Saturday, March 05, 2016

Lighting a portrait should be subtle and delicate at times. Not obvious and showy all the time.

©2016 Kirk Tuck.








Some online classes that may be of interest to you:



One of the original Craftsy Photo Classes and 
still one of the best! 

I met Lance a couple of weeks ago in Denver
and found him to be really fun and knowledgeable 
this class reflects what he teaches in hands-on
workshops in Ireland and Iceland, as well as 
cool places around the U.S.

How to make what we shoot into a cohesive
train of visual thought.


Friday, March 04, 2016

It's all in the wrist. Oh, and the lens.


Gosh, I love to light stuff. This looks like window light but it's really two tungsten lights, used correctly. One is being aimed through a six by six foot, white scrim used so close to the talent that it's almost in the frame. The other light is being used naked, aimed at a back wall about 50 feet behind our talent. Two simple, tungsten lights. Two one thousand watt bulbs. That, and a sturdy tripod. And a posing table. And a 105mm Nikon lens. And an ancient Kodak camera. It really is the lighting and the direction that make an image sing. Everything else is just photographic window dressing....

Image for print advertising campaign for Austin Lyric Opera. Back before we knew we needed more than 6 megapixels and enough dynamic range to do the job.

Need 50 megapixels? Yeah, right. Go home and work on your technique.





One of the original Craftsy Photo Classes and 
still one of the best! 

I met Lance a couple of weeks ago in Denver
and found him to be really fun and knowledgeable 
this class reflects what he teaches in hands-on
workshops in Ireland and Iceland, as well as 
cool places around the U.S.

How to make what we shoot into a cohesive
train of visual thought.


A blast from the past. Golly. What if Sony had put a really good menu into the Nex-7? Wouldn't that have been cool? Right?


A few years back I had a couple of Sony NEX-7 cameras. They were pretty close to really, really good. The sensor tech was last generation (by today's standards) and got noisy if you went much beyond ISO800 but man, it was sharp and detailed. I loved the twin control wheels on the back except when they modally switched and confused me. I guess I should have always just shot manual where one controlled aperture and one controlled aperture. I flew too close to the sun and tried to use the "A" mode. Could never remember (in a seamless way) which dial controlled the aperture and which one controlled the exposure compensation. But it didn't really matter; I liked the camera anyway.

The two things that bugged me though were the sluggish AF and the lower resolution EVF. Those cameras got ditched for something else but .... I was wading through some folders last night, in preparation for a presentation, when I came across some older images done on one of those Nex-7 cameras and an ancient (really old) Olympus Pen-F (the original series, not the faux dig-copy) 25mm f2.8 manual focus, metal barreled, half frame lens. Damn. It was a good one.

I wish Sony would resurrect that body design. I know why they don't...external controls cost more than putting controls in menus. Still, with a new EVF and a faster AF system that particular body would be fantastic.

Ah well. Water under the bridge at this point.....

On a completely different tangent:  People!!! What the f@ck is going on with your cellphone use? We went to the Blanton Museum yesterday to look at the show of art in the 1990's (good show) and there were no fewer than three different people who parked themselves in front of the little information cards next to a piece of art, blocking it from everyone else's view, while they stood there, immobile, texting. Not about the art; just texting. Oblivious to the people who wanted to read the explanation of the art work. To get the useful information.  You know, the whole goddamned reason to be in the museum in the first place.

Not just an issue with the young. Several oblivious offenders were middle aged (whatever that means now). Have we gotten to the point where we need to arm the museum guards and get them to take action against the cellphone zombies? Fall of civilization? Or should I just carry a tire iron with me when I go out to public venues? Amazingly stupid people! And you wonder about our politics? If they can't navigate a museum what chance do they have making any sense of the world around them?

This is why we can't show nice things....




One of the original Craftsy Photo Classes and 
still one of the best! 

