A repost from the earlier days of the Visual Science Lab. Six years ago, January 2010. The anatomy of a wet shoot...

http://visualsciencelab.blogspot.com/2010/01/getting-wet-quick-look-at-fun-shoot.html

Fun for me to go back and re-read stuff from a while back...

Another five star review for "The Lisbon Portfolio." An action packed "spy" novel starring commercial photographer, Henry White.

Order your Kindle or Print Copy from Amazon.com today!!!

Another image that convinced me the time had arrived to re-appraise one inch sensor cameras. It's a "lab test."

A laboratory in New Jersey. ©2106 Kirk Tuck

I'm pretty sure I'm going overboard with all this "one inch" enthusiasm but please know that I'm not rushing to abandon all other formats or denigrate their use as great imaging tools for photography. I guess I'm sharing this succession of images and stories from my experiences shooting smaller format cameras on real jobs because I am personally so amazed at how well they work in lots of different situations. I believe that the smaller format cameras are important tools to have along on most projects and offer an ease of shooting that, in many cases, is unparalleled. 

We all have a prejudice, based on digital camera history, that tells us that all big sensor cameras make better images than all smaller sensor cameras. If you are just measuring noise response at higher ISOs you'd be more or less correct but there is so much more that goes into the success of an image and a lot of it has nothing to do with the noise formula. Even in that arena the one inch sensor cameras I am currently using outperform the noise characteristics of even full frame camera from only a few years ago. I have only to pull up images from the Sony a850, a900 or Canon 1DS mk3 to know that this is true. So, here we are five years down the road from the introduction of the full frame

Graffiti. Panasonic fz 1000. Austin, Texas.

I know that the "Graffiti Wall" has truly become an Austin icon. We're just into the first few days of the SXSW Music Festival and the crowds making the pilgrimage from the Convention Center in downtown to the Hope Outdoor Gallery (official name) are amazing. The tourist attraction has gone from hundreds of visitors a day to thousands. All coming to see four stories of concrete covered with the visual musings of a wide spectrum of "artists."

I think that this week the Wall is a more popular tourist attraction than the state capitol building or Barton Springs Pool.

I shot this a few months back as a first run test of the Panasonic fz 1000, the slightly slanted doppelganger of the Sony RX10 and RX10ii.

It's a fun camera in its own right with a longer lens and a more cavalier build quality. But on the sensor, where it counts, it's just as nice a photographic machine. If Panasonic had only included a headphone jack I might never have leaned back into the Sony camp.....

Both great cameras and, to my mind, the direction photographers and the industry should be going...

One Man Band. A Workable Rig for "Man in the Street" Interviews. Sony+Rode+Beachtek.

I had the idea that I might want to go down to the big SXSW Festival this year and do something a bit different. I've walked around and photographed many times before but at some point the single, untethered image just starts to seem superficial.

This year seems to be the year to go down and make a long video snapshot of the event, as it occurs in the streets, over the course of a few days. I'm a loner by nature and wanted to put together a video shooting rig that I could handle by myself. No army of assistants or producers in tow. No one to hold a big boom microphone or stand around with a notebook, getting names and jotting down timecode.

The camera has to be small and mobile. The microphone should be something that works well in a crowd or on a noisy street. And I should be able to operate it all with very little intervention. Given my current inventory of cameras it seems as though the Sony RX10ii fits the bill nicely, where the camera is concerned.

After a fair amount of research, and some discussion with people who

Random Shots with Captions. Total non sequiturs. Shot with a Sony RX10-2.

This shop used to sell kitchen supplies. Corkscrews. Dinner Plates. Esoteric Coffee Machines.

They are no longer in business. There is a short term rental for SXSW in there now. 

What will go in next month?

Virtual Reality demo while sitting in a pedi-cab, just off 2nd street. 

It's all part of the SXSW Interactive Festival. 

This giant rhino was being prepared by a team of pyrotechnics pros. He will be featured in a parade down Sixth St. Believe it or not --- he will breath fire!

Pizza. Pizza right now. On Sixth St. No wristband necessary.

It becomes obvious that it is painfully hard. Almost impossible. To look

cool while standing in a big, big line to get into a third rate bar that 

smells vaguely of urine, overlayed with floral scented disinfectant spray. 

That horrible moment when you find out that your name really isn't on the list....

The first (and only) evidence of political advertising at SXSW.

And this year the badges are so big you can also use them as serving trays.

Yes, I have my phone.

God Bless Willie Nelson. Austin area treasure.

You may be a cool guy at SXSW but this guy is here to remind you that you are still in Texas.

Red Utility Cover.

Blue(ish) Utility Cover.

Greenish Utility Cover. 

Yellow Utility Cover.

Purple Utility Cover.

Old Electrical Infrastructure.

Looking Northwest from the Seaholm Center.

It rained all last week. Dank grey skies. No horizon line. A week lost to computer chores and accounting indoors (as opposed to outdoor accounting?). So, after dropping Ben off at some computer conference at SXSW Interactive I headed downtown to just soak in the sunlight and made random, unstructured photographs with my Sony RX10ii. 

I brought along a 62mm polarizing filter. Hey, guess what? If you use a polarizer that's not got thin rings you will get "filter-on-the-edges" vignetting at the widest focal length of that particular camera. I saw the first hints of vignetting at 25mm on the Panasonic fz 1000 but the Sony had obvious corner occlusion. Live and learn. Get skinnier polarizers or just use the camera without. At anything over 28mm (equiv) it wasn't an issue. 

I was partly invested in finding good SXSW photos and partly invested in getting a good walk done in the sunshine. I succeeded in getting a good walk done. At some point I turned off the camera, slung it over my shoulder and just enjoyed the scenery. 

Not everything needs to be photographed.

Spring time in Austin. A print from the old Leica "R" days.

Winter was more or less non-existent here in Austin this year. The last week has been warm and wet and everywhere you look every plant is blooming, yards are saturated green and our peach tree in the backyard has already bloomed. 

The heaters are off at the (outdoor) pool and we're back to applying sunscreen before our noon practices. 

The Spring weather always makes me think of photography outside. Not that I don't shoot outside year round, but this is the kind of mild and happy weather which coerces you to spend full days out of the house, just wandering with a camera. 

The image above is from a shoot done long ago for a state wide lifestyle magazine. We were shooting models and fashion. It was the middle of the summer and we found a front porch on an older house that gave us shade and relief from the sun. One of our models was on a porch swing resting. 

I photographed her with a Leica R8 camera and Leica's 135mm f2.8 lens. I used Astia slide film. 

It was just a quiet shot that seemed to sum up the feeling I was having today, embracing Spring.