To my eye the critically focused part of the image, just above (the ring on the lens with type), is nicely sharp. Good sharp. Happy sharp. And yet, looking back at articles, blog posts and even YouTube videos reviewing this lens at various points in time, you would think those reviewers and I had quite different lenses. They suggest the lens is soft wide open. I suggest user error.
I was an early proponent of mirrorless cameras. I wrote extensively about them starting back in 2009. And I've never stopped. Since I am a steady user of many manual focus lenses the top feature I like on mirrorless cameras is the ability to look at a composition through a good EVF and then punch in and magnify the image in the finder a lot so I can dial in perfectly sharp focus. By that I mean the point of sharpest focus corresponds exactly to the point I want in focus. The point at which I was aiming.
But I've had decades of experience focusing with SLR and DSLR cameras that lacked these features and I understand why reviewers keep saying that "such and such 50mm f1.4 lens from 197x is "dreamy" (meaning unsharp and lacking contrast) when used wide open but sharpens up nicely from f2.8 on up."
I think it's because, at the time these lenses were "tested" most "reviewers" were flying by the seat of their pants. Didn't spend hours everyday practicing their focusing skills on the job, and were robbed of the chance to become manual focus proficient by the almost complete acceptance of auto focus lenses. And autofocus cameras ---- which, incidentally, are not engineered to help photographer manually focus.
Today I worked with an almost new, manual focus, Zeiss 50mm f1.4 ZF lens, with a lens adapter to allow this Nikon F mount lens to work on my L mount Leica SL. When I went to focus I discovered just how sensitive that lens can be in respect to focusing technique. Even at the highest degree of image magnification in the 4.4 million dot EVF you have to be careful while focusing and be keenly aware of that exact focusing plane. At least you have to if you intend to use the lens at its widest aperture....
Almost every well made 50mm f1.4 MF lens from Nikon, Canon, Zeiss and Leica is capable of very good performance when used wide open. At least that is so in my experience. You might not brag about the corner sharpness or the edge acuity but they are nearly all adequately sharp where it counts. Right there in the center of the frame --- extending out and covering at least two thirds of the frame with good optical performance. The spot in which most subjects are found.
I'm beginning to sound like a broken record player playing the same groove over and over again but.... you have to test your gear yourself. The way you use it. And if you are new to manually focusing lenses please be aware that it's not a thing most people immediately master. Good, accurate manual focusing takes some learned skill as well as a good camera with the ability to assist you in getting good focus by magnifying a smart part of the overall image for you to work on.
I'm beginning to think people who review lenses in exchange for views or money are uniformly poor at the task. If you want to know about the real capabilities of a lens then test it yourself or find someone who uses the lens in which you are interested and look through their work. Seeing is the best test.
It can be frustrating when reviews are flawed but I guess the silver lining is that bad reviews damn good lenses to low prices. Oh.....Wait!....I see how that could work well for me.
"review use for a week or two" is different from "real world use" or something :-) i've found that to be true about cameras, lenses and computers #ymmv :-)
ReplyDelete"I'm beginning to think people who review lenses in exchange for views or money are uniformly poor at the task. " Kirk, that is a bit slow recognising the evident..
ReplyDeleteJust listen to and look at them, or most of them, in their videos. They don't write. I don't wonder why.
Kirk
ReplyDeleteIn addition to poor focus technique of current reviewers. I will add in manufacturing (mechanical or optical path) variations in the old film SLRs that prevented the original reviewers from achieving proper focus; the image may have been sharp in the view finder, but not on the film.
Like you, I have used legacy lenses from Nikon, Canon Leica, and Zeiss that have all performed better on my mirrorless camera than the lens reputation would suggest.
PaulB
Thanks for that Paul. Good to know I'm not alone in these observations. EVFs and magnification have given a lot of lenses a new life. And we're salvaging some reputations in the process. Best, Kirk
ReplyDeleteMost of those fast lenses were designed for a different set of photography criteria. Back then, you were expected to know that most lenses were "best" closed down about 2 stops (that's when the aberrations cleaned up and the contrast was higher). Those wide open apertures were there for low light situations, where stretching the photographic envelope was needed. Nobody ever shot wide open all of the time. Those who did, got grief for doing it - they were considered amateurs. And just look at the initial reception Robert Frank got for "The Americans."
ReplyDeleteNow? Wide open shooting is normalized, in part because "that's what a 'great' photo looks like" (ie different to a snapshot) and the lenses are now designed to be used wide open.
Many of those old lenses are just fine when used within their operating parameters. My 1935 Leitz Summar is a dreamy, swirly, drunken mess wide open, but also quite sharp in the very middle of the frame. If you want that effect, it is there. My 55mm f1.2 Nikkor is a seminar on aberrations at f1.2. At f1.4-f2, it's a pleasant portrait lens. At f4 it can hold its own with any other lens.
The old lenses are fun and challenging because of these split personalities they often have. The new lenses are technologically amazing, but they all start at "10". There's nowhere left to go. "11"?
He Oldwino, Pretty good summation but I've also heard that the fast lenses were also made fast because they were easier to focus on the first five or six generations of SLR cameras which has fairly dim focusing screens. The extra f-stops were to make focusing easier and more accurate.
ReplyDelete