6.21.2025

There are days when, even if it's too hot, all I want to do is walk around with a camera and take photographs. Not on a schedule and not for any specific reason. Just to see what I can see.

 


Once in a while I'll wake up and think to myself that I don't really want to go to swim practice today. When I was younger I was more strict with myself and I would go anyway. But on Wednesday last week I woke up not thinking about a wet workout but about really getting to know the Leica Q2 better. And there's generally only one way to get to know a camera better; that's to charge up a battery, insert a good memory card, format and head for the car. Lately I've been obsessed with the idea that the Q2 is the perfect 35mm camera. Really perfect for that focal length. 

If you find yourself shooting Jpegs, which I do more and more, then setting the camera to work in a specific focal length sets the stage for shooting that way more organically. Sure, you can shoot in raw and even with the camera set to show 35mm frame lines you still have the option, the fallback plan, of shooting to the frame lines in the moment but keeping the potential of choosing that old 28mm frame after the fact. In post.

In my early years as a photographer I spent a lot of time shooting with various Canon and Leica rangefinder cameras. One of the charms of most rangefinder cameras is the fact that, with medium focal length lenses (35 &50mm) you get to see what's beyond the presented frame lines. You can compose and then see what you might be missing in your composition because the subject is sitting there just past the frame lines.  Just on the other side. And seeing something that might make a better photo if it was included is a very good thing. 

When I have a Q2 set in Jpeg to take 35mm frames I get to see what's in the rest of the finder image. What's outside the demarcation of the frame lines. What might have potential for additional inclusion. I am incapable uncomfortable not interested in shooting ultra wide and then cropping afterwards. I am not gifted with the desire to think of an image in my mind, shoot it surrounded by unneeded clutter with the idea of cropping it later exactly as I saw it in the moment. And if you really believe that this is how you work best you are deluding yourself. Or you have way too much time on your hands while contemplating the taking of photos....

I love to bring the camera up to my eye and look into the bright line frame and see a composition that I like. And then, if needed, fine tune it just prior to the moment of capture. I always have the option of cropping into the 35mm frame but I don't have the option of de-cropping to a wider composition. And not having that option is actually comforting.

Some might say that I'm wasting resolution by setting an "in camera" crop instead of using the full frame that I paid for. I disagree. When a Q2 frame is cropped to 35mm, whether in the camera or in post, one still ends up with a 30 megapixel file and, for most work we do this is more than enough resolution. Need more? Start with a Q3 file and set your camera to crop the frame into a 35mm angle of view. You'll end up with nearly as much resolution as you would if you were shooting a 42+ megapixel camera. More usually isn't better. More is usually just more.

I usually park in the same place and walk variations of the same route. It's easy that way. And my end point is near both a favorite restaurant and a favorite coffee shop so it's very logistical. I wear comfortable shoes. I've been wearing long sleeve pullover shirts from REI that claim to have a 30 SPF equivalent UV resistance and also wick moisture ( aka: sweat) effectively which keeps me cooler than the times when I wear cotton shirts in the hot weather. I have three of them. They are all the same color. They are light gray. I usually wear a medium size shirt but I buy these in a large size because I believe that looser clothing is more comfortable in the heat. When I find a particularly good piece of clothing I tend to buy at least three identical items. I have found over the years that as soon as I find a shirt or a pair of pants or shoes that I really like the manufacturer changes the sizing, the style, the materials or the quality and I am saddened by my perception of loss. Loss of access to something I find valuable. 

The week following the coming week will be the second time I have surgery for a pesky cancer on my face. It's the result of a life time of aquatics, outside, in Texas with insufficient sunscreen. I get it. And part of my penance now is being sentenced to wearing very, very dorky hats which cover my head, the tops of my ears and, with their wide and floppy brims, my face. There's no way around it; they look dorky. Doesn't matter if you spend $400 on a hat or $25 on a hat, if it's effective at blocking the max sunlight it will look dorky. Dad-like. Overly practical. But lordy, lordy, I love a great bucket hat...(not). 

I walk pretty briskly. Not on purpose but mostly because I don't see anything worth photographing and I'm anxious to walk ahead and see, immediately, what's around the next corner. What's the next trigger for the photo gland in my brain. 

When I'm walking in dangerous heat I try to limit myself to just a couple of hours before heading home. Three or four miles with lots of short stops to look through the camera and see if what I've stopped to look at has merit as a photography subject. Once I feel hot, thirsty or bored it's time to pack it in and move on. Time to test the immediacy of the air conditioning in the car and time to find the right spot for a big iced coffee. The endpoint for the walk. 

