Tuesday, November 12, 2019

A few more dance rehearsal images. Central in each is the theater's choreographer, Jen.



I really hadn't plumbed the low light capabilities of the Fuji 56mm f1.2 APD before I shot rehearsal images for Zach Theatre a week and a half ago. While the 56mm is certainly NOT state-of-the-art when it comes to fast focusing I think it delivers a look that can be perfect for a certain style of 
available light photography. A sharply defined but narrow plane of focus surrounded by a progressively less sharp field. I tried to use the lens either wide open or one stop down.
The look was elevated by using a profile, in camera, called "Classic Chrome" and was
further assisted by the camera getting the WB just about as perfect as I could want 
shooting under really poor florescent lighting. 

I'll keep the 56mm APD. It's flawed but wonderful.



Monday, November 11, 2019

Pulled out of the camera graveyard in the bottom drawer of the filing cabinet. (It's a big filing cabinet).

Alpa 9D with 50mm f1.8 Kern Switar.
The construction of this particular camera makes the new 
Leica SL2 look like a Holga by comparison....

Years and years ago I found this Alpa 9D Reflex camera and its partner lens in an ancient camera store in San Antonio. It had its original black leatherette back then but we had to take it off to do a repair and never got around to re-cloaking it. The camera and lens were both built in very small numbers in Switzerland. The top and front of the camera body are all made from a solid, milled, single piece of space age alloy (really, mostly stainless steel) while the removable back and bottom are twice as thick as a Leica M removable back, and the inside workings look as though the camera was made to lounge about in a surgical lab somewhere, looking amazingly precise and well finished. 

This camera was as basic as it gets, but "basic" with over 700 finely made (think: fine automatic watch) mechanical parts. It had a rudimentary, center weighted meter but no hot shoe, and the lens was focused wide open and then stopped down to the shooting aperture as you pushed the front mounted shutter release. Even the wind knob (which still works as smoothly as polished motor oil) is different from any other model or brand of camera I've seen. 

The specs are ordinary for the period of time in which the 9D was current; shutter speeds from 1 second to 1/1,000th of a second. Flash sync at 1/60th of a second. There are sync sockets for both X sync, FP sync, and M series flashbulbs. The single piece of plastic on the camera is a little window that surrounds the shutter speed setting dial and allows the operator to see what shutter speed is set. 

The Kern Switar lens is equally bare-bones. It's non-automatic and has non-linearly spaced f-stops from 1.8 all the way to f22. It focuses down to a little less than 1/8th life size. You need to stop down the lens to meter but the lock allows you to do so without accidentally triggering the shutter while metering....

I used to use my Alpa for "hobby" shooting but it's a slow-to-work camera and, with Tri-X film, I didn't see any improvements over my "much quicker to operate" Leica M and R cameras and lenses. By today's standards it's like working in ultimate slow motion when compared to the latest digi-cams. Earlier SLRs like this one also had dim focusing screens and were notoriously difficult to focus wide open. 

Every once in a while I pull this camera out of its storage space to remind myself that one actually had to know what they were doing in the earlier days of photography to be successful image takers. Just getting an acceptable image took time and real effort. We are so spoiled today. But I did insert a roll of Tri-X into the precision innards of the camera today and took some photographs. I'll keep at it until I finish the roll. Not so much to make my own art but to, in some way, channel an era/knowledge base of our craft that is quickly being lost to the collective consciousness of today's photographers. God the camera feels nice to use!

This was my rain, shine, dust storm, perilous and foolish stunts camera. 
It shows...

Sunday, November 10, 2019

A small collection of the photographs of the Berlin Wall as I saw it October 2013. Remembering the fall of the Wall today.


The parts of the remaining Berlin Wall that I got to see were covered with 
commissioned, painted murals depicting fascism and repression around the world.
It's a somber place. 








Out for a walk on Sunday. Critiquing a major corporation. Getting some vitamin D. Going super-wide to clean out the cobwebs...

Let's start with this hideous cup. It's this year's "holiday" cup from
Starbucks. While Starbucks may be putting local coffee shops out of the coffee
business they are certainly not going to make a dent in the businesses of 
any decent graphic designers with this visually cacophonous monstrosity.
Yes. Yes. I can see that the letters spell, "Tuck" right across the middle of 
the cup. But it's not what I had in mind when I suggested they partner with
 a world class photographer....

Do you think this cup design is as visually repulsive as I do?

Other than the "crimes-against-humanity" cup design imbroglio it was a really nice day today. The weather was about as perfect as nature could deliver and the city was brimming with people walking, running, scootering, biking and coffee slurping outside. I saw a larger than usual number of people strolling about with cameras including one very serious looking couple (each around my age) who were both sporting Leica M series digital cameras. Fun to see some Leica love out in the wild instead of just represented as the butt of jokes about camera pricing on internet sites with jealous vloggers. 

At one time I was seriously, intensely into Leica M and R cameras and used them for many years as the primary "small" cameras in my business. That came to a screeching halt with the early ascendence of digital but I may venture back into the fold given all the fun and breathless press the new Leica SL2 is getting. If you use cameras for anything but AF-C oriented work you'd probably love the SL2. It's pricy but beautifully and minimally designed. In the nicest sense of the word, "minimally." 

My attraction is less to the new camera and more focused on the lenses. I've been reading about the new Leica 75mm f1.2 APO (real APO, not advertising APO) lens and every once in a while I have to stop and wipe the drool off my keyboard with a lens cleaning cloth. According to one of the engineers at Leica this might be the highest (best? most best?) consumer lens ever made. 

