwhelming.  You know enough to run a studio but you've got other stuff you'd rather do.  Skip the first three books and get this one.  It's a fun romp thru what kind of lights are out there on the market, what accessories help you get the looks you want and why you want a certain kind of light for a certain situation.  If you like knowing about gear this the book that will work.

Now I don't expect anyone to take my suggestions without a grain of salt because, let's face it, I'd love to sell more of my books.  I'll get a bigger royalty check.  But if you are on the fence and you'd like to make both of us happy over the holidays you might take time to read the reviews.  Here's the link to my author's page on Amazon

If you do decide to order one it would be cool for me if you'd click thru to Amazon from one of the links below.  I'll make a few dimes and you won't pay a cent more.  In fact,  if you click thru from here to Amazon for anything from diapers to giant TV's I'll get a small percentage and it will have no impact on the final price that you pay them.  Just want to be transparent.

Here are the links.....

   

Thanks for shopping.

7 comments:

Anonymous said...

Can you explain what your small-flash book brings to the table that isn't covered in the (free) Strobist blog lessons and archive?

kirk tuck said...

absolutely nothing. Well a different style of photography. All the lessons in one place. Nice photos. A reading medium that can be enjoyed anywhere....without batteries. Nice photos. that's about it.

Anonymous said...

I have all four, wish you'd write a dozen more, and will probably buy a whole new set for Christmas just for the hell of it. Love the smell of ink on paper.

Mark Coons said...

I agree Kirk, everyone should have all four! And we can't wait until your next book comes out!!!!

Dave Elfering Photography said...

I've read all sort of the online strobist bits and your book covers it better in my opinion as you have commercially used what you right about. There are so many cutesy reviews and FAQ type things online but generally they don't show examples shot while under the gun. Your book on location photography gave me solid ideas that I can build on. Seeing shots where the photographer used 8 different $400 flash heads, while interesting, isn't very practical. I've bought and read end-to-end two of your books and came away from them all the wiser.

Anonymous said...

Kirk, Your book on the business of commercial photography absolutely changed my life. I went from barely scrapping by to actually making enough money to save some for the future. The chapter on marketing alone is worth ten times the price of the book. Thank you for your excellent books!!!!!!!

John F. Opie said...

Hi -

Just ordered three of them for me from Amazon here in Germany. Kirk, you serve as inspiration. :-)
All the best and have a wonderful, safe and happy Christmas!