I met Lance a couple of weeks ago in Denver
and found him to be really fun and knowledgeable 
this class reflects what he teaches in hands-on
workshops in Ireland and Iceland, as well as 
cool places around the U.S.

How to make what we shoot into a cohesive
train of visual thought.


Nikon issues pre-emptive recalls for both D5 and D500. Please return yours for service, in advance.

One of the preemptively recalled Nikon D500s.


Tokyo, Japan. March 4, 2016 
For Immediate release:

"Steve" Mikimoto of Nikon's professional imaging division announced this week that Nikon will be preemptively recalling both the D500 and D5 cameras nearly a month before their actual scheduled release. While neither camera has evinced any technical problems to date the company wishes to prevent another episode such as the "oil and garbage" on the sensors of recent product, the D600; and also the repeated and inconvenient recalls of the popular D750 cameras, with their sensor shading lens mounts.

"We made the decision to preemptively recall most of our professional products in order to maintain our high standards." Claims "Steve". 

He continued, "While our engineers have found no flaws in either design or manufacturing of the newest products we are certain that our customers will spend every waking minute of every day until they find some sort of minor flaw as regards our latest cameras. We fully intend to actually test and use these new cameras ourselves before unleashing them on the public. To this end we are shipping and then subsequently recalling the cameras in order to be authentically present in the process."

We may actually put the newest two cameras; the D500 and D5, on to what we now call our "permanent recall list" in order to be prepared for the eventual rush of repairs for things like "nano battery cover texturing failure" and "perceived shutter button torsional flex." 

Asked for the logic in these steps "Steve" went on to say that having products on permanent recall was an important part of the training process for the legion of customer service call center employees, teaching them to repeat, in dozens of languages,  the following phrases: "This is the first we have heard of such issue!" "It sounds like drop damage to me!" "We'll need you to send in the body and all your lenses so that we may evaluate your claim." "Water damage is not covered by our warranty." "Usage is not covered by our warranty." "Ownership is not covered by our warranty."  And our favorite: 
"Your camera meets all our specifications and tolerances." 

Since the cameras will be in permanent recall dealers and customers will not be able to actually buy these new models and are waiting anxiously for the announcement of Nikon's even newer line, the D510 and the D5mk10. These models are being readied but will be in short supply because the models intended for shipping to countries with strong consumer protection laws are already slated for some sort of ...... recall. 

For more information please visit our micro website: nikoneternalrecall.com


Well, I'll admit I was a little surprised by this move by Nikon. I own several D750s and I have not been able to replicate the issues that have plagued that model but this announcement will motivate me to test every camera I own under ever more rigorous conditions in the hopes that I too will be able to participate in another recall. I have found that yanking the sensor out of the camera and letting it sit on the sidewalk in bright sun for hours has a deleterious effect on its performance. That, and it's hard to stick back into the body --- which I now consider a critical design flaw....

(Just a little ribbing for a Friday morning...).






One of the original Craftsy Photo Classes and 
still one of the best! 

I met Lance a couple of weeks ago in Denver
and found him to be really fun and knowledgeable 
this class reflects what he teaches in hands-on
workshops in Ireland and Iceland, as well as 
cool places around the U.S.

How to make what we shoot into a cohesive
train of visual thought.




Thursday, March 03, 2016

It's "ART" because it's in black and white. And don't you forget it. Plus, we've got bokeh!









One of the original Craftsy Photo Classes and 
still one of the best! 

I met Lance a couple of weeks ago in Denver
and found him to be really fun and knowledgeable 
this class reflects what he teaches in hands-on
workshops in Ireland and Iceland, as well as 
cool places around the U.S.

How to make what we shoot into a cohesive
train of visual thought.


Steeling myself for the SXSW onslaught. Could this be the year we do the definitive video of the whole happening?


