(shot for Motorola to illustrate one of their fabs. It was a long day of "bunny suit" hell with a couple of Hasselblad cameras that had been repeatedly swabbed with alcohol....Ektar 25 film. Stay still!)
This is the second in my limited edition, "Industrial Art Meditation" series of photographs. For some mystical reason I can only print this image very large. I call the process "Struth-ification" and it means that prints are wildly, ruinously expensive. If you are interested in owning one of the 10 x 15 foot images for your country home or ski residence please send along your banking details and we'll arrange an understanding....
Sometimes, during a long shooting day on location, I find myself looking for images just to please myself. Things the client usually won't want. Things that have a form and color combination that makes them a bit surreal. Or hyper-real. I was at a company that machines all sorts of things. I was shooting mostly scenes from their production floor. There is a transparent, yellow, plastic curtain that separates two areas to contain dust. This light sits on our side of the curtain and is lit by a mix of daylight and fluorescent lights. I was intrigued by it and returned again and again to try to make better images.
It was shot with a Nikon D610 equipped with the old, push-pull 80-200mm f2.8 lens. I used the lens at 80mm and the combination of camera and lens were stabilized on a wooden tripod.
It is available (of course) as a 24x36 inch archival print for $12,000. The edition of these prints is limited to 100,001. We will honor your check.
You'll enjoy owning this piece. It has its own insouciant effervescence.
The sculpture of "The Three Graces" was done in Roman imperial times and by most accounts was inspired by an earlier Hellenic work. While many people are attracted to the Louvre Museum for it's immense collection of paintings I am almost always happiest looking at the sculpture. My favorite piece is one I found on the second floor back in 1978. It's called, "Psyche Revived by Cupid's Kiss", by Antonio Canova.
But every time I go back I find something new to like. This image of the "Graces" was shot on a cold, wet, rainy afternoon in the early 1990's. Agfapan 400 film. Camera brand lost to memory but most likely a Leica rangefinder with a 50mm or 75mm lens.
When I first started visiting the Louvre you entered by a small door off to the side of the main plaza. There was no pyramid, no escalators or elevators. But more to the point there were far fewer people going through each day, which meant you could almost always find quiet and uncrowded corners, filled with new (to me) treasures. And before digital cameras and phones there was no giant horde of "guests" thronging around the painting of the Mona Lisa, making selfies and ignoring the "no flash" signs. The museum has given up policing the "no flash" policy and put a much, much thicker piece of protective glass in front of the painting.
That's okay, I'd much rather get closer to the sculptures.... That's good stuff.