Out of habit I always take a second battery. Lately I've noticed that the combination of the Q2 and the newer SCL-6 battery means I very seldom whittle down the power in the battery to anywhere close to one half. I might play it more dangerously and head out sometime with just the battery in the camera. With 256 GB memory cards I never take a spare with me unless someone is paying me to work. It's just so rare to have a contemporary, premium SD card fail... (Now having jinxed myself.... gulp!). 

I have the idea lately that once I have surgery on my currently movie star quality face I'll be required to spend at least 10 days out of the pool. I won't miss the routine but I will miss the fitness benefits. Ten days away and you feel like you are starting over from scratch when you come back. Because of this I'm walking even more than usual with the idea of starting at the cool part of the morning and getting in more miles during the swim hiatus. That, and ramping up the strength training. As one of my trainers says, "If you can do as many pushups as your age you can consider yourself out of shape..." Very strained logic. As a 25 year old I could push through that without missing a beat. At 69 it's a daunting task. But since I'll have nothing better to do....

Speaking of better stuff to do I have been inviting friends of all ages and genders over to the studio to have their portraits taken. All in black and white. I've cleaned the place up and I'm in the process of "death cleaning" the studio so it has more room and a lot less clutter. I have a big octa-bank (120 cm) set up and either a white or a black background (mood dependent). The only other addition is a hunk of white foamcore to provide opposite side fill. I don't want people to linger after I've photographed them so I concoct some excuse in advance for why we are "time limited." I see most of these folks enough so that we don't have a lot of catching up to do. 

So far all of the photos have been done with the venerable Leica SL2. Mostly because I like the way it makes black and white files and it's got enough resolution so I can print big....if I want to. There are three lenses I've played with more than others. The Sigma 85mm f1.4, the Sigma 90mm f2.8, and the recently acquired TTArtisans 75mm f2.0. All, in their own way are good. 

Can't wait for Monday when we undertake the big air conditioner install at the house. So much fun.

Walking North on the pedestrian "side" bridge at First Street. 


A new construction at the Long Center for the performing arts.
Something for evening performances out on the lawn...





The Long Center. A public/private renovation happened about ten years ago.
It's a really nice space for concerts et al. And it looks so "jet age."

the now abandoned HQ of the Austin Lyric Opera. 
They've moved on. The building (mostly the valuable land under it..) is now for sale. 




I don't get the joke. I mean, who puts this on their car? Really?
And, by the way, see the hat? Dorky. 

Golf in the middle of town. Just South of Lady Bird Lake. 
Eccentric enough to make me want to take up golf....

The Good Kind. Nice and Cold. Not...Grabby. 





the Pfluger Pedestrian Bridge. Over Lady Bird Lake. Joining North and South Austin.
Gateway to a good, long walk with trails going East and West in a loop. 
Three different loop distances available. From 3 miles to 12 miles.
Bring your biggest water bottle in the Summer...


Down by the railroad tracks.

the beginning and end of most walks. 





5 comments:

  1. Too bad that installing an A/C unit is kind of visually boring. When we had our kitchen cupboards redone, I did a time lapse of the 3-day installation, part of which is still on that company's web site. A friend did a time lapse of the crew that re-shingled his roof and the footage shot in the evening setting sun was quite beautiful.

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  2. Do you make prints yourself anymore? I realized that you talk about the prints you made in the old film days, but I do not remember you talking about prints you have made recently? Do you use a printing service for prints? Or just not do prints?

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    1. Hi Richard, I do sometimes make prints. They are all inkjet prints. When I have serious images to print I use an outside crafts person who specializes in large format prints on archival, fiber papers. We're currently having printed a 20 by 40 inch image of fresh vegetables for our dining room wall. The cost for a print from a good printer is not cheap but seems worth it to me and my wife (who spent her career as an art director specializing in print campaigns). In the right frame certain prints can be magical.

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  3. I’m glad to see you’re using your Q2 the same way I use my Q2M - RAW + JPEG, 35mm crop engaged. When I tell people I do that I usually get the “throwing away resolution” lecture or just a blank stare. Being able to see outside the framelines is huge for me.

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  4. Different styles of architecture fascinate me and I shoot a lot of photos of buildings. One of my small discoveries is that some architectural images require geometrical (usually keystone) correction and it should definitely be avoided for others. In your series here on the Long Center, I would argue that your initial image belongs in the first category—what to my eye are its awkward angles simply don't work for me—while the second and third would be ruined if you had tried to "correct" in post for the way the camera captured them. I'm not able to articulate a meaningful rule but, as Justice Stewart said in 1964 regarding pornography (Jacobellis v. Ohio, 378 U.S. 184), "I know it when I see it."

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