Some people are shy about approaching strangers. Me? Not so much. With kids these days I always ask a parent first. Always. Even if the kid is doing something so cute and unrepeatable that I'd love to click the shutter right now. No permission from mom or dad? No pix. Just my approach... All the kids here have had their "participation" approved by one of their parents.
I wrote a post this morning meandering around about which camera or cameras to take with me downtown to casually photograph at the "Die de Los Muertos" event. I thought about Leica CLs with big lenses and CLs with little lenses and then, about fifteen minutes before B. and I were about to walk out the door I switched gears entirely, dumped all the choices on the dining room table, went out to the office and grabbed the Fuji GFX 50Sii camera with the 35-70mm zoom lens and also snapped up an extra battery. I used that one camera and one lens for the hour and a half I spent downtown making these photographs. It was actually fun.
The camera is not the quickest focusing camera in the world but it makes really, really nice files. B. and I walked over about a half mile from my usual parking spot and watched the parade of bands, dance teams and weird floats make their way down Congress Ave. After the parade B. went off to find her sister who was in town for the event and they caught up while I walked through the crowds very gently asking people if I could photograph them. No one turned me down. No one hesitated. But it only makes sense. If you are going to go to all the trouble to paint your face and make a costume I'm thinking it's a pretty sure bet that you'd love to be photographed. But I still asked before I shot.
We were starving by 2 o'clock so we walked back over to Lamar Blvd. and had lunch at the Whole Foods flagship store. Lots of veggies and some mashed potatoes and a piece of fish for me. And some fizzy water. After lunch we headed over to the West Chelsea Contemporary Art Gallery where we had been invited to a Q and A with the artist, Cey Adams. His work is a blend of Pop and Graffiti with a liberal amount of repurposed imagery from 1950s and 1960s print advertising. He's definitely a hot property in the art markets right now. Call me a cheapskate but as much as I liked some of his work I was not feeling particularly motivated to drop $30,000 to $60,000 on a painting this weekend. Gotta keeps something in reserve in case Leica M11-P cameras actually start to ship. Right?
The files I shot today didn't need much work in post. The camera meter is pretty accurate and if the camera had time to lock focus I never had to worry about sharpness. Be sure to look at the images on the big screen. Otherwise why bother? I thought that 500 images was a good "take" for a less than two hour shoot and I have about 60 selected that I like the looks of. It's not so hard to do the work and finish the work. You just have to want it.
Experimental frame with dropped out/replaced background.
Sure. Bacon wrapped hot dogs fried in bacon fat. What could go wrong?
Not exactly a WFPB diet option. But who am I to judge?
I ate more different birthday cakes this week than I could count.
And none of them were particularly healthy. I know that for sure.
Is Champagne on the WFPB diet? Should be....
The barricades lining the parade route were mostly ignored by all manner of photographers.
I'm a stickler. No press pass? I'll stay on the other side and shoot across.
But that's just me.
Sorry. Just one draft. No re-writes. Life's too short to fuss.
Do you think the Fuji GFX 50 has a medium format “look?”The sensor size isn’t really that close to the size of film medium format and the megapixels aren’t that much higher then the high end of 35mm digital.
ReplyDeleteHi Dr. Nick, The frame/sensor area is 70% larger than a full frame camera. So it's different. Not as big a difference as a 6x6cm film camera but still quite noticeable. Especially with fast, longer lenses.
ReplyDeleteDid you look at the photos? Could you see a difference? Why not?
Much of the difference between formats is down to focal lengths of lenses, maximum apertures and the like.
Also, if the sensor has 70% more area that a FF sensor with the same resolution then logically the pixels or pixel wells are also bigger, accept more light, have lower noise and a different look. Not as quickly susceptible to the effects of diffraction as are the sensors with smaller pixels. Etc. So many variables. Pick the ones that are important to you.
Or just buy one of each and find out for yourself. What do you have to lose?
I can't wait to see them on my biggly computer monitor!
ReplyDeleteWait. What. Mr Kirk changed his mind on a camera.
ReplyDeleteThat has never, ever happened before. Clearly VSL has been hacked by the new AI overlords, and the zombie apocalypse has begun - cleverly hidden in images of a street carnival.
:~)
Hope you had as much fun as it looks in the blog.
Amazing colours !
ReplyDeleteKirk I am curious about your color profile and any adjustments you made in camera to it for these photos. Cropping and minor adjustments are par for the course, but the closer I can get to great color in camera of course is best. I've wondered the same when you shoot your leica's. How much work done in camera and how much in post?
ReplyDeleteThanks...
I had a small bet on that you would go with the “naked” Sigma FP and pass as a tourist using the back screen.
ReplyDelete"I had a small bet on that you would go with the “naked” Sigma FP and pass as a tourist using the back screen."
ReplyDeleteActually thought about that. Might have been equally interesting...
Me gustan estas fotos. No tenemos ninguna celebración del dÃa de los muertos aquà en Merryland.
ReplyDeleteEstoy de acuerdo: no se permiten fotografÃas de niños sin el permiso de sus padres.
Hola Chris: Translation result
ReplyDeleteMuy triste. Ojalá vuelvan a empezar el festival para que todos se diviertan, coman churros y se pinten la cara....
i agree with everybody else! love the colours! love to know how you get them! i bet part of it is due to the Austin sun unlike the Vancouver "November to end of March" grey :-) But I bet it's mostly your skill when taking the photo and and wee bit in post!
ReplyDeleteGreat images Kirk. That camera and lens make a fine combination.
ReplyDeleteRoland - the November-to-March grey period in Vancouver is a good time to use B&W (a.k.a. Monochrome).
Gray day for the most part in Austin. Roland, make a Lightroom profile for your camera. Get it just right. Pump up the saturation if you want. Find the colors that are weakest and fix them in the profile. Add the sharpening you find you usually use. Then apply that profile to files from that camera when you import them. Cuts out a lot of the work and gets you into the ballpark of the look you want.
ReplyDeleteI wish I had been in Austin (or anywhere in the southwestern US) to photograph it's Dia de los Muertos celebration. My Fuji X-T3 could have captured similar colors, but the visual acuity of your GFX 50 images is next level, to the point of being almost hyper-real. The rapid falloff of depth-of-field in images shot at close distances only enhances the effect. Your Leica equipment, as excellent as it is, can only dream of image quality like this. The Fuji GFX 50 also lets those Leica-carrying whipper-snappers know who's really the big dog on the block. Woof, woof!!
ReplyDeleteWhat lovely images. I'm going to start saving for a Fuji Medium format, with a 50mm equiv lens. I miss the medium format fall off.
ReplyDeleteI really like image number 4. My bucket list includes going down to Mexico for the Day of the Dead.
ReplyDelete