I say, "consumer" lens because the various professional cinema lenses are much more expensive but might just be a bit better spec'd. At $4,795 I'm hardly running out the door to acquire one of the 75's but from time to time, when I'm feeling maximum hubris, the thought of ownership does cross my mind...

The nice thing about my recent acquisition of two Lumix S1 bodies is that they are part of the whole Leica/Sigma/Panasonic L Mount Alliance and all the lenses are usable on all three of the manufacturers' bodies without caveat. If all one needs is a brilliant 24 megapixel sensor and a very, very well engineered body then the Lumix stuff makes perfect sense. And, with the cost savings over the Leica SL2 camera one might just be able to swing one or two carefully selected Leica primes. Or save for retirement....(an over the shoulder reminder from the in-house accounting department). But I say, "Why not both?!" 

You would think after all the nonsense I just typed above that I was out today with one of the S1 bodies and whichever Lumix lens I considered to be most luxe but, no. When I stirred today, finished my frittata and my coffee, gobbled down my blueberry waffle, brushed my teeth, my one thought was on getting out today and going with a wide angle prime lens to recalibrate away my compulsion to shoot everything with a 50mm equivalent. I chose the Fuji X-T3 (who needs image stabilization on a bright, sunny day when using a very wide angle lens?) and the 14mm f2.8 Fuji lens. I was less averse to it than I thought I would be. It's a wonderful little lens. It's got very low distortion but acres of vignetting which are discreetly handled by the in-camera software correction. And the combo of body and lens make a nice, small, unobtrusive package to carry around on a two hour walk. Plus, the files out of the X-T3 are hardly lacking...

The look of the shoreline after storms have blown out all the micro-trash from the sky. 
Lady Bird Lake in downtown Austin.


A millennial/hipster urbanist dentist office. Way to cling to the highlights!





I think they've finally put the finishing touches on the "Jenga" building.

Yes. Fake grass. So fake that everyone knows it's Astro Turf but the dogs. 
Odd to me that people bring their dogs here and the dogs do their "business" 
on the turf. But other people bring their kids here and play on the same turf. 
Modern life in downtown. Hope someone is power washing the landscape every night.



endless dynamic range. 

Uh oh. Is everyone sharing the sidewalk?
Bike rentals should include helmets and etiquette instructions....


I seem to be recovering my work equilibrium and am actually getting excited again about various projects coming into the company. I've also been casting around for some young people to work with. Met one today who asked to shadow me on some projects. We'll see, potentially, how this mentoring thing might work out. 

Much work coming up in the next few weeks. Marketing photos and possible video projects for three theater productions, a gala this Thursday at the Four Seasons Hotel and a fair number of private portrait commissions (seems like I acquired that 85mm f1.4 lens just in time). 

Hope your pre-holidays are going well. Keep up the high quality blog reading. Knowing you are out there reading always serves to give me the desire to write.

Keep swimming or running or whatever active thing you do all the way through the holidays. Don't let anyone disturb your schedule for work or ancillary family stuff. There's always time to help out after workout!!!


Saturday, November 09, 2019

Angel-Man. Photographing for the upcoming Holiday Season.

Jaston. ©2019 Kirk Tuck.

Jaston Williams first hit my radar when he co-created and co-starred in Tuna Texas, the long running, two person play about Tuna, Texas. It was hilarious, irreverent, spirited, and it was inspired enough to play nationally (coast to coast) even though it emerged from little ole Austin, Texas. 

But Jaston never stands still. He's written, produced and starred in theater productions everywhere. 

I was thrilled to get to photograph him once again for his new holiday play this year called, Broken Wing. I don't know a lot about the play yet, other than that Jaston will produce and star in it but I'm already planning to attend performances here in Austin and in San Antonio. It's a privilege to get to see a master at work!

We shot this in my studio a few weeks ago. There were 400+ shots to choose from and while I am certain Jaston and his crew picked something a bit different for their general marketing use this is one I love because it's a bit over the top. The original is shot on smooth gray seamless paper but I added a white vignette just for the hell of it. 

Shot with the Panasonic Lumix S1 and the 24-105mm f4.0 at f6.3. It's way sharp and I love the tonality. But most of that was the lighting. Happy Holidays, Part One. 

Here's the original frame after cropping to the square: 


Friday, November 08, 2019

"I'm sorry. I missed your last post with all the fancy bokeh from that 85mm Sigma ART lens (wide open). Can you post another one?"

This is Illiana (left). She's also in the Zach production of Christmas Carol. She'll steal the show because she's so incredibly talented. I photographed her at a rehearsal last weekend. Here's the file. It started life as a Jpeg in the Lumix S1. Do I love the camera? Yeah, it's pretty neato. 

"Hey! Dude! What does the bokeh look like with that 85mm f1.4 Sigma ART lens? Can you show us something?"

Sure. This is Taylor. She's in the Zach Theatre "Christmas Carol" production.
She sings like an angel. She's also the main focus of the image above, shot at f1.4 with the 
Sigma 85mm f1.4 on the Lumix S1 camera. It was taken at one of the 
early rehearsals....

That there image below is a magnified portion of the same frame just to show you that
where the focus lands there is much good/happy sharpness. 

Go buy one. It's fun.

Forgot to mention it's ISO 1600....