I really like the way this ended up. In any professional photography job the client pretty much takes things like able camera operation and lighting competence as unspoken, required basics. You wouldn't be in their facility working with paid talent if they didn't assume you had those things managed. The things that keep you on their team are your ability to collaborate with the talent (and the creative team) to get good expressions, gesture and presence.
Just as a technical reminder, I shot this job with a Panasonic GH5 and the Olympus 12-100mm f4.0 Pro lens. I used a couple of cheap speed lights on the white muslin background, a monolight to the right of the frame in a huge white umbrella as my main light, and a second mini-monolight, at half the relative power, over to the left of the frame, in an even bigger umbrella. I used one tiny speed light to light the talent from the back. That light was used directly and was dialed down to about 1/16th power. It's just the barest twinkle of backlight....
Nice work! Thanks for sharing.
ReplyDeletelooks great!
ReplyDeleteI've done a lot of this kind of thing, and I have to say that this photograph was done about as well as it's possible to do it.
ReplyDeleteIt makes you smile and want to see the show.
ReplyDeleteThanks for sharing your setup. This is helpful for people who are learning how to get that type of shadow ...
ReplyDelete