I really love to make portraits. How much do I like the process? Well, after a hard day's work in the studio, making portraits, I love to unwind by heading out of the studio and making some more portraits. This is an image from long ago. Suzie was an Austrian make-up artist that I used to work with. While her expression in the image above is a bit severe she was a warm, happy and thoughtful work friend. The kind of person who brought you herbal tea when you came down with a cold.
We both had some time one day to just go out and shoot, and even though it was the middle of a hot summer we trudged down some thin trails to the slow flowing water of Barton Creek. Suzie brought along a couple of outfits and I brought along a Pentax 6x7 medium format camera, a tripod and a pocket full of Kodak T-400 CN film. Interesting film. It was basically color negative film that yielded a black and white negative with a very, very long tonal range. The advantage that I saw was that my lab could process it in C-41 chemicals thereby freeing me from more time in the darkroom, swirling chemicals around in a metal tank.
We shot until the light evaporated and then we trudged back up the trail in the semi-darkness of the sunset's afterglow.
It's not an amazing portrait or much of a fashionable image but it reminds me of the sheer immersion with which I lived photography at the time. Hardly a day would go by without me somehow going through four or five rolls of film (on a day off) and thirty or forty rolls of film on a work day. I still shoot a lot. Mathematicians might tell us that the act of creating so many "data points" probably increases my chances of getting something decent more often than if I'd have stayed home and watched TV.
I loved that particular time period of photography. Everything was transiting in my business from large format to medium format. The feel of the backing paper wrapped around the film. The little strips of adhesive paper with which one sealed the finished and wound off film. The quick glance at a Minolta incident meter to make sure your brain's internal meter matched reality... The cameras seemed like magic back then. And the mirror slap of the Pentax 6x7 was legendary. I used the mirror lock up for nearly every shot. Why not when you're on a good tripod?
I've been away from photography since last Friday and I feel deprived. When I finished the clerical work and accounting work I have at hand I'll head out for a stroll with a camera in my hand. But not a Pentax 6x7. Those were just too damned big.