I took a selfie this morning and used it for my annual senior swim pass from the city of Austin.

 Lights in Berlin. 2013.

There are a few benefits to reaching a certain age here in Austin, Texas. One is that you can pay $65, get an I.D. card with your photo on it, and have access to all the public swimming pools in the city's jurisdiction, from the end of March until the end of October. That includes Barton Springs Pool and Deep Eddy Pool. Both are landmark aquatic facilities with a rich history and the potential for some really great swims. Another reason to get a senior swim pass is that you also get, for no additional cost, a hang tag to display in your car that allows you to park for free at Zilker Park, home of Barton Springs Pool. In fact, the hang tag alone is worth the cost; especially if you like to run the hike and bike trail that goes through the park. 

I dropped by the City of Austin Aquatics offices around ten this morning to sign up. I'd forgotten that I needed to provide a photo of myself so I took one on the spot and sent it to the office's email address. Usually it takes two weeks from the time you apply for your senior pool pass until you get your I.D. card and hang tag in the mail but I smiled really nicely and reminded the person in the office that last year I was able to walk out of the offices with both. The kind young person behind the computer smiled back and told me it wouldn't be a problem to process everything on the spot. Happy me. No waiting for my valued credentials. A benefit of visiting the offices before the swim season and the attendant demand start to skyrocket. 

My selfie is not very flattering so I'm not going to show it here. It's functional. That's all I can say about it. But that's the nature of so much photography today. 

Since I'm finally through with life's two major hurdles; broken refrigerators and federal income taxes (at least for 2022....), I got around to having our yard service get up into the tall trees and clear out all the very high branches that were broken during the big ice storm at the end of January. Some branches had broken and fallen on healthier branches and were suspended precariously over our heads. I wanted to have the tree guys control the branches' descent so nothing would come crashing through the double pane glass on our double French doors. Everything went according to plan. But José, our yard guy of nearly 28 years got me up on a ladder to show me some damage to attic vents, roof shingles and a whole bunch of tortured gutters. 

Since I've prevailed on other fronts (taxes and fridge) I thought I'd try my luck with my homeowner's insurance policy. I've used the same insurance company for 32 years now and they were quite responsive and amiable on the phone. I should hear from an adjuster within 24 hours. No leaks or anything. Just damage to the roofing shingles, gutters, etc. 

The last time we sent our insurance company into action was about eight years ago after a big and mean hail storm. They ended up replacing the roof on the house as well as on the office and then, just for the heck of it they repaired the screens on our back porch and parts of the fence which they felt suffered from the hail. We'll see how it all works out this time. 

I've had fun shooting in black and white since M.J. got all riled up about the Pentax announcement. It could be that we really are seeing a resurgence in the popularity of monochrome photography. And from my point of view any resurgence of popularity in the field of photography is to be roundly applauded.

Hoping that my favorite vendor gets a Q2M in stock soon. I'd like to see what all the dedicated camera fuss is really all about with a hands-on experience. And since Leica is the granddaddy of making monochrome digital cameras I figured I might as well go straight to the source. Bon appétit. 

A follow up from Saturday's post. More monochrome sharing.

 

Questa è la mia tazza di caffè preferita di tutti i tempi

C'è qualcosa nella luce che entra nella mia cucina la mattina presto che mi fa venir voglia di fotografare. Le cose che finiscono nel lavandino hanno un aspetto particolarmente bello. Sabato, dopo aver finito il caffè a casa, ho sciacquato la tazza e l'ho messa nel lavandino. Quando l'ho guardato da un'angolazione mi ha parlato e mi sono sentito obbligato a immortalarlo. Ho preso una Lumix S5 con un obiettivo da 58 mm nella parte anteriore e ho scattato alcuni fotogrammi. Quando ho visto i risultati sui miei provini a contatto digitali (non in Capture One) ho capito che dovevo condividere la bellezza del profilo monocromatico di quella fotocamera. Quando guardo la fotografia mi viene voglia di altro caffè. E più divertenti obiettivi manuali con cui giocare. Se non ti piacciono le immagini in bianco e nero, per favore non essere uno stronzo pedante e fare qualche dichiarazione drammatica che sia offensiva. Menziona solo che ti potrebbe piacere che il colore funzioni un po 'meglio. Eh?

