2.22.2016

A much needed walk with a fun lens. The Sigma 50mm f1.4 Art(sy) lens. And some ratty, old Nikon body.


I enjoyed my commercial photography project last week. Three full days of making fun photographs at a school, followed by two packed days of really intense post processing. I stayed busy over the weekend with a marketing project, two great swim practices and a lot of book reading. By the end of the workday today I was ready for a little break from the business of photography so I grabbed some toys and headed out to pursue my long overlooked hobby ---- photography. 

As a balance to my recent, near worship of the somewhat diminutive Sony RX10ii camera I chose my oldest full frame Nikon, the D610, with a battery grip attached, and the densest lens I own; the Sigma 50mm 1.4 Art lens. My primary intention was a brisk and meandering walk through the ever-changing downtown area and my secondary pursuit was to grab a few frames with the 50mm to see some apparent indication of optical quality and thereby help me justify its thousand dollar price tag. 

My walk was successful. The combination of tools (both bought used) cost me about $1700 and holds up well. I was considering jumping on the recent medium format bandwagon but realized that for about $48,000 more dollars I might (might!) get about 3-5% more usable, handheld quality out of the investment. An investment that will dive down in value faster than thirty feet per second, per second.

My eyes may be getting old and tainted by years of compromise but frankly I'm not sure I would see much of a difference between the latest cropped frame medium format camera and the mundane Nikon full framer when we post their respective images on our websites at 2100 pixels wide.... But I sure would miss the money and the opportunity loss...

So, cool (used) lens+recent (and still pretty cool) camera = happiness x 2

You can click on these images if you want to see them bigger....
















One of the original Craftsy Photo Classes and 
still one of the best! 

I met Lance a couple of weeks ago in Denver
and found him to be really fun and knowledgeable 
this class reflects what he teaches in hands-on
workshops in Ireland and Iceland, as well as 
cool places around the U.S.

How to make what we shoot into a cohesive
train of visual thought.

Every once in a while I find a post I've written years ago recirculating on the web. I always want to score how well I prognosticated...

https://visualsciencelab.blogspot.com/2014/05/terminal-ubiquity-when-everyone-offers.html?showComment=1399543931722

Read this one and let me know how I did.....


Take a class: Become more skilled and knowledgable. Have more fun.




One of the original Craftsy Photo Classes and 
still one of the best! 

I met Lance a couple of weeks ago in Denver
and found him to be really fun and knowledgeable 
this class reflects what he teaches in hands-on
workshops in Ireland and Iceland, as well as 
cool places around the U.S.

How to make what we shoot into a cohesive
train of visual thought.


There is a scene....


...at the very end of Federico Fellini's masterpiece movie, "La Dolce Vita" in which Marcello Mastroianni, having been up all night drinking and carousing with his friends, is down on a beach, walking along in his dinner jacket. He looks across a small inlet and sees a young, blonde girl. It is the same girl he met on a sunny afternoon at a small, beachside cafe. She was setting tables and listening to music on the radio while Mastroianni tried to write on a mechanical typewriter.

In the final scene the young girl looks at him across the inlet and the camera zooms in to show her in a head and shoulders close up. Her expression is very similar to the expression on the woman in my photograph above.

For years the expression above seemed familiar to me but I couldn't place it. It was like a reverberation or echo of an older memory.

When I saw La Dolce Vita again, recently, the connection