In one week the hordes of pale people, dressed in black on black on black, will arrive in the three square miles of downtown that embrace SXSW. Our usual coffee houses will be overrun by people with Minnesota, New York and Southern Californian accents. Lots of people will smoke cigarettes...in a show of youthful rebellion. Some people will wear their pants so low you'll be able to see their vertical smiles. Some people will wear skinny jeans that probably need to be applied, medically, at the beginning of each day. All of them will walk around downtown Austin in a most meaningful trance, convinced that everything is here and now.

The locals will rent them their houses for astronomical amounts of money and then grab tents and sleeping bags and a week's worth of Trader Joe's wine and head to Ft. Davis State Park or Big Bend State Park to wait out the Tsunami of hipsterism; and count their winnings. The unfortunate locals who stay will be glued to their apps, looking for alternate routes around the implied coolness.

If you are lucky enough to live in West Austin you can hunker down in your own neighborhood with quarts of Ben & Jerry's Cherry Garcia and wait it out. If you are young you can go downtown and wander around with the riffraff, looking for free venues, free samples and free swag. Test drive an all electric Chevy Cruise, play with virtual reality googles, listen to bands who are begging for meals at Denny's. And generally make life miserable for the hourly workers who can't change their schedules, attend conferences or circumvent transportation delays.

If you own a downtown business you've long since learned how to rent it out to dumbass startups for hedge fund type fees. If you are a local musical artist you're working on figuring out how to get to your venues on time while Uber jacks your rates. If you are struggling photographer you might have already sold your soul (and cut the legs out from under your chosen profession) by signing up to be a "volunteer" photographer for the vastly wealthy company that owns SXSW. You work like a dog, give them all the images and all the rights, in exchange for entry into a few paltry events that you would never --- during the normal year --- have even consider attending, just so you can say you were there and you were a photographer. No matter that you became management's bitch of the moment.

Ah. SXSW. The chamber of commerce loves it. The rest of the city hates it. Not like Austin wouldn't be wonderful without it. We survived in a state of high coolness for decades before someone inflicted all this crap on us. No one ever had to detour because of the Armadillo World Headquarters....

But I don't care. It starts the same time as my kid's Spring Break. He'll be home and we'll have fun. His generation already knows SXSW for what it really is; A chance to fleece the people who wish they were cool enough to live here year round. Maybe this year he and I will form a father/son grifter team and go sell them all elevator passes for the JW Marriott and the Convention Center. Could be fun...




One of the original Craftsy Photo Classes and 
still one of the best! 

I met Lance a couple of weeks ago in Denver
and found him to be really fun and knowledgeable 
this class reflects what he teaches in hands-on
workshops in Ireland and Iceland, as well as 
cool places around the U.S.

How to make what we shoot into a cohesive
train of visual thought.


Studio Dog is my co-pilot. Adventures in cars.


Studio Dog and I were out for a joy ride when we spied a roving band of renegade of squirrels. She insisted that we pull over and give chase but I outvoted her. I'd been to the hard, early workout today and didn't have the energy to fling open the car doors and give chase to small rodents. She was clearly miffed but we rode on. There were one or two other incidents in which Studio Dog could not believe my reticence to give proper chase. One included three lazy cats in a yard near a stop sign. "Easy pickings!!!" she exclaimed. I rolled through the stop sign and she sighed a resigned sort of sigh. One that clearly said, "Chicken."

We were out testing a new camera. I don't own it; I'm just borrowing for evaluation. It's the new 100 megabyte Sony RX10-3. ISO up to 400,000, 30 frames per second. 19 stops of dynamic range. Alternative dimension pixel arrays that yield pixel wells 10 microns across, in nano quant sublimated space. It also includes flea and tick euthanizing technology.

We chased a slow, fat, mailman, Pee'd on many, many things. Laughed, cried, and headed home for treats. It was a productive day. Not for civilization or photography but for general carousing.

It's a dog's life and I'm lucky to share it. Vote Terrier in the upcoming election... I'm afraid Studio Dog will insist on it.