An interesting video about Monochrome sensor cameras by one of my favorite BW photographers: https://www.youtube.com/watch?v=GDxHq3Zlbz8

It's Summer in Austin already. It hit 94° Fahrenheit yesterday. The UV warning was pegged at 10 this afternoon. The smell of sunscreen was wafting through the air. The mannequins are ready for the heat. I knew you'd want more...

 Today it's the Sigma 90mm f2.8 lens that's getting a workout. I have to say it's an often overlooked optic but a very, very good one. For several reasons. Let's get into it.

I have the 90mm Sigma Contemporary i-Series lens chambered for the L mount cameras. There are many things about this lens that endear it to me. It's small and relatively light weight. The metal finish is both good looking and lends itself to very good handling. The lens has an aperture ring and I find that keeps me in tune with the idea of controlling depth of field. Aperture control on the camera blurs away from my consciousness and I find I've gone a while without thinking about it. The lens hood is big and useful and protective AND matches the finish of the lens. I like the 55mm filter size because I have a box filled with expensive 55mm filters that I now have some reason not to throw away. 

I like the lens even more when I use it and am reminded of both how sharp and how optically well behaved it is. Even at its fastest aperture of f2.8. But the feature I realized I liked today was the just about perfect feel and operation of the focusing ring when manually focusing. With practice it's both fast and accurate but best of all it doesn't overshoot like many other FBW lenses do. I like the feel of the focusing ring and after realizing that it would give me both accuracy and tactile happiness I switched everything to manual and spent the day shooting that way. 

Even though I don't have affiliate links and your purchases won't benefit me in the least I think every one of you should rush to your keyboards right now and order one of these. You'll thank me after you've tried it out. And....as you can see....it works in color and monochrome. 

Les mannequins sont une métaphore de la vie moderne à l'ère post-pandémique. Ils ne bougent pas donc ils sont. C'est un truc de Descartes. Mais heureusement pour nous, nous pouvons les contourner et trouver les meilleurs angles. Ce sont les petits trucs qui nous font chier mais aussi les petits trucs qui nous font plaisir. Ne détestez pas les photos de mannequin. Ils sont là pour une raison... Yeah.

An interesting video about Monochrome sensor cameras by one of my favorite BW photographers: https://www.youtube.com/watch?v=GDxHq3Zlbz8

Getting all the angles lined up perfectly. Every line straight and vertical. So parallel it would make Ezra Stoller cry for joy. Or: ways to suck happiness out of sharing photography...

Remnants of the first banking drive through I ever experienced. 

Boring-techture. By demand.

For those not into architectural photography Ezra Stoller was a giant in the field as

far back as the late 1940s. He used an 8x10 view camera to photography buildings and residences of note. He liked all of the vertical lines to be perfect. 

So wonderful that we demand exactly the same geometric constraints here in 2023.

It's as though styles never change. 

 Bonus: An interesting video about Monochrome sensor cameras by one of my favorite BW photographers: https://www.youtube.com/watch?v=GDxHq3Zlbz8

Saturday morning art. We are toast.

 

le grille-pain de la classe moyenne. une photo du matin.

I was washing off the breakfast dishes when I turned and looked over my shoulder, out toward the gardens. The most humble of appliances caught my eye and I marveled at the way the soft light of morning wrapped around the metal chassis. Just behind me on the butcher block prep table was a camera set to photograph in monochrome. Or, in the parlance of the ordinary man; black and white. 

I picked the camera up, carefully focused the standard lens on the front and gently tripped the shutter button. Then, placing the camera back on the table, I spent a quiet moment just observing the play of light as a breeze blew through the trees outside.  Trees overburdened with new green leaves, creating the effect of ever-moving illumination. Dancing beams of soft light. Mirrored by the brushed aluminum finish of my favorite kitchen tool. The one I use most often. And with the best results.

If a refrigerator gives us problems I try to be patient; waiting for parts, waiting for service people to arrive. But if the toaster goes awry I'll have it replaced in a day. Some things are critical to modern life. The toaster more so that a phone or a blender. 

While I stood admiring the toaster in all of its glory it dawned on me that it had been a week since I last emptied the crumb tray at the bottom. I did so, being very careful not to drop toasted and re-toasted bread crumbs on the newly washed kitchen floor.

Simple pleasures. Toasting bread. Irish butter. Warm Coffee. A quiet start...

The refrigerator seems to be repaired now...

Taking a break from throwing Molotov cocktails through windows to do an off topic post about swimming.

 

Jaston Williams, Actor/Dramatist

I have to say right here and now that I should have added strength training to my exercise regimen decades ago. In just the past two months of doing targeted strength training I've seen my swim technique and speed in the water improve by leaps and bounds. Having good muscle strength and core strength goes a long way toward keeping my strokes stable though the entire range of motion. That stability lends more propulsion which creates more speed. The only unwanted side effect is when we train hard in the pool and then lift weights, which causes some muscle soreness the next day. I love the gym I chose. It's super clean, relatively quiet and filled with a mix of people including a big percentage of people over 60. And they are, almost to a person, there to be healthy. Successful people like to be around other successful people. Fit people enjoy hanging out with other fit people.

Today we did some fun sets after a long warm up. We're getting back into more distance swimming with sets of 400s, 300s and 200s interspersed with 50 yard swims of all four strokes. One of the things my favorite coach mentioned to me as a way to improve is to work on my kicking. Improving range of motion and muscle strength allows for more forward propulsion from one's kick and a better kick is instrumental in building great speed in sprints. I practice better form in my kick by "streamlining" on my side and working my kick laterally instead of the usual practice of just grabbing a kick board and changing my body position to compensate for the buoyancy of the kick board. Not using a kick board requires more focus on body position and also breathing.

My favorite competitive lane mate loves to go hard and also likes to shorten rest intervals wherever he can. Typical triathlete mindset. If some yards are good then more yards are better... At the end of each workout, when everyone else is getting out and heading to the locker rooms he usually announces that it's time to do "shooters." In swim parlance this means doing a repeating set of two lengths. The length down is all underwater. No breaths. No above water strokes. And it's tougher than it sounds to go the full length of a 25 meter pool underwater after an hour of speedy and sometimes anaerobic sets. At the end of the underwater length you use the easy swim back to the starting point to recover. Doing five or six of these successfully on a one minute interval is challenging. It might seem easy to hold one's breath for 20-25 seconds at a time but I challenge you do find out how rough it can be. Climb a set of stairs and then, immediately hold your breath and time the duration you can go without taking a breath. Repeat the whole process four times. What was your best effort on holding your breath?

It's easy enough to do repeated underwater lengths if you do them before the workout when you are relaxed and the pre-swim coffee is just kicking in. But that's kind of cheating. At least the way my lane mate sees it. 

A good, post swim breakfast? How about three fried, organic, free range eggs with a sprinkling of sharp, white cheddar cheese on top and a half a cup of fresh blueberries on the side? And a slice of seeded, sprouted whole wheat toast as the foundation. Works for me. 

A blog note. No straight lines in architecture photos! That ship has flown. 

Clarification: I am in no way against a monochrome only camera. In fact, if Leica Store Miami ever gets in more Q2M cameras I intend to snag one. My recent satire was more about the futility of having to do things the hard way. If you didn't like it you don't need to read it. In fact, I'll start labeling satires the way we do "OT" for swimming to save any delicate sensibilities. But don't tell me not to write about the existence of strange ideas about photography on the web. Some balloons just scream to be popped. Like the recently proffered idea that there is a wealth of displeasure on the web with the existence black and white imaging as art., I've never seen it and I scroll around a lot. Or that B&W has always been the province of Art Photography (over color) until just recently. Discounting decades of front and center color work in galleries and museums. An idea or opinion,  presented with a voice of authority, doesn't make it a fact.

Gone Mono. Now going fishing.

I spent yesterday investigating the mono imaging capabilities of a standard Lumix S5 when set to L.Monochrome.D; a higher contrast black and white setting. I also had the EVF set to show only monochrome. It was a fun experiment requiring me to ignore or disregard color in scenes. I allowed the camera to add a little bit of "grain" to the mix. Lumix S5 + Voigtlander 58mm f1.4.